🪼
Janaina Medeiros
hello vonnie
Misplaced Lens Cap
PUT YOUR BEARD IN MY MOUTH
Game of Thrones Daily
Kaledo Art
roma★
YOU ARE THE REASON
#extradirty
2025 on Tumblr: Trends That Defined the Year
Not today Justin
Show & Tell
Three Goblin Art
Discoholic 🪩
Monterey Bay Aquarium
One Nice Bug Per Day
I'd rather be in outer space 🛸
blake kathryn
@theartofmadeline
seen from United States
seen from Malaysia
seen from Maldives
seen from Belarus
seen from Maldives
seen from United States
seen from United Kingdom
seen from United States
seen from Singapore
seen from United States
seen from United Kingdom
seen from United States
seen from United States
seen from Germany
seen from T1
seen from South Africa
seen from Malaysia
seen from United States
seen from Malaysia
seen from Germany
@ghostlybookworm
Last reading. #bookstagram #georgegissing #gissing #Victorian #bookcover #women #womancondition #feminism #england #victoriannovel #book #novel #bookphotography #bookaesthetic https://www.instagram.com/p/CFPf321A6aq/?igshid=6ep7ebnjtiis
Last reading. #bookstagram #nightfilm #marishapessl #thriller #mystery #book #novel #bookcover #cordova #bookshelf #bookaesthetic #bigbooks #detective https://www.instagram.com/p/CD4A8CdA7OL/?igshid=11eo23jhqmwuo
by Francesco Bellegotti
Veronica Lake in I Married a Witch (1942)
"You're light as a feather."
Camilla Macaulay
I was tagged by @vvaugh (thank you so much!) to post 10 gifs of my top ten movies. I tag: @minyardy @nehmesis @lennuieternel (only if you want to).
Taxi Driver (1976)
holds book, but in a witchy way
Jane Eyre, Charlotte Bronte
A Walk at Dusk (detail) Caspar David Friedrich ca.1830-35
Quarantine (thanks @enteraesthetic)
969. Banner
Viridian Isle’s new town flag~
It’s about women disappearing into the moors
By Siniša Višković
“This is the first full-length study in English of Camus’s life-long fascination with the works of the Russian writer Feodor Dostoevsky. The purpose of the book is to demonstrate the ways in which Dostoevsky’s thought and fiction served to stimulate and crystallize Camus’s own thinking. Davison lucidly identifies the lines of divergence and counter-arguments which Camus produced as answers to the challenge of Dostoevsky’s Christian/Tzarist vision of life.
The traditional methods of comparative literary criticism are jettisoned in favour of the more exciting claim that Camus’s literary and philosophical texts can be read as precise and detailed replies to some of Dostoevsky’s central beliefs about immortality, religion and politics. The study ranges freely over the entirety of the works of both major writers.”
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