Claudette Colbert in The Sign of the Cross (1932) — Costume design by Mitchell Leisen
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Claudette Colbert in The Sign of the Cross (1932) — Costume design by Mitchell Leisen
Manuel Bujados, 1927
The Kiss of Death — Włodzimierz Błocki (1912)
Rainer Maria Rilke, from Rilke and Andreas-Salomé: A Love Story in Letters
Text ID: I want to be you. I want to have no dreams that don't know you, and no desires that you will not or cannot fulfill. I want to perform no deed that does not praise you and tend no flower that does not adorn you. / I want to know nothing of the days that preceded you in my life or of the people who dwell in those days.
Marguerite Duras, from "The Ravishing of Lol Stein," originally published in 1986
Satyre et Nymphe, 1914 by Antoine "Anto" Carte (Belgian, 1886–1954)
The mysticism of Ereignis, Gelassenheit and deconstruction.
— Jacques Derrida, The Gift of Death
Oswaldo Cepeda
As the shadows rise
"No one can speak with us and no one can speak for us; we must take it upon ourselves, each of us must take it upon himself... If Paul says 'adieu' and absents himself as he asks them to obey, in fact ordering them to obey (for one doesn't ask for obedience, one orders it), it is because God is himself absent, hidden and silent, separate, secret at the moment he has to be obeyed. God doesn't give his reasons, he acts as he intends, he doesn't have to give his reasons or share anything with us: neither his motivations, if he has any, nor his deliberations, nor his decisions. Otherwise he wouldn't be God, we wouldn't be dealing with the Other as God or with God as tout autre. If the other were to share his reasons with us by explaining them to us, if he were to speak to us all the time without secrets, he wouldn't be the other, we would share a type of homogeneity. — Jacques Derrida, The Gift of Death
Baal Bal /// Baal was a Babylonian term used much like we’d say “a god” in English - not the name of ONE god in particular. This is one of the Babylonian Baals