GIANT’S TOE

Sandra / 27 / she/her

[herpsandbirds]

Ecuadoran Horned Anole or Pinocchio Anole (Anolis proboscis), family Dactyloidae, Ecuador

ENDANGERED.

photograph by R. Jaffrey

[christianrichardrice]

Vincent Van Gogh, Patch of Grass, 1887.

[calleido]

thakgil, iceland by alexander zhukau

[dozydawn]

[theyfabfuta]

[rnismatch]

my camel straight up told me "man i am not carrying another fucking straw" like wtf asshole its just one straw whats your fucking issue

[pisces-core]

[jaimeshanice]

"This is your last chance. After this, there is no turning back. You take the blue pill - the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill - you stay in Wonderland and I show you how deep the rabbit hole goes."

The Matrix (1999) dir. Lana Wachowski & Lilly Wachowski

[lmpure]

[remanence-of-love]

[noxcordis]

via

[zegalba]

a street light in Wroclaw, Poland.

[medievalthymes]

how it feels to read 85 pages of a book in one sitting

[heavenlyrainbow]

[peashooter85]

Viking sword uncovered near Langeid, Norway, 10th - 11th century.

from The Museum of Cultural History

[critical-objects-deactivated202]

Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.

Laura Aguilar, Grounded #111, 1992

[blairwitchdiaries-deactivated20]

👀👀 not gonna name names but SOME of u are sweet and kind and deserve the world and i am rooting for u