Musician!JayPark x NepoBaby!Reader
: ̗̀➛ Genre: Angst, Smut, Toxic Relationship, Musician AU, Nepo Baby AU, Addiction, Tragedy, No Happy Ending
: ̗̀➛ Summary: You’re the daughter of a powerful music executive— gorgeous, privileged, and bored with your silver-spoon life. Jay Park is the rising star your father just signed— talented, damaged, and running from demons you can’t see yet. What starts as a reckless hookup at an industry party becomes an addictive spiral of drugs, sex and destructive love. As Jay’s status rises and his addiction deepens, you’re pulled into a darkness you can’t escape. Some love stories don’t have happy endings. Some people are too broken to be saved. And sometimes, love isn’t enough to keep someone alive. Will any of it matter when he burns it all down?
: ̗̀➛ Content warnings: Explicit sexual content (18+ MDNI), graphic drug use (cocaine, alcohol), substance abuse and addiction, fatal overdose, verbal and emotional abuse, degradation (sexual), rough sex, dubious consent (both parties under the influence), cheating and infidelity, toxic codependency, self-destructive behavior, manipulation, childhood trauma mentions, no condom use, graphic descriptions of drug use and overdose, character death, grief, depression, no happy ending, tragic ending.
: ̗̀➛ Song: Ultraviolence by Lana Del Rey
: ̗̀➛ Authors note: This fic destroyed me to write, so I hope it destroys you to read. Jay and reader are based in 2007 LA— flip phones, paparazzi culture, and the height of industry excess. This is a tragedy about addiction, toxic codependency, and the brutal reality that love alone cannot save someone who’s determined to self-destruct. There’s no redemption arc here, no happy ending, no lesson learned. Just two people who loved each other in the most destructive way possible. Reblogs, commmets, likes and feedback keep me writing, but please take care of yourselves while reading this.❤️
The party is already in full swing when you arrive, fashionably late because that’s what’s expected of you.
Your father’s label has rented out the entire top floor of some pretentious hotel in West Hollywood—the kind of place with marble everything and champagne that costs more than most people’s rent. The bass from the speakers thrums through the floor, some remix of a top 40 hit that’ll be forgotten in a month. Crystal chandeliers catch the light from the DJ booth, scattering fragments of gold across the crowd of executives, artists, socialites, and people who are famous for being famous. You’ve been to a thousand parties exactly like this one. You’re bored before you even step off the elevator.
Your mother air-kisses both your cheeks without actually touching you, careful not to smudge her lipstick. She’s wearing Chanel— she’s always wearing Chanel— and her smile is the same one she uses for magazine covers. Practiced. Perfect. Empty.
“Darling, you look beautiful,” she says, even though she helped pick out the dress. Black lace slip dress that barely reaches mid-thigh, red bottom Louboutins that make your legs look endless. Your father’s credit card swiped without a second thought at Barneys yesterday afternoon.
“Thanks, Mom.” You accept a champagne flute from a passing waiter, though you have no intention of drinking it. Champagne is for people who want to look like they’re having fun. You prefer substances that actually deliver.
Your father appears at your mother’s elbow, already deep in conversation with some A&R rep whose name you’ve forgotten. He notices you and his expression shifts into that particular brand of paternal pride that’s really just self-satisfaction.
“There’s my girl,” he says, pulling you into a one-armed hug that’s more for show than affection. “I want you to meet some people. Come on.”
You follow because that’s what you do. Smile, shake hands, laugh at jokes that aren’t funny, let men twice your age hold your hand a little too long while their wives pretend not to notice. You’re good at this. You’ve been trained for this your entire life.
The party stretches out before you like every other party—a blur of small talk and stale ambition. You excuse yourself after twenty minutes, slipping through the crowd toward the balcony where you know you’ll find relative privacy.
The Los Angeles skyline glitters below, smog softened by distance into something almost beautiful. You pull a pre-rolled joint from your clutch— you’d rolled it this morning, something to take the edge off— and light it with your Cartier lighter.
The first inhale settles something in your chest. The second makes the party sounds fade to background noise. By the third, you’re floating just enough to tolerate going back inside.
You smoke two joints in quick succession, letting the high build until the world has that pleasant fuzzy quality that makes everything bearable. When you finally return to the party, your eyes are glassy and your smile is genuine for the first time all night.
He’s standing near the makeshift stage with your father and two other men, and you know immediately he’s the rising star your dad’s been going on about all week. Some musician the label just signed, the “next big thing,” another artist who’ll either make it or burn out spectacularly within a year.
You’ve heard the name. Seen it on some blog or another. But you weren’t prepared for him to look like that.
He’s wearing all black— fitted shirt with the sleeves rolled up, exposing forearms that are surprisingly cut, dark jeans that sit low on his hips, leather jacket slung over one shoulder. His hair is longer than the usual corporate clean-cut, falling into his eyes in a way that’s probably calculated but looks effortless. There’s a silver chain around his neck catching the light.
He looks like sex and danger and bad decisions.
And he’s staring directly at your ass. You catch his eyes flick up when he realizes you’ve noticed, but he doesn’t look away. Doesn’t even have the decency to look embarrassed. Instead, he smirks— slow and deliberate— before turning his attention back to whatever your father is saying. Cocky. You hate that it works on you.
Your father sees you approaching and his whole face lights up with that particular brand of enthusiasm that means he’s about to use you for networking.
“And here she is!” He reaches for you, pulling you into the circle. “Gentlemen, my daughter. Sweetheart, I want you to meet Jay Park. He’s the artist I’ve been telling you about— the one who’s going to change the game.”
Jay extends his hand, and when you take it, his grip is firm, his hand warm. His eyes meet yours and there’s something sharp in them, assessing. Like he’s trying to figure out what you’re worth.
“Pleasure,” he says, and his voice is lower than you expected. Rough around the edges in a way that suggests cigarettes and late nights.
“The pleasure’s mine,” you reply, your tone bored even though your pulse kicks up a notch.
Up close, he’s even more attractive. Sharp jawline, full lips, eyes that are almost black in this lighting. There’s a restless energy to him, like he’s barely containing something wild. You can smell whiskey on his breath, see the slight dilation of his pupils that suggests he’s not entirely sober.
“Your father says you’re interested in music,” Jay says, though the way he’s looking at you suggests music is the last thing on his mind.
“I’m interested in a lot of things.” You let the words hang, ambiguous and inviting.
His smirk widens. “I bet you are.”
Your father, oblivious to the undercurrent, launches into some speech about Jay’s demo, the sound he’s cultivating, the tour they’re planning. You tune it out, watching Jay instead. The way he nods along, saying all the right things, playing the part of the grateful artist. But his eyes keep finding you, trailing down your body with an appreciation that’s just shy of inappropriate given the setting. You wonder if your father notices. You wonder if you care.
“Jay’s performing tonight,” your father says, finally wrapping up his pitch. “A few songs, let people hear what we’re working with. You should stay and watch.”
“I wouldn’t miss it,” you say, directing the words at Jay rather than your father.
Something flickers in Jay’s expression— heat, promise, danger. He holds your gaze for a beat too long before your father is pulling him away, introducing him to someone else, someone more important.
But before he goes, Jay leans in close enough that you can feel his breath against your ear. “Stick around after,” he murmurs. “I’ve got something you’ll like.”
Then he’s gone, swallowed by the crowd, leaving you standing there with your heart racing and heat pooling low in your stomach. You need another joint.
An hour later, you’re leaning against the bar nursing a vodka cranberry you haven’t touched when the lights dim and your father takes the stage.
He gives the usual speech— thanking everyone for coming, talking up the label, building anticipation. Then he introduces Jay, and the crowd shifts, attention focusing on the stage as Jay steps into the spotlight.
He’s ditched the leather jacket. The stage lights catch on the silver chain, on the rings on his fingers when he picks up the guitar. There’s a moment of feedback, then he’s playing— something dark and hypnotic, all minor chords and driving rhythm. And then he starts singing.
His voice is raw and raspy, the kind of voice that sounds like it’s been dragged through gravel and smoke. The lyrics are explicit without being crude, sexual without being tacky. It’s the kind of music that makes you think of sweat-slicked skin and tangled sheets and the kind of mistakes you make at 3 AM.
You watch his fingers move on the guitar strings, watch the way his throat works when he hits the high notes, watch the way he rolls his hips slightly on the downbeat. It’s hypnotic. Sexual. Deliberate. And he’s looking right at you while he does it.
The song builds, tension coiling tighter and tighter until it finally breaks on the chorus, and you feel it in your body— that same tightening, that same need for release. Around you, people are nodding along, but you’re frozen, trapped in the pull of his gaze. He performs three songs total. Each one filthier than the last. Each one feeling like it’s meant for you specifically.
By the time he finishes, you’re wet and you haven’t even touched him. The crowd applauds. Your father looks pleased. Jay sets down the guitar and disappears backstage, and you wait exactly ninety seconds before you follow.
You find him in the hallway outside the green room, leaning against the wall with a bottle of wine in one hand. He’s already drunk half of it, you notice. There’s a restlessness to him now that the performance is over, that manic energy that needs an outlet.
“Enjoy the show?” he asks, not bothering with pleasantries.
“You were okay,” you lie.
He laughs— sharp and knowing. “Liar. You were eye-fucking me the entire time.”
“Maybe I was just trying to figure out what all the hype is about.”
He pushes off the wall, closing the distance between you in two strides. Up close, you can see the sheen of sweat on his skin from the stage lights, can smell whiskey and something sharper underneath. Drugs, probably. The thought should concern you more than it does.
“You’re pretty when you lie,” he says, his voice low. “But you’re even prettier when you’re high. How many joints did you smoke before you came back inside?”
Your breath catches. “Two.”
“Mm.” His eyes drop to your mouth. “You got any left?”
“Depends.” You tilt your head, looking up at him through your lashes. “What are you offering in exchange?”
His hand comes up, fingers curling around your jaw, tilting your face up. “What do you want?”
The honest answer is you. The honest answer is that you’ve been wet since the moment he looked at you. The honest answer is that you want him to push you against this wall and make you forget your own name. But you don’t say any of that. Instead, you lean in close enough that your lips almost brush his ear.
For a moment, neither of you moves. The hallway is empty, the party sounds muffled through the walls. There’s nothing but the sound of your breathing and the tension crackling between you like a live wire.
Then Jay’s hand slides from your jaw to the back of your neck, gripping hard enough to make you gasp, and he’s kissing you.
It’s not gentle. There’s nothing sweet or exploratory about it. His mouth is hot and demanding, his tongue pushing past your lips, tasting like whiskey and want. You kiss him back just as hard, fisting your hands in his shirt, pulling him closer even though there’s no space left between you.
He walks you backward until you hit the wall, never breaking the kiss. His free hand finds your waist, your hip, slides down to grab your ass through the thin lace of your dress. You moan into his mouth and he swallows the sound, biting your bottom lip hard enough to sting.
“Fuck,” he breathes against your mouth. “You’re trouble.”
His hand slides higher, fingers brushing the edge of your dress where it’s ridden up. “Your daddy know you’re out here with me?”
“My daddy doesn’t know a lot of things.”
“Good.” His fingers hook under the hem of your dress. “Let’s keep it that way.” Then he’s pulling back, grabbing your hand, dragging you down the hallway. You follow without question, your pulse pounding in your ears, heat coiling tighter and tighter in your core.
He pushes open a door— a bathroom, marble and gold and excessive like everything else in this fucking hotel— and pulls you inside. The lock clicks.
For half a second, you just look at each other. His pupils are blown wide, his breathing ragged. There’s a wild look in his eyes that should scare you but instead just makes you wetter.
“Last chance to walk away,” he says, but his hands are already reaching for you.
You grab his shirt and pull him in. “Shut up and fuck me.”
Something in him snaps. He spins you around, pushing you forward until you’re bent over the marble sink, your palms flat against the counter. The mirror reflects both of you back— your flushed face, your kiss-swollen lips, his hands already shoving your dress up over your hips.
“Look at you,” he murmurs, his eyes meeting yours in the mirror. “Daddy’s little girl, bent over and desperate for it.”
“Fuck you,” you gasp, but there’s no heat in it.
“Oh, I’m going to.” His hand comes down hard on your ass and you bite back a moan. “But first, I want to see how wet you are.”
His fingers hook into your panties, dragging them down your thighs. You hear his sharp intake of breath when he sees how soaked you are, and it sends a bolt of satisfaction through you.
“Dirty little thing,” he says, almost to himself. Then louder: “You get this wet for everyone, or just for me?”
“Just you,” you admit, and it’s the truth.
“Good answer.” His fingers slide through your folds, teasing, and you push back against his hand. He laughs, low and mean. “Desperate already? We haven’t even started.”
“Then start,” you demand, and he responds by pushing two fingers inside you without warning. You cry out at the sudden fullness, and his other hand clamps over your mouth.
“Quiet,” he commands. “Unless you want everyone at this party to know what a dirty money whore you are.” The words should offend you. Instead they make you clench around his fingers, and he notices.
“Oh, you like that.” His fingers pump in and out, rough and fast. “You like being reminded that underneath all that expensive lace and designer heels, you’re just a spoiled brat who needs to be fucked.”
You moan against his palm, your hips rocking back to meet his thrusts. His fingers are thick and skilled, finding that spot inside you that makes your legs shake. But it’s not enough. You need more.
As if reading your mind, he pulls his fingers out, and you whimper at the loss. You hear the sound of his belt, his zipper, and then his hand is on your hip, positioning you.
“Condom?” he asks, and there’s a hint of hesitation there, the first crack in his dominant facade.
“Pill,” you gasp. “I’m on the pill. Just—please—”
“That’s better.” He pushes inside you in one hard thrust and you both groan. He’s bigger than you expected, the stretch almost too much, almost painful. But then he’s moving, pulling almost all the way out before slamming back in, and the pain melts into pleasure so intense you see stars.
“Fuck, you’re tight,” he grunts, his fingers digging into your hips hard enough to bruise. “Taking my cock like you were made for it.”
He sets a brutal pace, each thrust driving you forward against the sink. The marble is cold against your palms, a sharp contrast to the heat building inside you. You watch in the mirror as he fucks you— his face twisted in concentration, a sheen of sweat on his forehead, his hips snapping against yours with a rhythm that’s almost musical.
Your own reflection is wrecked— hair falling out of its careful styling, makeup smudged, lips parted as you try to stay quiet. But it’s getting harder with each thrust, each time he hits that spot deep inside that makes your whole body light up.
A particularly hard thrust makes you cry out, and his hand moves from your hip to your mouth again.
“I said quiet,” he growls. “Or do I need to give you something to keep that pretty mouth busy?” He pulls his hand away just long enough to push two fingers past your lips. You suck them obediently, tasting yourself on his skin, and he groans. “That’s it. Suck my fingers like the good little slut you are.”
His other hand snakes around your body, finding your clit and rubbing harsh circles. The combination of sensations— his cock inside you, his fingers in your mouth, the pressure on your clit— is overwhelming. You feel your orgasm building, that familiar tension coiling tighter and tighter.
“You gonna come for me?” he asks, his voice rough. “Gonna come all over my cock while your father’s just down the hall?” You nod frantically, unable to speak around his fingers, and he picks up the pace. His thrusts become erratic, harder, and his fingers on your clit are relentless.
“Come,” he commands. “Come for me right fucking now.” And you do.
Your orgasm hits you like a wave, so intense your legs actually give out. He holds you up with one arm around your waist while you shake and spasm around him, and you feel it— a rush of wetness that you’ve only experienced a handful of times before.
“Fuck yes,” Jay groans, feeling you squirt around him. “That’s it, that’s my girl, give it to me—”
He fucks you through it, prolonging your orgasm until you’re sobbing against his fingers, overstimulated and wrung out. Only then does he let himself go, his rhythm stuttering as he buries himself deep and comes inside you with a low groan.
For a long moment, neither of you moves. You’re both breathing hard, the bathroom filled with the sound of it and the lingering smell of sex. Slowly, he pulls out, and you feel his cum drip down your thigh.
He tucks himself back into his jeans while you straighten up on shaky legs. Your reflection in the mirror is obscene— thoroughly fucked, makeup ruined, hickeys already blooming on your neck and collarbone that you’ll have to cover up before you go back out there.
Jay meets your eyes in the mirror, and for a moment something passes between you. Recognition, maybe. Or acknowledgment of what you’ve just started. Then he smirks, adjusting his shirt.
“You should clean up. Can’t have daddy seeing you like this.” The spell breaks.
You pull paper towels from the dispenser with shaking hands, cleaning yourself up as best you can. Your panties are ruined, so you ball them up and shove them in your clutch. Your dress is wrinkled but there’s nothing you can do about that. The hickeys are going to be a problem, but you’ll figure it out. Jay watches you the entire time, that infuriating smirk still on his face.
“What?” you snap, suddenly irritated with him, with yourself, with this whole situation.
“Nothing.” He reaches for the door handle. “Just thinking this is going to be fun.”
“This. Us.” He looks you up and down one more time. “Whatever the fuck this is.”
Then he’s gone, slipping out of the bathroom without another word, leaving you alone with your racing heart and the ache between your legs.
You wait five minutes before you follow. Long enough to fix your hair, dab at the hickeys with concealer you don’t have, give up and hope no one looks too closely.
When you finally emerge, the party is still going strong. Nobody seems to have noticed your absence.
You spot Jay across the room, surrounded by industry people, playing the part of the grateful artist again. He catches your eye for just a second, and the heat in his gaze makes your breath catch.
Then someone hands you a drink, pulls you into a conversation, and you’re back in your role too. Daddy’s perfect little girl. The socialite. The trust fund baby who has everything. But underneath the expensive dress and the fake smile, you can still feel him between your legs. Can still taste his fingers in your mouth. Can still hear his voice calling you a dirty money whore.
You don’t hear from him for a week. Not that you expected to. You didn’t exchange numbers, didn’t make plans, didn’t do anything that would suggest the bathroom at your father’s party was anything more than what it was— a quick fuck between two people who wanted each other.
Still, you check your phone more than you’d like to admit. Flip it open during boring lunches with your mother, during shopping trips on Rodeo Drive, during another insufferable charity gala where you smile and nod and pretend to care about whatever cause is trendy this month.
You tell yourself you don’t care. There are plenty of other guys— actors, models, trust fund brats who’d love to get their dirty hands on you. You’ve fucked half of young Hollywood already. Jay Park is nothing special.
Except you can’t stop thinking about the way he bent you over that sink. The way he called you daddy’s little girl. The way he made you squirt all over his cock while your father was down the hall. You smoke more weed than usual that week but it doesn’t help.
It’s the following Friday when you see him again.
Your father’s having another industry thing—this time it’s a showcase at some trendy club in West Hollywood, the kind of place with velvet ropes and a guest list that determines your worth as a human being. Several of the label’s artists are performing, including Jay.
You almost don’t go. But your mother insists— “It’s important to support your father’s work, darling”— and you’re bored enough that even a shitty showcase sounds better than another night alone in your apartment getting high and watching reality TV.
You dress deliberately. A red slip dress this time, even shorter than the black one. Fuck-me heels. Your hair loose and wild. If you’re going to run into him, you atleast want him to remember exactly what he’s missing.
The club is packed when you arrive, already thick with cigarette smoke and the smell of expensive cologne. The music is too loud, the drinks are overpriced, and everyone is trying too hard. Standard LA bullshit.
Your father finds you immediately, pulling you into the VIP section where he’s holding court with various executives and artists. You accept a vodka soda from the waitress and settle in for a long night of forced conversation.
That’s when you see them.
Jay is standing near the bar with a woman you don’t recognize. She’s older than you— maybe late twenties, early thirties— dressed in a crisp white button-down tucked into fitted black pants. Professional. Put-together. The kind of woman who actually has her shit figured out.
They’re standing close, her hand on his arm as she talks to him. She’s laughing at something he said, and he’s smiling back, comfortable in a way you haven’t seen him before. Something ugly twists in your stomach.
“Ah, there he is!” Your father’s voice cuts through your thoughts. He’s waving Jay over, and you watch as he says something to the woman before heading your way.
Up close, he looks good. Too good. Black t-shirt, leather jacket, jeans that fit perfectly. His hair is slightly messy like he’s been running his hands through it. When his eyes land on you, something flickers in his expression, but it’s gone before you can identify it.
“Jay, you remember my daughter,” your father says, oblivious as always.
“Of course.” Jay extends his hand like you’re strangers, like he wasn’t inside you a week ago. “Good to see you again.”
You take his hand, your skin tingling at the contact. “Likewise.”
The woman from the bar appears at Jay’s elbow, and your father’s face lights up. “Ginny! Perfect timing. Have you met my daughter?”
She’s even more polished up close— sharp features, calculating eyes, a smile that doesn’t quite reach them. She extends her hand and you shake it, noting the expensive watch on her wrist, the diamond studs in her ears.
“It’s lovely to meet you,” Ginny says, her voice smooth and professional. “I’ve heard so much about you.”
“Have you?” You keep your tone light, disinterested.
“Ginny is Jay’s manager,” your father explains. “She’s been instrumental in his development. We’re lucky to have her on the team.”
“How nice.” You take a sip of your drink, your eyes flicking to Jay. He’s watching you with that same unreadable expression.
Ginny shifts slightly, and that’s when you see them. Hickeys. Dark purple bruises just visible above the collar of her white shirt. She’s tried to cover them with makeup but the lighting in here is unforgiving. Your stomach drops.
You look at Jay, and he’s smirking. Actually fucking smirking at you. He did that. You know he did.
“We should probably get ready for soundcheck,” Ginny says, her hand landing on Jay’s arm again. Possessive. Familiar. “They want you on stage in twenty.”
“Right.” Jay nods to your father. “I’ll see you after the set.”
“Looking forward to it,” your father says.
Jay’s eyes meet yours one more time before he walks away, and there’s a challenge in them. A taunt.
What are you going to do about it?
You down the rest of your drink in one swallow.
Jay’s set is different from the party performance. Rawer. The venue is smaller, more intimate, and he feeds off the energy of the crowd. His voice is rough and hypnotic, the lyrics even filthier than before. He moves across the stage like he owns it, guitar slung low, every motion deliberate and sexual.
And he keeps looking at you. Not obviously enough that anyone else would notice. But you feel his gaze like a physical touch, burning across your skin, reminding you of things you’re trying to forget.
By the third song, you’re wet and furious about it.
Ginny is watching from the side of the stage, her arms crossed, her expression proud. Like she has any right to be proud of him. Like she has any claim to him at all. But those hickeys say otherwise.
The set ends to enthusiastic applause. Your father is beaming, already talking about booking bigger venues, planning a tour. Jay says all the right things, plays the humble artist, but his eyes keep finding you in the crowd. You need air.
You slip away from the VIP section, heading toward the back of the venue where you know there’s a door that leads to the alley. You need to smoke, need to clear your head, need to figure out why the fuck you care that Jay is apparently fucking his manager.
You’re halfway down the dim hallway when you hear footsteps behind you.
“Running away?” Jay’s voice cuts through the darkness. You turn. He’s leaning against the wall, backlit by the glow from the club, and he looks like every bad decision you’ve ever made.
“I needed some air,” you say coolly.
“Bullshit.” He pushes off the wall, stalking toward you. “You’re pissed.”
“Ginny’s hickeys.” He’s close now, close enough that you can smell whiskey on his breath. “You saw them.”
“Don’t flatter yourself.”
“Then why are you out here instead of in there with daddy and all his important friends?”
You lift your chin, refusing to back down even though he’s crowding you against the wall. “Maybe I just don’t want to watch you perform like a trained monkey.”
His hand comes up, fingers wrapping around your throat— not squeezing, just holding. A reminder of what he can do to you.
“You’re such a bitch,” he murmurs, but there’s heat in his voice.
“Yeah.” His thumb presses against your pulse point. “But you’re still thinking about me fucking you. Still wet for me even though I left marks on someone else.”
He kisses you hard, his tongue pushing into your mouth, tasting like whiskey and cigarettes and bad choices. You kiss him back just as rough, biting his lip, fisting your hands in his jacket. This is stupid. Your father is in the club. Ginny is probably looking for him. Anyone could walk back here.
Jay’s hand slides up your thigh, pushing your dress up, and you spread your legs for him without hesitation. His fingers find you already soaked, and he groans into your mouth.
“Fuck, you’re dripping,” he breathes. “All from watching me on stage?”
You reach for his belt, but he catches your wrist. “Not here. Too exposed.” He glances around, then grabs your hand. “Come on.”
He pulls you further down the hallway to a door marked “Storage.” It’s unlocked, and inside is exactly what you’d expect— boxes of liquor, cleaning supplies, random equipment. And barely any light. Perfect.
The door barely closes before Jay is on you again, spinning you around and pushing you face-first against the wall. Your cheek presses against the cold concrete as his hands yank your dress up over your hips.
“No panties?” He sounds genuinely surprised.
“I learned my lesson last time.”
“Good girl.” His hand comes down hard on your ass and you bite back a moan. “Learning so fast.”
He’s already unbuckling his belt, the sound of his zipper obscenely loud in the small space. Then he’s pushing inside you in one brutal thrust and you both groan.
“Fuck,” he grinds out. “Still so fucking tight.”
There’s no finesse to this. It’s fast and rough and desperate, his hips snapping against yours hard enough that you’ll have bruises tomorrow. One hand is fisted in your hair, pulling your head back, while the other grips your hip hard enough to hurt.
“This what you wanted?” he growls in your ear. “Wanted me to fuck you like the needy little slut you are?”
“Yes,” you gasp, past the point of pride.
“I wanted you to fuck me.”
“And I’m doing that, aren’t I? Giving you exactly what you need.” His hand slides around to your throat, squeezing just enough to make you gasp. “Even though your daddy’s right out there. Even though Ginny’s probably wondering where I went. You don’t care, do you?”
“Because you’re addicted to this cock.”
You want to argue, want to tell him he’s wrong, but he chooses that moment to change his angle and hit that spot inside you that makes you see stars.
“That’s it,” he encourages, feeling you clench around him. “Take it. Take all of it.”
His hand moves from your throat to your mouth, two fingers pushing past your lips.
“Suck,” he commands. You do, hollowing your cheeks, tasting the sweat on his skin. He groans, his rhythm getting erratic.
“Gonna come,” he warns. “Gonna fill this pussy up and send you back out there dripping with my cum.”
The thought alone nearly pushes you over the edge. His other hand finds your clit, rubbing harsh circles, and that’s all it takes. You come hard, your whole body going taut, and you feel him follow a moment later— his hips stuttering as he buries himself deep and fills you.
For a long moment, neither of you moves. You’re both breathing hard, your legs shaking, your mind blissfully blank.
Then Jay pulls out and the spell breaks once again. You straighten up on unsteady legs, smoothing your dress down. He’s already tucking himself back into his jeans, running a hand through his hair.
“You should get back out there,” he says, his tone casual like he didn’t just fuck you in a storage closet. “Before someone notices you’re gone.”
“I’ll wait a few minutes. Can’t have people talking.”
Right. Because that would be bad for his image. Bad for the career your father is building for him. You head for the door, but his voice stops you.
“Hey.” You turn. “This works, right? Us?” He gestures between you. “Just fucking when it’s convenient?”
Something in your chest tightens, but you force a smile. “Perfectly convenient.”
“Good.” He leans back against the wall, and in the dim light you can see the hickeys you left on his neck at your father’s party the other week, already fading. “I’ll see you around then.”
You slip out of the storage room and make your way back to the club, your legs still shaky, his cum slowly dripping down your thigh. No one seems to notice your absence. Your father is still talking business, your mother is holding court with the wives, and Ginny is back at the bar, scanning the crowd. Looking for Jay, probably.
You grab another drink from a passing waitress and down it, trying to ignore the bitter taste in your mouth that has nothing to do with vodka.
This is fine. This is what you wanted, just really good sex when the opportunity presents itself. So why does it feel like you just lost something you never even had?
The pattern establishes itself quickly after that.
You run into each other at industry events— always with your father present, always having to play the part of polite acquaintances. Jay performs, you watch, and somehow you always end up fucking in whatever private space you can find.
A bathroom at a restaurant during a label dinner.
The backseat of his shitty car in a parking garage.
Your apartment when your parents think you’re at a friend’s house.
His apartment— a cramped studio in a building with questionable plumbing— when Ginny is out of town.
It’s never planned. You don’t text each other to make plans, don’t call just to talk, hell you don’t even have eachother numbers. You just… find each other. And when you do, you fuck. Hard and fast and without words beyond the dirty talk that gets you both off.
Sometimes he’s drunk. You can taste it on his tongue, smell it on his skin. He’s rougher those nights, meaner with his words, more likely to leave marks.
Sometimes you’re high. Everything is softer then, slower, your body more sensitive to every touch. He seems to like you better that way— pliant and needy and willing to do whatever he asks.
You never ask about Ginny. He never asks about the actor you were photographed with last week, or the model the week before that.
Because this isn’t that. This is just sex. Convenient, really fucking good sex. That’s all it is. That’s all it needs to be.
Three months in, your mother brings it up over brunch at some overpriced restaurant in Beverly Hills. “Your father tells me you’ve been seeing quite a bit of Jay Park,” she says, delicately cutting her egg white omelet into precise pieces.
You nearly choke on your mimosa. “What?”
“Don’t play coy, darling. You’re always at the same events, you’re seen talking to him, leaving around the same time…” She gives you a knowing look. “Are you two dating?”
“No,” you say quickly. Too quickly.
Her perfectly shaped eyebrow arches. “No?”
“We’re just… friends. Barely that. I’m being polite because of Dad.”
“Mm.” She doesn’t sound convinced. “Well, if you were dating, I’d approve. He’s quite talented, your father says. And he’s going to be very successful. That’s the kind of man you should be associating with— someone with ambition, drive. Not these vapid actor boys you usually waste your time with.”
You stare at her. “You’d approve?”
“Of course. He’s rough around the edges, certainly, but that can be polished. And having a successful musician on your arm would be good for your image. Make you seem more… substantial.”
Substantial. Like you’re a product that needs better marketing.
“I’m not dating him,” you repeat.
“But you could be.” She sets down her fork, fixing you with that look she gets when she’s about to give you life advice you didn’t ask for. “Darling, you’re twenty-three years old. It’s time to start thinking about your future. About building the right associations. Jay Park could be very good for you.”
For you. Not for your heart, not for your happiness. For your image. For the family brand.
“I’ll keep that in mind,” you say, reaching for your mimosa again. Your mother smiles, satisfied, and returns to her omelet.
You finish the brunch on autopilot, nodding and smiling in all the right places, and all you can think about is how fucked up it is that your mother would approve of you dating Jay for all the wrong reasons.
Almost as fucked up as the fact that you’re not actually dating him.
You’re just letting him fuck you in storage closets and leave his cum dripping down your legs while he goes home to his manager with the hickeys on her neck.
Yeah. Totally not fucked up at all.
Four months into whatever this is, and you still don’t have his number. It’s almost laughable. You’ve fucked him in more places than you can count, you know exactly how he likes his whiskey (neat, expensive), you know the sounds he makes when he comes— but you don’t have a way to contact him outside of these chance encounters at industry events. Not that it matters. You always find each other eventually.
Tonight is another one of your father’s things of course— a celebration at some exclusive club in Hollywood. Jay’s first single just hit the Billboard charts, and your father is practically glowing with pride. “I told you he was the next big thing,” he keeps saying to anyone who’ll listen, and for once you don’t even roll your eyes because he’s right.
Jay’s everywhere now. Radio, magazines, MTV. The label is pushing him hard, and it’s working. He’s still raw, still edgy enough to be interesting, but polished enough for mainstream success.
You’re proud of him, you realize. Which is stupid, because you’re not together. You’re not anything. You’re just two people who fuck sometimes. Well, a lot actually.
The club is packed, bass thumping so hard you feel it in your chest. Your father has the VIP section locked down, of course, but you got bored of that scene within the first hour. The same executives, the same conversations, the same fake smiles.
So you’ve migrated to the dance floor. You’re three drinks in and feeling good— that perfect buzz where everything is softer around the edges but you’re still in control. The music is loud enough to drown out thoughts, and you let yourself get lost in it.
A man pulls you close— older, maybe forty, expensive suit and the kind of watch that costs more than most people’s cars. You don’t know his name and you don’t care. He’s just a body, just hands on your hips as you grind your ass back against him.
You can feel him getting hard against you, and it’s gratifying in a shallow way. This is what you’re good at. Being wanted. Being desired. Being the girl everyone notices.
His lips find your neck, kissing up to your ear. “You’re fucking gorgeous,” he murmurs, and you smile even though the words mean nothing.
Another man joins you— younger this time, maybe early thirties, pulling you against his front so you’re sandwiched between them. His hands slide up your sides, thumbs brushing the underside of your breasts through your dress.
This is dangerous. Reckless. Your father is upstairs, probably wondering where you are. You don’t care.
The music shifts, something darker and heavier, and you lose yourself in the rhythm. The older man’s hands are on your hips, guiding your movements, while the younger one kisses your shoulder, your collarbone, leaving a trail of heat on your skin.
Reluctantly, you extract yourself from their grip, ignoring their protests as you head toward the back of the club where you know the bathrooms are. The hallway is dimmer, quieter, the bass reduced to a muffled thump through the walls.
That’s when you hear it. A familiar voice, low and rough, followed by laughter. You follow the sound to a darker section of the hallway, a semi-private area with velvet couches and low lighting. And there he is.
He’s sprawled on one of the couches with three older men you don’t recognize— industry types, probably, based on their expensive clothes and the way they carry themselves.
There’s a glass table in front of them, and on it— lines of white powder, neat and precise.
Jay leans forward, a rolled-up hundred dollar bill in his hand, and snorts a line in one smooth motion. He sits back, his head tilting up, eyes closed, and even from here you can see the way his jaw clenches, the way his whole body goes taut for a moment before he relaxes.
Then his eyes open and land directly on you. A slow smirk spreads across his face.
“Well, well,” he drawls, his voice rougher than usual. “Look who found the fun.”
He’s drunk. You can tell by the way he’s sitting, loose-limbed and careless, by the glassiness of his eyes. But the coke has sharpened him somehow, given him an edge that makes your pulse quicken.
“Didn’t know you were here,” you say, trying to sound casual even though your heart is racing.
“Your daddy’s party and you didn’t know I’d be here?” He laughs, the sound bitter. “That’s cute.”
The men with him are looking at you now, their gazes sliding over your body in a way that should make you uncomfortable but instead sends a thrill through you. You recognize the look— hunger, want, the kind of attention you’ve been craving all night.
“Come here,” Jay says, and it’s not a request. You should walk away. You should go back to the dance floor, back to VIP, back to safety.
Instead, you walk toward him.
He reaches out when you’re close enough, his hand wrapping around your wrist and pulling you down onto the couch next to him. His arm immediately goes around your shoulders, his hand sliding down to grope your ass possessively.
“Gentlemen,” he says to the men, “this is—” He pauses, his smirk widening. “Actually, I don’t think we’ve ever established what you are to me. What should I call you?”
“Don’t call me anything,” you say, but there’s no heat in it.
“So mysterious.” His hand squeezes your ass harder. “They know who you are, though. Everyone knows who you are. The exec’s daughter. The trust fund baby. The girl who gets everything handed to her.”
There’s an edge to his words, something sharp beneath the surface, but you’re too focused on the way his pupils are blown wide, the way his hand feels on your body.
One of the men leans forward, pushing something across the table. A credit card, a small plastic bag of white powder. “You want some?” the man asks, looking at you.
You glance at Jay. He’s watching you with those dark, glittering eyes, waiting to see what you’ll do.
“Have you ever tried it?” he asks, his voice low enough that only you can hear.
You should say no. Weed is one thing— harmless, relatively speaking. But cocaine is different. Cocaine is the kind of thing that ruins lives, that turns people into hollow versions of themselves.
But Jay does it. And he seems fine. And you’re so tired of being good, of being careful, of being the perfect daughter who does everything right.
“Yeah,” you say. “I want to.”
His smirk turns into a full grin. “That’s my girl.”
He doesn’t let the men prepare it. Instead, he takes the bag and the credit card himself, cutting out a line on the table with practiced precision. It’s smaller than the one he did, you notice. Considerate, in his own fucked-up way.
“You’re gonna feel it hit fast,” he tells you, handing you the rolled bill. “It’s gonna make your whole face go numb, and your heart’s gonna race. You might feel like you can’t breathe for a second, but that’s normal. Just go with it.”
“And after, you’re gonna feel fucking incredible. Like you can do anything, like you’re on top of the world.” His hand slides up your thigh. “Like you need to fuck immediately.”
“Do it,” he encourages, his voice rough with want.
You lean forward, press the bill to your nose, and inhale. The burn is immediate and intense, worse than you expected. Your eyes water and you sit back quickly, your hand flying to your nose.
“Breathe,” Jay says, his arm tightening around you. “Just breathe through it.”
You do, and he’s right— your face goes numb almost instantly, this strange tingling spreading from your nose to your cheeks to your whole head. Your heart starts racing, pounding so hard you can feel it in your throat, and for a second you think you might be having a heart attack.
The numbness fades into something else entirely. Every nerve ending in your body lights up at once. The music from the club, muffled before, suddenly sounds crystal clear and impossibly good. The lights are brighter, more vivid. And Jay’s hand on your thigh feels like fucking fire.
“Holy shit,” you breathe.
He laughs. “Good, right?”
“Told you.” His hand slides higher, his fingers brushing the edge of your underwear. “How do you feel?”
“Like I could run a marathon. Like I could fuck for hours. Like—” You turn to look at him and the intensity in his eyes steals your breath. “Like I need you right now.”
“Yeah?” His fingers slip beneath your underwear, finding you already wet. “Fuck, you’re soaked.”
“My fault for being so hot? For corrupting daddy’s little girl?” His fingers slide through your folds, teasing. “What would he think if he knew you were down here, high on coke, letting me finger you in front of strangers?”
The men are definitely watching now, not even pretending to look away. One of them adjusts himself through his pants, and the knowledge that they’re getting off on this makes you even wetter.
“I don’t care what he thinks,” you gasp as Jay’s fingers find your clit.
“Liar. You love the thrill. Love knowing you could get caught.” He leans in, his lips brushing your ear. “You’re such a bad girl. And I fucking love it.”
Then he’s kissing you, hard and demanding, his tongue pushing into your mouth. You kiss him back desperately, your hands fisting in his shirt, and you don’t care that people are watching. You don’t care about anything except the way he tastes, the way his fingers feel inside you, the way the coke is making every sensation a thousand times more intense.
He breaks the kiss, breathing hard. “We need to go. Now.”
“What about—” You gesture vaguely at the men, at the scene.
“Fuck them. I need to be inside you.” He stands, pulling you up with him, and you’re unsteady on your feet for a moment before the world rights itself. Everything is so bright, so loud, so much.
Jay grabs your hand and starts pulling you toward the exit. You catch a glimpse of the VIP section as you pass— your father is still there, surrounded by people, completely oblivious to what his daughter is doing. Good.
The fresh air hits you like a slap when you step outside, and you gasp. The coke is still thrumming through your system, making your skin feel electric.
“Where’s your car?” Jay asks, already pulling you toward the parking structure.
“Mine then.” The parking structure is dimly lit and mostly empty this high up. Jay’s car— still the same beat-up Honda— is parked in a far corner. He unlocks it with shaking hands, yanking open the back door and practically shoving you inside.
You hear a voice calling out— “Jay!”— and you both freeze. Ginny is walking toward you from the elevator, her expression thunderous.
“What are you doing?” Ginny demands when she’s close enough. Her eyes flick from Jay to you, and her face hardens. “We’re supposed to be at the label meeting in twenty minutes.”
“Tell them I’ll be late.”
“You can’t be late, it’s—” She stops, really looking at him for the first time. At his dilated pupils, his flushed face. “Are you high?”
“So we have a meeting, Jay. An important one. You can’t show up like this.”
Ginny’s gaze lands on you again, and the look she gives you could strip paint. “This is your fault.”
“Excuse me?” You’re high enough that her hostility is more amusing than threatening.
“Every time you’re around, he gets worse. Drinks more, uses more, makes stupid decisions.” She steps closer. “He doesn’t need you dragging him down.”
“Ginny—” Jay starts, but you cut him off.
“Dragging him down?” You laugh. “Sweetheart, he was doing lines before I even showed up tonight. Don’t blame me for your inability to control your client.”
“He’s not just my client.”
The implication hangs in the air, and even through the coke haze, it stings.
“Then maybe you should be a better girlfriend,” you shoot back. “Because he certainly doesn’t act like he has one when he’s fucking me.”
Ginny’s face goes white, then red. “You little—”
“Enough!” Jay’s voice cuts through the tension. He steps between you, facing Ginny. “Go to the meeting. Make an excuse. I don’t care. But I’m not going.”
“I said I’m not going.” His tone leaves no room for argument. “Now leave.”
Ginny looks like she wants to argue more, but something in his expression stops her. She shoots you one more venomous look before turning on her heel and stalking back toward the elevator.
The moment she’s gone, Jay rounds on you. “Get in the fucking car.”
The shift in his tone sends a thrill through you. You climb into the backseat and he follows, slamming the door behind him.
For a moment, you just stare at each other, both breathing hard. Then you’re moving at the same time, crashing together in a tangle of limbs and desperation.
You climb into his lap, straddling him, and his hands immediately go to your ass, yanking your dress up around your waist. Your hands work his belt, his zipper, freeing his cock with shaking fingers.
“Condom—” he starts, but you shake your head.
“Don’t care. Need you now.”
You sink down onto him in one swift motion and you both groan. The coke makes everything sharper, more intense. You can feel every inch of him, every ridge and vein, and it’s almost too much.
“Ride me,” he demands, his hands gripping your hips hard enough to bruise. “Show me how bad you need this cock.”
You do, lifting up and slamming back down, setting a brutal pace. His head falls back against the seat, his throat exposed, and you lean forward to bite down on the tendon there.
“Fuck!” His hips buck up to meet yours. “You’re such a needy little slut for me, aren’t you?”
“Yes,” you gasp, too far gone to care about pride.
His hands slide up to your breasts, yanking down the top of your dress so they spill out. He leans forward, taking one nipple into his mouth and sucking hard.
He switches to the other nipple, biting down hard enough to make you cry out. You’ll have marks tomorrow, evidence of this, and the thought makes you clench around him.
“You like that?” he growls against your skin. “Like when I mark you up? So everyone knows who you belong to?”
“I don’t belong to anyone.”
“Liar.” His hand wraps around your throat, squeezing just enough to make you gasp. “You belong to me. This pussy belongs to me. Say it.”
He releases your throat and before you can process what’s happening, his hand comes down hard on your ass. The sharp crack echoes in the small space, and the sting sends pleasure shooting straight to your core.
“Say it,” he demands, spanking you again.
Another spank, harder this time. “Wrong answer.”
You’re close, so close, the combination of the coke and his cock and the pain pushing you right to the edge. But you won’t give him the satisfaction of hearing you say it.
His fingers find your clit, rubbing harsh circles, and that’s all it takes. You come with a scream, your whole body convulsing, and you feel him follow a moment later— his cock pulsing inside you as he fills you up.
For a long moment, neither of you moves. You’re both breathing hard, covered in sweat, your body still trembling with aftershocks.
Then you feel his phone buzz in his pocket, and reality crashes back in.
You climb off him, wincing at the soreness already setting in. Your dress is ruined, your makeup definitely smudged, and you can feel his cum starting to leak out of you.
Jay tucks himself back into his jeans, running a hand through his hair. He looks wrecked— pupils still blown, lips swollen, scratches visible on his neck where you dug your nails in.
“Give me your phone,” he says suddenly.
“Your phone. Give it to me.”
You pull your phone out of your clutch— a flip phone, because this is 2007 and smartphones don’t exist yet— and hand it to him. He flips it open, punches in some numbers, and hands it back.
“That’s my number,” he says. “Text me when you get home.”
Something in your chest tightens. “Okay.”
“And next time you want to see me, don’t wait for some fucking industry event. Just call.”
“Okay,” you repeat, softer this time.
He leans over and kisses you— softer than before, almost gentle. “Go clean up. I’ll get you a cab.”
You text him that night, just a simple made it home.
He responds immediately: good. same time next week?
yours. your bed’s bigger.
You smile despite yourself. ok
wear that dress. the red one.
because I’m gonna fuck you in it.
And just like that, everything changes. You trade numbers. You make plans. You start seeing each other outside of chance encounters— though you still fuck at industry events too, because the risk is half the fun.
He comes to your apartment three times a week. Sometimes you fuck immediately, quick and desperate against the door. Sometimes you do lines first, letting the coke build the anticipation until you can’t stand it anymore. Sometimes he brings his guitar and plays for you— raw, unfinished songs that he says aren’t ready but that you think are beautiful.
You learn things about him in those in-between moments. That he takes his coffee black. That he’s left-handed. That he has nightmares sometimes and wakes up swinging. That his father used to tell him he’d never amount to anything, and some part of him still believes it no matter how successful he gets.
You don’t tell him about your own fears, your own insecurities. But sometimes, when you’re both high and loose-limbed and honest, things slip out. How you feel like a fraud. How everyone loves the version of you they’ve created, but no one actually knows you. How you’re terrified that if they did, they’d realize there’s nothing there worth knowing.
“That’s bullshit,” Jay says one night, his fingers tracing idle patterns on your bare stomach. “You’re more than your father’s name.”
“Yeah. You’re also incredible pussy.”
You smack his chest and he laughs, catching your wrist.
“I’m kidding. Mostly.” He pulls you closer. “You’re smart. Smarter than you let people see. And you’re funny, even if your humor is mean as fuck. And you…” He trails off.
But something in his tone makes you think he was going to say something else. Something that mattered. You don’t push.
The cocaine becomes regular. Not every time you see each other, but enough that you start to recognize the signs— the way he gets when he needs it, jittery and irritable until he can get his fix. He never offers to sell you any, but you give him money sometimes anyway. Call it a contribution to his habits. Call it enabling.
You’re not proud of it. But you’re not going to stop either.
Six weeks into your new arrangement, Jay cancels on you for the first time. You’ve just gotten home from a charity luncheon with your mother, and you text him: im home. you coming over?
The response takes twenty minutes: can’t tonight. something came up.
You stare at the message, trying to ignore the disappointment curling in your stomach.
That’s it. No explanation, no apology. Just I’ll let you know. You tell yourself you don’t care. You have other things to do, other people to see. Jay Park is not the center of your universe.
But you spend the next week checking your phone constantly, waiting for a text that doesn’t come.
When you finally see him again, it’s at another club opening. Your father dragged you along, and you went because you were bored and maybe, just maybe, Jay would be there. He is.
He’s in VIP with the usual crowd— executives, other artists, hangers-on. And Ginny, sitting close to him, her hand on his thigh.
Your stomach drops. You knew they had history. You knew they probably still fucked sometimes. But seeing it, seeing her touching him like she has a right to, makes something ugly twist in your chest.
You down your drink and order another.
By the time Jay spots you, you’re three drinks in and dancing with some actor whose name you can’t remember. The actor’s hands are on your waist, your ass, and you let him because you want Jay to see. Want him to feel even a fraction of what you’re feeling. It works.
Jay’s eyes darken when he sees you, and you watch as he says something to Ginny before standing up. He makes his way through the crowd, his gaze locked on you, and when he reaches you, he doesn’t say a word. He just grabs your wrist and pulls.
You let him, following him through the club to a back hallway, to a door marked “Private.” He shoves it open— some kind of office— and pulls you inside, locking the door behind you.
“What the fuck was that?” he demands.
“You, grinding on that asshole like a cheap whore.”
The words hit like a slap. “Excuse me?”
“You heard me.” He steps closer, and you can smell the whiskey on his breath. He’s drunk. Really drunk. “You trying to make me jealous? That your game?”
“I’m not playing any game. I can dance with whoever I want.”
“Not when you’re mine, you can’t.”
“I’m not yours!” The words come out sharper than you intended. “You made that very clear when you ghosted me for a week to fuck Ginny.”
His jaw clenches. “I didn’t fuck Ginny.”
“Bullshit. I saw you two. Her hands all over you—”
“She’s my manager. She’s always all over me. It doesn’t mean anything.”
“Then where were you?” Your voice cracks despite your best efforts. “I texted you. I called. You ignored me for a fucking week, Jay.”
“I wasn’t!” He runs a hand through his hair, frustrated. “I was in the studio. I was working. I didn’t have time for—”
“For me. You didn’t have time for me.”
“That’s not what I said.”
“But it’s what you meant.” You cross your arms, hating how much this hurts. “Whatever. We’re not together. You don’t owe me explanations.”
“Then why are you acting like I cheated on you?”
“You are. You’re pissed that I didn’t text you back, pissed that Ginny was touching me, pissed that I have a life outside of fucking you.” His voice is getting louder, meaner. “What did you think this was? Did you think because we exchanged numbers, because I fuck you in your fancy apartment, that means something?”
Each word is a knife, but you refuse to let him see how deep they cut.
“No,” you say coldly. “I know exactly what this is. We’re fuck buddies who occasionally do coke together. Nothing more.”
“I am acting like it. You’re the one who dragged me in here.”
“Because watching another man touch what’s mine—” He stops himself, his jaw clenching.
“I’m not yours,” you repeat, but your voice is weaker now.
“Aren’t you?” He closes the distance between you in two strides, backing you against the desk. “You think about me when you’re with them, don’t you? Think about my hands, my mouth, my cock. Wonder if they could ever make you feel the way I do.”
“Yeah, that’s what I thought.” His hand wraps around your throat, not squeezing, just holding. “You can lie to yourself all you want, but we both know the truth. You’re mine. You’ve been mine since that first night.”
“And what about you?” You look up at him, defiant even with his hand on your throat. “Are you mine?”
For a moment, something flickers in his eyes— vulnerability, maybe, or fear. Then it’s gone, replaced by that familiar cruelty.
“I don’t belong to anyone,” he says. “Not you, not Ginny, not your father. I’m not some pet you can claim.”
The words shouldn’t hurt as much as they do. “Then let go of me.”
“I said no.” His other hand slides up your thigh, pushing your dress up. “Because even though you piss me off, even though you’re a spoiled brat who thinks the world revolves around her, even though I should walk away right now— I can’t.”
His fingers find you wet despite everything, and he laughs— low and bitter. “You hate me right now, don’t you? But your body doesn’t care. Your body knows who it belongs to.”
“I don’t hate you,” you whisper, and it’s the truth. You wish you could hate him. It would be so much easier.
“You should.” He pushes two fingers inside you, rough and fast. “I’m not good for you. I’m not good for anyone.”
“You will.” But even as he says it, he’s kissing you— hard and desperate, like he’s trying to punish you or himself or both. You kiss him back just as hard, your hands fisting in his shirt, pulling him closer even though he’s right. Even though this is toxic and destructive and wrong.
He spins you around, bending you over the desk, and you hear his belt, his zipper. Then he’s pushing inside you with no warning, no preparation, and you cry out at the stretch.
“This what you wanted?” he growls in your ear, setting a brutal pace. “Wanted me to fuck you like I hate you?”
“Yes,” you gasp, even though it’s not true. But hate is easier than whatever this actually is.
His hand wraps around your throat from behind, pulling your head back. “Say my name.”
“That’s right. So everyone knows who’s fucking you. So that asshole out there knows you’re mine.”
You’re crying now, but you’re not sure if it’s from pain or pleasure or the emotion of it all. Everything is too much— his cock inside you, his hand on your throat, the words he’s saying, the words he’s not saying.
“Touch yourself,” he commands. “Make yourself come on my cock.”
Your hand slides between your legs, finding your clit, and the added stimulation pushes you closer to the edge. But something is different this time. The pleasure is there, but it’s tangled up with hurt, with anger, with feelings you can’t name.
“Yes you can.” His voice softens slightly, and somehow that makes it worse. “Come for me, baby. Show me you’re mine.”
The endearment breaks something in you. You come with a sob, your whole body shaking, and you feel him follow— his hips stuttering as he buries himself deep and fills you.
For a long moment, neither of you moves. You’re bent over the desk, his body covering yours, both of you breathing hard. Then he pulls out, and the loss feels like more than just physical.
You straighten up on shaky legs, not looking at him. Your makeup is definitely ruined now, your dress wrinkled, and you can feel his cum starting to leak out of you.
“We should—” you start, but your voice cracks.
“Yeah.” He’s tucking himself back into his jeans, not meeting your eyes either. The silence is awful.
Finally, he speaks. “I wasn’t with Ginny. Not like that.”
“I mean it. Whatever we are, I wouldn’t—” He stops, running a hand through his hair. “I wouldn’t do that to you.” You want to believe him. But you’re not sure you can.
“It doesn’t matter,” you say, even though it does. “Like you said, we’re not together.”
“I should get back,” you say, moving toward the door.
“Wait.” He catches your wrist. “Tomorrow. Come over tomorrow.”
“Please.” The word costs him something, you can tell. Jay Park doesn’t say please.
“Okay,” you whisper. He lets go of your wrist, and you leave without looking back.
The next day, you show up at his apartment like nothing happened. Like he didn’t verbally eviscerate you. Like you didn’t cry while he fucked you. Like this is normal.
He answers the door shirtless, his hair messy like he just woke up. “Hey.”
You expect him to pull you inside, to kiss you, to skip straight to the sex. Instead, he just looks at you for a long moment. Then, quietly: “I’m sorry.”
The words shock you more than anything else he could have said. “For what?”
“For last night. For the things I said. For—” He stops, his jaw clenching. “For being a fucking asshole.”
You don’t know what to say to that, so you don’t say anything.
“Come in,” he says finally, stepping aside. You walk into his apartment— still shitty, still cramped, but more familiar now. There’s a half-empty bottle of whiskey on the counter, a guitar propped against the wall, papers scattered across the coffee table that you recognize as lyrics.
“You want something to drink?” he asks.
“It’s two in the afternoon.”
“Sure. Whatever you’re having.” He pours you both whiskey, neat, and hands you a glass. You sit on his ratty couch and he sits next to you, close but not touching.
“I wasn’t with Ginny,” he says again. “I was in the studio. We’re recording the album and it’s been… intense. I lose track of time when I’m working. I didn’t mean to ignore your texts.”
“Yeah. I did.” He takes a drink. “I’m not good at this. At whatever we’re doing. I don’t know how to balance everything.”
“Then maybe we should stop.” The words hang in the air between you, heavy with implication.
“Is that what you want?” he asks quietly.
No. God, no. But you should want that. You should want to walk away from this toxic mess before it destroys you both.
“I don’t know what I want,” you admit.
“Yeah. Me neither.” He reaches over and takes your hand, lacing your fingers together. It’s such a simple gesture, but it feels more intimate than anything else you’ve done together.
“I like you,” he says, not looking at you. “I know I’m shit at showing it, and I know I say terrible things when I’m drunk, but I do. Like you, I mean.”
Your heart clenches. “I like you too.”
“So maybe we just… keep doing this? Figure it out as we go?”
“Whatever this is.” It’s the most honest conversation you’ve ever had. No pretense, no games. Just two fucked-up people admitting they can’t stay away from each other.
“Okay,” you say softly. He finally looks at you, and there’s something raw in his eyes. Vulnerable.
Then he’s kissing you, and it’s different than before. Slower. Softer. Like he’s trying to tell you something he can’t say out loud.
You kiss him back, your free hand coming up to cup his face, and when he pulls you into his lap, it’s gentle. Careful.
You make love that afternoon. Because that’s what it is, even though neither of you would call it that. It’s slow and sweet and terrifying in its intimacy.
And when you come, gasping his name, he’s looking right at you— really seeing you— and you think maybe this could be something. Something real. Something more than just sex and drugs and destruction.
But deep down, you know better. This isn’t a love story. This is a tragedy waiting to happen.
And you’re both too far gone to stop it.
Eight months in, and you can’t remember what your life looked like before Jay Park.
The days blur together now— a haze of cocaine and whiskey and sex that feels both like everything and nothing at all.
You’ve stopped going to most of your mother’s charity events, stopped pretending to care about the socialite circuit. Your friends have stopped calling, stopped inviting you places, because you always say no anyway.
There’s only Jay. The high. The crash. The cycle.
Your father still loves him, still talks about him like he’s the future of music. The single dropped two weeks ago and it’s climbing the charts. There’s a tour coming up— twenty cities, sold-out venues, the kind of exposure that turns rising stars into superstars. Your father is so proud. So blind to what’s actually happening.
Sometimes you wonder if he knows. If he sees the way Jay’s hands shake in the morning, the way his eyes are always slightly glassy, the weight he’s lost. If he notices the way you’ve changed too— thinner, quieter, more hollow.
But he doesn’t say anything. Because Jay is making him money. Because you’re an adult. Because it’s easier not to know.
It’s a Thursday night when your father mentions the studio. You’re having dinner at some expensive restaurant in Beverly Hills— you, your parents, and a few executives from the label. You’ve barely touched your food, moving it around your plate while your mother shoots you disapproving looks.
“Jay’s in the studio tonight,” your father says casually, cutting into his steak. “Working on the album. He’s been there every night this week.” Your heart skips.
You haven’t seen Jay in three days. He’s been distant lately, canceling plans, not answering texts until hours later with vague excuses about work.
“He’s very dedicated,” one of the executives says. “That’s what I like about him. Real work ethic.”
“Absolutely,” your father agrees. “He knows what it takes to make it in this business.”
You push your food around your plate, thinking about Jay alone in the studio. Probably high. Definitely drinking. Working himself into the ground because that’s what he does— burns bright and hot until there’s nothing left.
“You should stop by,” your father says, and it takes you a moment to realize he’s talking to you. “He’s been asking about you.”
Your mother gives you a look. “Is there something going on between you two?”
“We’re friends,” you say automatically.
“Friends.” Your mother’s tone suggests she doesn’t believe you, but she doesn’t push. She never does. As long as you’re discreet, as long as there’s no scandal, she doesn’t care what you do.
After dinner, you tell your parents you’re meeting friends. They don’t question it. They never do.
You drive to the studio with your hands shaking on the wheel, and you’re not sure if it’s anticipation or withdrawal. You haven’t done a line since yesterday morning, and your body is starting to feel it— that restless, itchy feeling under your skin, that need for more.
The studio is in a nondescript building in North Hollywood, the kind of place you’d drive past without noticing. You’ve been here before, enough times that the security guard just waves you through.
You find Jay in Studio B, the door slightly ajar. You can hear music bleeding out— something dark and hypnotic, layered with his voice. You push the door open quietly.
He’s sitting at the mixing board, his back to you, headphones on. The room is dim, lit only by the glow of the equipment and a single lamp in the corner. There are empty bottles scattered around— beer, whiskey, you can’t tell in the low light.
And on the table next to him, the telltale signs: a credit card, a razor blade, a small plastic bag of white powder.
He’s high. You can tell by the way he’s moving, slightly too fast, slightly too focused. His hands fly across the board, adjusting levels, replaying sections, completely absorbed.
You watch him for a moment, and something in your chest aches. This is what he loves. Not you. Not the sex. Not even the drugs, really. This. The music. The creation. The one thing that’s his.
You’re just a distraction.
He spins around, pulling off the headphones, and his face goes through several expressions— surprise, pleasure, guilt. His pupils are blown wide, his jaw clenched tight.
“Hey,” he says, and his voice is rougher than usual. “What are you doing here?”
“My dad told me you were working. I wanted to see you.”
“Yeah?” A slow smile spreads across his face. “Miss me?”
He gestures to the couch against the wall. “Come here. Listen to what I’m working on.” You walk over, your heels clicking on the floor, and sit down. He brings his laptop over, settling next to you close enough that you can smell him— cigarettes and whiskey and that sharp chemical smell that means he’s been doing lines for hours.
“This is the new track,” he says, hitting play. The music fills the room— dark, atmospheric, his voice raw and vulnerable in a way that makes your chest tight. The lyrics are about addiction, about need, about wanting something you know is destroying you.
It’s about you. Or maybe it’s about the drugs. Or maybe there’s no difference anymore.
“What do you think?” he asks when it ends.
“Yeah?” He’s looking at you intently, his pupils so dilated his eyes look black. “You think so?”
“Yeah. But it feels like something’s missing.”
“That’s what I’ve been trying to figure out.” He runs a hand through his hair, frustrated. “I’ve been listening to it for hours and I can’t—”
It’s impulsive, born of three days without him and the ache in your chest from the song. He responds immediately, his hand coming up to cup the back of your head, deepening the kiss. When you pull back, you’re both breathing hard.
“I have an idea,” he says, his voice low.
Instead of answering, he stands up and pulls you with him, leading you toward the vocal booth. It’s small, soundproofed, with a microphone in the center and foam padding on the walls.
“What are we doing?” you ask, but you already know. Your pulse is racing.
“Adding what’s missing.” He positions you in front of the microphone, his hands on your waist. “You trust me?”
“Yes.” And it’s probably the most stupidest this you’ve ever said in your life.
He kisses you again, deeper this time, his hands sliding up to cup your breasts through your dress. You can feel him getting hard against your hip.
“Shh.” He reaches past you and presses a button on the interface. The recording light comes on, a soft red glow. “Just let me.”
His hands are everywhere— your breasts, your waist, sliding up your thighs. You moan into his mouth and he swallows the sound, his fingers finding the edge of your underwear.
“That’s it,” he murmurs against your lips. “Let me hear you.”
This is insane. You’re in a studio, in a professional recording space, and he wants to— his fingers slide inside you and you gasp, your head falling back. The microphone picks up everything— every breath, every moan, every wet sound his fingers make moving inside you.
“You’re so wet,” he breathes, his voice low enough that you’re not sure if the mic will catch it. “Already so ready for me.”
“Please,” you whimper, past the point of embarrassment. He turns you around, bending you slightly forward so you’re braced against the mic stand. You hear his zipper, feel his hands lifting your dress, pulling your underwear to the side.
Then he’s pushing inside you, slow and deep, and you both groan. This is different from your usual frantic fucking. He sets a slow rhythm, each thrust deliberate and controlled. One hand is on your hip, the other reaches around to play with your clit, and every sound you make is crystal clear in the booth.
“That’s it, baby,” he murmurs, his lips against your ear. “Give me everything. Let them hear how good I make you feel.”
Your moans are breathy, desperate, obscene. The knowledge that he’s recording this, that he’s going to use this in his song, should horrify you. Instead it makes you wetter.
“Jay,” you gasp. “Oh god, Jay—”
“Say my name,” he demands, his fingers working your clit faster. “Say it louder.”
His rhythm picks up slightly, still controlled but more urgent. You can hear the wet sounds of him moving inside you, can hear your own desperate whimpers, and it’s so intimate and exposing that you feel tears prick your eyes.
“Come for me. Let me record you coming on my cock.”
The combination of his words and his fingers pushes you over the edge. You come with a cry, your whole body shaking, and you feel him follow moments later— his hips stuttering as he buries himself deep.
For a long moment, neither of you moves. You’re both breathing hard, the only sound in the booth other than your racing hearts.
Then Jay reaches past you and stops the recording. He pulls out slowly, and you feel his cum start to drip down your thigh. You’re too shaky to stand on your own, so he holds you up, his arms around your waist.
“You okay?” he asks softly.
“Yeah. That was—” You don’t have words for what that was.
“Come listen.” He leads you out of the booth, pulls you down onto his lap in the chair at the mixing board, and pulls up the recording.
Your cheeks burn as you hear yourself— the moans, the desperate way you said his name, the wet sounds of sex.
“It’s perfect,” Jay says, already working on integrating it into the track. His hands move across the board, isolating certain sounds, layering them with the music. It should feel wrong. It should feel like he’s using you. Instead, you feel something else entirely. Something warm and terrifying in your chest.
“I love you,” you whisper.
His hands still on the board. The words hang in the air between you, heavy and impossible to take back.
“What?” His voice is careful, controlled.
“I love you,” you repeat, turning to look at him. “I’m in love with you, Jay.”
For a moment, his expression is unguarded— raw and vulnerable and something that might be fear. Then it shutters closed.
“I’m not. I haven’t—” You realize he’s right. You haven’t done a line tonight, but the comedown is making you emotional, making you say things you shouldn’t. “That doesn’t change what I feel.”
“You don’t love me.” He’s already pulling away, physically and emotionally. “You’re addicted to me. To this. It’s not the same thing.”
“Well, it’s not for me.” The words are sharp, cutting. “We fuck. We get high. We have fun. That’s all this is.”
“I have to work.” He’s standing now, practically pushing you off his lap. “You should go.”
“Yeah. I need to finish this track and you’re—” He gestures vaguely. “You’re distracting me.” The dismissal stings more than any of the cruel things he’s said before.
“Fine,” you say, grabbing your purse. “I’ll go.”
“Good.” You’re halfway to the door when he speaks again. “Don’t take this the wrong way,” he says, not looking at you. “But I don’t do relationships. I don’t do love. If that’s what you’re looking for, you should find it somewhere else.”
You want to scream at him. Want to tell him that it’s too late, that you’re already in too deep, that he doesn’t get to decide how you feel. Instead, you just leave.
Jay doesn’t call. Days pass. Then a week. Then two.
Your phone stays silent except for texts from your mother asking where you are, from old friends you’ve been ignoring, from people who don’t matter.
You try not to care. You tell yourself it’s better this way, that you needed the distance, that maybe this is the universe giving you an out.
But every day that passes feels like dying a little. You stop eating. Your mother notices, makes comments about you looking too thin, but she’s secretly pleased. Thin is good in her world. Thin is fashionable.
You can’t sleep. You lie awake at night staring at your phone, wondering if he’s thinking about you, if he’s fucking someone else, if the song he made with your voice is finished yet.
You start going out more, trying to fill the Jay-shaped hole with other things.
Parties. Clubs. Men who look at you like you’re something to consume. But nothing helps.
Your father announces the tour dates. Twenty cities. Starting in two weeks.
“You should come,” he says over breakfast one morning. “For the first few shows, at least. Show your support.” Your mother gives you a look. She knows. Maybe not everything, but enough.
“I don’t think—” you start.
“I insist,” your father says. “Jay’s been asking about you. And it’ll be good exposure for you. Networking opportunities.”
Because that’s all that matters to him. Exposure. Networking. Using you as a pretty accessory for his business dealings. You want to say no. You should say no.
“Okay,” you hear yourself say. “I’ll come.”
The drinking gets worse. Not yours—though that’s gotten bad too. Jay’s.
You hear about it through your father, who hears about it from Ginny, who’s trying to manage a man who’s actively trying to destroy himself. He’s showing up to rehearsals drunk. Missing promotional appearances. Getting into fights with the band.
“He’s under a lot of pressure,” your father says, making excuses. “The tour, the album, all the expectations. He just needs to blow off some steam.”
You wonder if your father would be so understanding if he knew about the cocaine. About the whiskey for breakfast. About the way Jay’s been spiraling since— since you told him you loved him.
This is your fault. You pushed too hard, asked for too much, and now he’s self-destructing because that’s what he does when things get real.
You want to call him. Want to text him. Want to show up at his apartment and make sure he’s okay. But you don’t. Because he made it clear he doesn’t want you.
So you do what you do best— you self-destruct too.
The tour kicks off in San Francisco, and you fly up with your father and a few label executives on a private jet. Your mother stayed home— she hates rock venues, hates the crowds and the noise and the lack of sophistication. You wish you’d stayed home too.
The venue is massive, thousands of people packed in, the energy electric. Jay’s opening act goes on first, and you watch from the VIP section with your father, drinking expensive vodka and pretending to care.
Then Jay takes the stage.
The crowd goes insane. Screaming, pushing, a wave of bodies surging forward. And Jay— well, he looks like shit.
You can see it even from a distance. He’s too thin, his movements slightly uncoordinated, and when he starts singing you can hear the roughness in his voice that comes from too much whiskey and not enough sleep.
But he’s electric. Raw. Dangerous. The crowd loves it.
Your father is beaming. “He’s incredible,” he says, having to shout over the music. “This tour is going to make him a star.”
You just nod, your eyes locked on Jay. He hasn’t looked at the VIP section once, hasn’t acknowledged your presence.
The show is ninety minutes of controlled chaos. Jay prowls the stage like a caged animal, his guitar an extension of his body, his voice rough and hypnotic. The new single gets the biggest reaction, and when it plays— when you hear your own moans layered into the track— your face burns.
No one else knows it’s you. But you know. And somewhere, Jay knows.
After the show, there’s an after-party at the hotel. You consider not going, but your father insists. “Just for an hour,” he says. “Make an appearance. It’s important.”
The party is in a suite on the top floor, already packed with band members, crew, hangers-on, and groupies. The music is loud, the air thick with smoke and perfume and the particular energy that comes after a successful show.
You get a drink from the bar— whiskey, neat, because that’s what Jay drinks and maybe if you drink enough of it you’ll understand him better.
You’re on your second when you see them.
Jay and Ginny. They’re in a corner, standing close, her hand on his chest. She’s saying something and he’s laughing, and there’s a familiarity between them that makes your stomach turn. You should look away. You should leave. But you can’t move.
Jay’s hand slides down to Ginny’s ass, squeezing, and she leans up to whisper something in his ear. Then they’re moving, heading toward one of the bedrooms off the main suite.
Your father is across the room, deep in conversation with some producer. He doesn’t notice when you set down your drink and follow Jay and Ginny.
You shouldn’t do this. You know you shouldn’t. But you need to see it. Need to confirm what you already know.
The bedroom door isn’t fully closed. Through the crack, you can see them. Jay pushes Ginny against the wall, kissing her hard. His hands are already yanking up her skirt, and she’s fumbling with his belt. It’s rough and fast and nothing like the way he touched you in the studio.
“Fuck,” Jay groans as Ginny sinks to her knees. “Just like that.”
You should leave. You should turn around and walk away and pretend you never saw this.
But you’re frozen, watching as Ginny takes him in her mouth, watching as Jay’s head falls back and his hand fists in her hair.
“That’s my girl,” he murmurs, and the endearment— the same one he’s used with you— breaks something inside you.
Tears blur your vision. You turn and run, pushing through the party, ignoring the calls of people asking if you’re okay. You make it to the elevator, to your own room two floors down, before you completely fall apart.
You cry so hard you can’t breathe. Great, heaving sobs that feel like they’re tearing you apart from the inside. He doesn’t love you. He never loved you. You were just convenient. Just another warm body. Just another distraction.
There’s a knock on your door. You ignore it.
“I know you’re in there.” It’s not Jay. It’s some guy— one of the executives you met earlier. “Your father sent me to check on you.”
You wipe your face, trying to pull yourself together. When you open the door, the man takes one look at you and his expression shifts from concern to something else.
“Rough night?” he asks, stepping into your room without being invited.
“You don’t look fine.” He’s older— forty, maybe forty-five— handsome in that distinguished way that comes with money and power. “You look like you could use some company.”
This is a bad idea. You know it’s a bad idea. But you’re hurting and angry and desperate to feel anything other than the pain in your chest.
“Yeah,” you hear yourself say. “I could use some company.”
He kisses you and you kiss him back, trying to lose yourself in it. Trying to forget Jay’s hands on Ginny, Jay’s voice calling her “my girl,” Jay’s complete indifference to your existence.
The man— you don’t even remember his name— pushes you back onto the bed. His hands are confident, experienced, but wrong. Everything is wrong.
When he pushes inside you, you close your eyes and try to pretend it’s Jay. But it doesn’t work. It feels hollow. Empty. Like you’re going through the motions of something that used to mean something.
He comes quickly, and you don’t come at all. He seems not to notice or care.
“That was great,” he says, already pulling his pants back on. “We should do this again sometime.”
“Yeah,” you lie. “Definitely.”
He leaves and you’re alone again, feeling worse than before. Used. Dirty. Desperate.
You take a shower, scrubbing your skin until it’s red, trying to wash away the feeling of hands that weren’t Jay’s. It doesn’t work.
You fly home the next morning without saying goodbye to anyone. Your father calls, asks if you’re okay, if something happened. You tell him you’re sick, that you need to rest. He believes you because it’s easier than the truth.
Back in LA, you lock yourself in your apartment and don’t answer the door for days.
Your mother calls. Your friends text. Even your father stops by once, but you pretend you’re not home. You just want to be alone. To wallow in your misery. To figure out how to breathe without Jay.
It’s been three weeks since you told him you loved him. Three weeks since he pushed you away. Three weeks of silence.
You’re starting to think this is how it ends. Not with a bang but with a whimper. With him on tour, living his life, while you fall apart in your expensive apartment.
Your phone buzzes. You almost don’t check it. But something makes you pick it up.
Your heart stops. Then starts again, racing: home
You run to the window, and there he is— leaning against his car in the street below, looking up at your building. Even from here you can see how bad he looks. Thin. Exhausted. Wrecked.
You should tell him to leave. You should block his number and move on with your life.
But you’re already running down the stairs, your heart in your throat, because despite everything— despite the pain and the drugs and the destruction— you love him. And you know this is going to kill you.
You’re shaking when you open the door.
Jay is leaning against the frame, and up close he looks even worse than he did from the window. His eyes are bloodshot, ringed with dark circles. His face is gaunt, cheekbones too sharp, and there’s a tremor in his hands that wasn’t there before. He’s wearing the same clothes from the show— ripped jeans, a black t-shirt that hangs off his frame.
He looks like he hasn’t slept in days. He probably hasn’t.
“Hey,” he says, his voice rough.
“What are you doing here?”
Instead of answering, he reaches up and cups your face with both hands. His palms are warm against your cheeks, his touch achingly gentle. His thumbs brush away tears you didn’t realize were still falling.
“I brought something,” he says, his eyes searching yours. He pulls a small plastic bag from his pocket. White powder. Enough for a whole night. That’s his peace offering. Not an apology. Not an explanation. Just drugs.
You should slam the door in his face. Should tell him to fuck off and never come back. Instead, you step aside and let him in.
He walks into your apartment like he owns it, like he hasn’t ignored you for three weeks. He goes straight to your coffee table, pulls out his wallet, and starts cutting lines with practiced efficiency.
You watch from the doorway, your arms wrapped around yourself.
“Are we going to talk?” you ask.
“About what?” He doesn’t look up.
“About the fact that you ghosted me for three weeks. About Ginny. About—”
“I don’t want to talk.” He finally looks at you, and the intensity in his gaze steals your breath. “I want you.”
Three words. That’s all it takes.
You cross the room and he pulls you down onto the couch, kissing you hard and desperate. His hands are everywhere— your face, your neck, your waist— like he’s trying to memorize you through touch.
You kiss him back just as desperately, fisting your hands in his shirt. You’ve missed this. Missed him. Even though you hate him, even though he’s destroyed you, you’ve missed him so much it physically hurts.
“I saw you,” you gasp against his mouth. “In San Francisco. You and Ginny.”
His hands still for just a moment. Then he’s pulling back to look at you.
“That was nothing,” he says. “She doesn’t mean anything.”
“So?” His hand slides up your thigh. “I’m here now, aren’t I? With you.”
It’s manipulation. You know it’s manipulation. But you want to believe him so badly that you let yourself.
“I only want you,” he murmurs, his lips finding your neck. “You know that, right?”
“Shh.” His hand slides between your legs, and he goes very still.
You’re not wearing underwear. You haven’t bothered with them since you got home, too depressed to care about anything. But that’s not why he’s frozen.
His fingers slide through your folds and he pulls back, his expression dark.
“You fucked someone else,” he says flatly.
Your heart stutters. “Jay—”
“You fucked someone else.” His voice is rising. “After you saw me with Ginny, you went and fucked some other guy.”
“You don’t get to be mad about that. You don’t get to—”
“Who was it?” He’s standing now, towering over you. “Tell me who it was.”
“I don’t even know his name.”
Something flashes in his eyes— hurt, maybe, or rage. It’s hard to tell.
“Some random guy,” he says, his voice dripping with contempt. “You let some random guy fuck you.”
“Like you care. You were fucking Ginny!”
“Because Ginny knows what she’s getting into. She knows what I am. She doesn’t expect more.” He steps closer, and there’s something dangerous in his expression. “But you— you’re supposed to be different. You’re supposed to be mine.”
“I can’t be yours if you won’t be mine!”
“I told you— I don’t do relationships. I don’t do love. I made that clear from the beginning.”
“You did,” you agree, your voice breaking. “But I fell in love with you anyway. And you knew. And you kept coming back. You kept using me—”
“Using you?” He laughs, sharp and bitter. “Baby, you’re the one who gives me money for coke. You’re the one who spreads your legs the second I show up. Don’t act like you’re some victim here.”
The words hit like a slap.
“Yeah, that’s what you’re good for, isn’t it?” His hand wraps around your throat— not squeezing, just holding. A reminder of his power. “Being pretty and available and desperate for my attention. Take away the money and the tight pussy and what are you? Nothing. You’re nothing without me.”
You should push him away. Should tell him to leave. But his words have hit something true and terrible inside you. Because he’s right. You are nothing without him. You’ve let yourself become nothing.
“I hate you,” you say, but there’s no conviction in it.
“No, you don’t.” His grip on your throat tightens slightly. “You love me. You said so yourself. And that’s your problem, not mine.”
Because despite everything— despite the cruel words and the manipulation and the knowledge that this is destroying you— you still want him. Need him. Can’t breathe without him.
He’s gentle at first. He lays you down on the bed, his hands tender as he undresses you. He kisses every inch of exposed skin— your neck, your collarbone, your breasts. His touch is almost reverent, like you’re something precious.
“I missed you,” he murmurs against your skin. “Missed this.”
You want to ask if he missed you or just missed fucking you, but you’re afraid of the answer.
His mouth finds yours again, the kiss slow and deep. When he pushes inside you, he does it carefully, watching your face. “Okay?” he asks, and it’s the most considerate he’s been in weeks.
He starts to move, still slow, still careful. It’s almost like making love. Almost like he actually cares.
But then his rhythm changes. Gets harder. Faster. His grip on your hips turns bruising.
“You let him touch you here?” He thrusts particularly hard and you gasp. “Let him fuck this pussy that belongs to me?”
“Did he make you come? Did you moan his name the way you moan mine?”
“No,” you gasp. “No, it wasn’t— it didn’t feel like this—”
“Good.” His hand wraps around your throat again, squeezing just enough to make you gasp. “Because you’re mine. Say it.”
He fucks you harder, rougher, and the gentleness from before is completely gone. This is punishment. This is him reminding you who you belong to. And you take it. Because you want it. Because some fucked-up part of you needs this.
When you come, it’s intense and devastating, and you’re crying— from pleasure or pain or the emotional wreckage of it all, you’re not sure. Jay follows moments later, burying himself deep and groaning your name.
For a long moment, you just lie there tangled together, both breathing hard. Then he pulls out and rolls onto his back beside you.
“We should do a line,” he says, like he didn’t just fuck you into oblivion.
You do lines at three AM on your bedroom floor.
The coke hits hard and fast, sharper than usual. Jay must have gotten better quality. Or maybe you’re just more desperate for it now.
“This is good shit,” you say, your heart already racing.
“Only the best for you.” He grins, but it doesn’t reach his eyes. You do another line. Then another. The room gets brighter, sharper, every sensation heightened. Jay’s hand on your thigh feels electric.
“Come here,” he says, pulling you into his lap. You straddle him, and he’s already hard again. The coke does that— makes him insatiable, makes him able to go for hours.
This time when he fucks you, it’s different. Slower. More intense. You’re both high enough that every touch feels magnified, every sensation almost too much.
“I can’t do this without you,” he murmurs against your neck. “I’ve tried. I can’t.”
Your heart clenches. “Jay—”
“I’m serious. These past three weeks have been hell. I’ve been drinking more, using more, and nothing helps. Nothing makes it better except you.”
It’s the closest to a love confession you’ve ever gotten from him. And even though you know it’s probably the drugs talking, probably manipulation, you cling to it anyway.
“I need you,” he continues, his hands gripping your hips as you ride him. “I know I’m shit at showing it. I know I fuck everything up. But I need you.”
“I need you too,” you gasp, and it’s the truth. As destructive as it is, you need him like air.
“Promise you won’t leave me.”
“Promise you won’t fuck anyone else.”
“Good.” His hand slides up to cup your face, forcing you to look at him. “Because you’re mine. And I don’t share.”
The irony isn’t lost on you— he doesn’t share but he still fucks Ginny. But you don’t say that. You just kiss him and lose yourself in the feeling of him inside you, the high making everything feel possible.
You come together this time, both crying out, and in that moment you almost believe this could work. That love and need and desperation are enough to build something real on. Almost.
You wake up around noon, your head pounding and your nose burning.
Jay is still asleep beside you, one arm thrown over your waist. In sleep, he looks younger. More vulnerable. The harsh edges of his face softened. You watch him for a moment, your chest aching with a complicated tangle of love and resentment.
Your phone buzzes on the nightstand. A text from your mother: Lunch today? We need to talk.
You slip out of bed carefully, trying not to wake Jay. In the bathroom, you look at yourself in the mirror and barely recognize the person staring back.
You’ve lost weight. Too much weight. Your face is gaunt, your collarbones too prominent. Your eyes are hollow, dark circles permanent fixtures now. Your skin looks gray, dull. You look like an addict. Because you are one.
The realization hits you like a punch. Somewhere along the way, this stopped being recreational. Stopped being fun. Now you need it. Need the high to feel normal. Need Jay to feel whole. You’re addicted to the drugs and to him, and you’re not sure which is worse.
There’s a knock on the bathroom door. “You okay?” Jay’s voice, rough with sleep.
He opens the door anyway, leaning against the frame. He’s naked, unselfconscious, and even now—even knowing what he is, what this is—you want him.
“My mom texted,” you say. “Wants to have lunch.”
“So she probably knows something’s wrong.”
“I can’t just avoid her forever.”
“Why not?” He steps into the bathroom, wrapping his arms around you from behind. In the mirror, you can see both of you—two hollow-eyed ghosts clinging to each other. “Stay here with me instead.”
“I have to leave for the tour again in three days.” His lips find your neck. “I want to spend every minute with you until then.”
Your stomach drops. “Three days?”
“Yeah. Two more weeks of shows, then I’m back.” Two more weeks. Two more weeks of him being gone, of you falling apart, of wondering if he’s fucking Ginny in every city.
“I’ll come with you,” you blurt out.
“On tour. I’ll come with you. My dad already suggested it anyway.”
He’s quiet for a moment, his arms tightening around you. “That’s not a good idea,” he says finally.
“Because—” He stops, seeming to struggle for words. “Because Ginny will be there. And the band. And I won’t be able to focus on you. I’ll be busy and stressed and I’ll just—I’ll fuck it up.”
“So you’d rather I stay here? Alone? Wondering who you’re with?”
“I told you, Ginny doesn’t mean anything.”
“Because—” His jaw clenches. “Because I don’t want you to see me like that. On tour. Using. Drinking. I don’t want you to see how bad it gets.”
“It gets worse.” The admission hangs between you, heavy with implications.
“Let me help you,” you say quietly. “Let me be there for you.”
“You can’t help me.” He pulls away, running a hand through his hair. “No one can help me. This is just who I am.”
“It is true!” His voice rises. “I’m fucked up, okay? I’ve been fucked up since I was a kid, and no amount of love or support or whatever the fuck you think you can give me is going to fix that.”
“I’m not trying to fix you—”
“Yes, you are. That’s what you do. You see broken things and you think you can fix them, make them better, save them. But I don’t want to be saved.”
“I want to feel good. I want to not think. I want to fuck and get high and make music and not have to deal with feelings or futures or any of that shit.” Each word is a knife, but you force yourself to stand there and take it.
“And what about me?” you ask. “What do I get?”
“You get me. When I’m here. When I can be.” His expression softens slightly. “That has to be enough.”
For a moment, something like fear flashes in his eyes. Then it’s gone. “Then leave,” he says flatly. “I’m not keeping you here. You can walk away any time.”
But you both know that’s not true. He is keeping you here—with promises and manipulation and the way he touches you like you’re the only thing in the world that matters. “I can’t leave,” you whisper.
“I know.” He pulls you back into his arms. “That’s the problem.”
The next three days blur together in a haze of cocaine and sex and moments of almost-tenderness that feel like torture.
You skip lunch with your mother. She calls you repeatedly but you don’t answer. Your father texts asking if you’re okay. You lie and say you’re fine. You’re not fine.
You and Jay exist in this bubble—your apartment, your bedroom, your bathroom. You order food you don’t eat. You do lines at all hours. You fuck until you’re both exhausted and then do it again.
He’s insatiable. Always wanting more. Always needing you. And you give him everything. Because this is all you have. These three days before he leaves and you’re alone again.
On the second night, you’re both coming down from a high when he says it.
“I think about you when I’m with her.”
You’re lying in bed, tangled together, sweaty and exhausted. “What?”
“Ginny.” His voice is quiet. “When I’m with her, I think about you.”
You don’t know what to say to that. It should make you feel better, but it doesn’t. “Why do you fuck her if you’re thinking about me?”
“Because she’s there and you’re not. Because it’s easier than feeling what I feel when I’m with you.” He traces patterns on your bare shoulder. “Because I’m a coward.” It’s the most honest he’s ever been.
“Tell me you won’t fuck her anymore,” you say. “Promise me you won’t.” Silence. “Jay—”
“Because I’ll break it. Because when I’m on the road and I’m drunk and high and lonely, I’ll take what’s available. And I don’t want to lie to you.” At least he’s honest. That’s something, you suppose.
“I hate this,” you whisper.
“Because I’m fucked up. Because this is all I know. Because—” He stops, his jaw clenching. “Because if I let myself actually be with you—really be with you—I’ll destroy you. I’ll pull you down with me until there’s nothing left. And you deserve better than that.”
“Let me decide what I deserve.”
“You can’t see it. You’re already halfway gone.” He cups your face, forcing you to look at him. “You’ve lost weight. You’re using more. You’re pulling away from everyone who cares about you. I’m destroying you and you’re letting me.”
“So leave. If you care about me at all, leave.”
“Because I’m selfish. Because even though I know I’m bad for you, I can’t give you up.”
You kiss him then, desperate and needy, and he kisses you back just as hard. You fuck again, slower this time. Almost gentle. And when you come, you’re both crying.
The third day, Jay leaves for the airport at dawn. You’re still asleep when he gets out of bed, but you wake to the sound of him moving around the room. “Don’t go,” you murmur.
“Stay. Just one more day.”
He sits on the edge of the bed, fully dressed, and cups your face. “I’ll be back in two weeks.”
“Promise.” He kisses you goodbye—soft and sweet and heartbreaking. Then he’s gone.
You lie in bed staring at the ceiling, feeling hollowed out. Your phone buzzes. A text from Jay: I left you something in the bathroom
You drag yourself out of bed and find it. An eight ball of cocaine. Enough to last you a week if you’re careful. Longer if you’re not.
There’s a note too, scrawled on a piece of paper: Don’t do it all at once. And don’t fuck anyone else. -J
You should flush it down the toilet. Should call someone—a friend, your mother, a fucking therapist. Instead, you do a line right there at the bathroom counter. Then another. Then another. Because Jay was right. You’re already halfway gone. And you have two weeks to fall the rest of the way.
The two weeks pass in a blur of white powder and empty promises you make to yourself. You’ll be careful, you tell yourself each morning. You’ll only do a little. Just enough to take the edge off. Just enough to get through another day without Jay. But careful becomes careless becomes desperate becomes the only thing keeping you functional.
The eight ball Jay left you should have lasted two weeks. It lasts nine days.
You measure your life in lines now. Morning line to wake up. Afternoon line to feel normal. Evening line to go out. Late night line to sleep, except you never actually sleep anymore. You just lie in bed staring at the ceiling, your heart racing, your mind spinning with thoughts of Jay.
Is he thinking about you? Is he with Ginny? Is he using as much as you are? Your phone stays silent though. No texts. No calls. Nothing.
Your father texts you updates you don’t ask for: Jay killed it in Chicago. The crowds are insane. He’s going to be huge.
Your mother calls repeatedly. You let it go to voicemail. When you finally listen to the messages, her voice is tight with concern: Darling, we need to talk. Please call me back. Your father and I are worried.
You go out to clubs some nights, trying to fill the Jay-shaped hole with other things. Other people. Men buy you drinks, pull you onto the dance floor, press their bodies against yours. You let them kiss you—sloppy, drunk kisses that taste wrong. You let their hands wander, let them think they have a chance.
But you never take them home. Never let it go further than kissing. Because despite everything, you’re still his. He told you not to fuck anyone else, and even though he’s probably fucking Ginny every night, you keep that promise. It’s the only thing you have left.
Day twelve, you run out of cocaine. The crash is brutal. You sleep for sixteen hours straight, wake up feeling like you’ve been hit by a truck, and immediately start calling the number Jay got his supply from. The dealer doesn’t answer. You call six more times before you accept that he’s ghosting you.
You try to get through the day sober. You manage four hours before you’re tearing your apartment apart looking for anything—old baggies, residue, something. You find nothing.
Your reflection in the bathroom mirror is a stranger. You’ve lost at least fifteen pounds. Your cheekbones are razor-sharp, your eyes sunken and hollow. Your skin has that gray, papery quality you’ve seen on actual addicts.
You are an actual addict. The realization should scare you more than it does.
Your phone rings. Your father. “Hello?”
“Sweetheart! I’ve been trying to reach you.” His voice is bright, oblivious. “Jay’s last show is tomorrow night. I’m flying out to see it. You should come with me.”
“It’s in LA. At the Palladium. It’s going to be incredible. The label is throwing a huge after-party.” He pauses. “Jay asked if you’d be there.”
Your heart stops. “He did?”
“Well, Ginny mentioned it. Said Jay’s been distracted, not himself. Thought seeing a familiar face might help.”
Ginny mentioned it. Not Jay. Of course. “I’ll think about it,” you say.
“Don’t think too long. I can have a car pick you up at seven.”
After you hang up, you stare at your phone. Jay’s last show. Tomorrow night. Which means he’ll be home the day after. You just have to make it one more day.
You don’t go to the show. You tell yourself it’s because you look too awful, because you don’t want him to see you like this. But the truth is you’re terrified. Terrified of seeing him with Ginny. Terrified of the way he might look through you like you don’t exist. Terrified that two weeks apart has made him realize he doesn’t need you at all. So you stay home and try to sleep and fail.
Around midnight, your phone buzzes. It’s your father: Show was incredible. Jay’s a star. See you at the after-party? You don’t respond. Another text, an hour later: Are you okay? You’re worrying your mother and me.
He shows up at noon the next day. You’re not ready. You’ve barely slept, haven’t showered, are wearing clothes you’ve had on for two days. But when you hear the knock on your door, you know it’s him.
You look through the peephole just to be sure. Jay is leaning against the wall across from your door, his eyes closed. Even from this distance you can tell he’s fucked up. His clothes are wrinkled, his hair a mess. There’s something defeated in his posture that you’ve never seen before.
You open the door. His eyes snap open and land on you, and something in his expression breaks.
“Hi,” he says, his voice wrecked.
“Hi.” You stare at each other for a long moment. He looks terrible. Worse than terrible. His face is gaunt, his eyes bloodshot, and there’s a tremor in his hands that makes your stomach drop.
“Can I come in?” You step aside. He walks past you into the apartment, and you can smell whiskey on him. It’s barely noon and he’s already drunk.
“How was the tour?” you ask, your voice small.
“It was fine.” He’s not looking at you, his gaze distant. “Good crowds. Good shows.”
“My dad said you were amazing.”
“Your dad says a lot of things.” The bitterness in his tone is new.
“I missed you,” he says suddenly, finally looking at you. “I missed you so fucking much.”
Your chest tightens. “You didn’t call. You didn’t text. Nothing for two weeks.”
“Because every time I picked up the phone, I’d think about what I’d say. And every time, I realized there was nothing I could say that would make this okay. That would make us okay.” He runs a hand through his hair. “We’re not okay. You know that, right?”
“But I still can’t stay away from you.”
He crosses the room in three strides and kisses you, hard and desperate. You kiss him back just as desperately, tasting whiskey and cigarettes and something darker underneath.
His hands are already pulling at your clothes, and you let him. Because this is what you do. This is all you have.
You fuck right there against the wall, fast and rough and joyless. It’s mechanical, going through the motions. Like you’re both just trying to feel something, anything.
When he finishes, he pulls out immediately and tucks himself back into his jeans. “I have to go,” he says.
The words hit like a slap. “What?”
“I have meetings. Label stuff. I just wanted to see you first.”
“That’s it? You fuck me and leave?”
“What did you expect?” His tone is harsh. “Did you think I was going to stay and cuddle? Tell you I love you? That’s not who I am.”
“I know who you are.” Your voice is shaking. “I’ve always known.”
“Then why do you keep expecting more?”
“Because I’m an idiot. Because I love you. Because I keep hoping that maybe—” You stop, blinking back tears. “Never mind. Just go.”
He doesn’t move. “I should go,” he says, but he sounds uncertain now.
“I will.” But still he doesn’t move. He just stands there looking at you with something that might be regret or might just be exhaustion.
“I have to make a stop first,” he says finally. “Then I’ll come back. We can talk. Really talk.”
He kisses you one more time—soft, almost gentle—and then he’s gone. You slide down the wall and sit on the floor, feeling emptier than you’ve ever felt in your life.
Hours pass. Then more hours. It gets dark. You text him: where are you? No response.You call. It goes straight to voicemail.
Around eleven PM, you can’t take it anymore. You need to see him. Need to know he’s okay. You drive to his apartment, your hands shaking on the wheel. His car is in the parking lot. The lights are on in his window.
Relief floods through you. He’s home. He’s fine. He probably just passed out or forgot to charge his phone or— you’re halfway up the stairs when you see her.
Ginny is leaving his apartment, pulling the door shut behind her. Her hair is messed up, her shirt buttoned wrong. She freezes when she sees you. For a moment, neither of you speaks.
“He’s not well,” Ginny says finally, her voice careful. “You should go home.”
“I’m serious. He’s—he’s not himself right now. Give him space.”
“I said get out of my way.”
Something in your tone makes her step aside. You push past her and open the door.
The apartment is dark except for the light from the bathroom. Music is playing softly from somewhere—one of Jay’s tracks, the one with your moans layered in.
“Jay?” you call out. No response.
You walk through the apartment, your heart starting to race. Something feels wrong. The air feels wrong.
The bathroom door is ajar. You push it open. Jay is on the floor, his back against the bathtub, his eyes half-closed. There’s a needle on the floor beside him, a tourniquet still tied around his arm.
Your brain stutters, trying to process what you’re seeing. “Jay?”
His eyes flutter open, unfocused. When he sees you, he smiles—slow and sad and so fucking broken. “Hey, baby,” he slurs. “You came.”
You drop to your knees beside him, your hands shaking. “What did you do? Jay, what did you take?”
“Everything.” His hand comes up to touch your face, the movement uncoordinated. “All of it. Felt good.”
“How much? Jay, how much did you take?”
“Does it matter?” His eyes are already closing again. “Wanted to feel good. Wanted to stop thinking.”
Terror claws at your throat. You fumble for your phone, hands shaking so hard you can barely hold it. “I’m calling 911—”
“No.” His hand catches your wrist, his grip surprisingly strong. “No hospitals. No ambulances. Just… just stay with me.”
“I need you.” His eyes open again, and there’s a clarity in them that wasn’t there before. “I love you. Did I ever tell you that?”
The words you’ve been desperate to hear for months, and they’re coming now. Like this. “Don’t,” you choke out. “Don’t do this. Don’t say it now—”
“I love you,” he repeats, his thumb brushing your cheek. “I’ve loved you since that first night. Since you let me fuck you in that bathroom. Since you looked at me like I was worth something.”
“Then let me help you.” Tears are streaming down your face. “Let me call for help—”
“Too late.” His breathing is getting shallower. “It’s already too late.”
“It’s not. It’s not too late. We can fix this—”
“You can’t fix me.” His hand falls from your face, landing in his lap. “No one can fix me. I’m too broken.”
“I am. I’ve always been.” His eyes are glazing over now, his words starting to slur together. “My dad… he was right. I’m worthless. Nothing. Just like him.”
“That’s not true.” You’re sobbing now, clutching his hand. “You’re talented and brilliant and—”
“I’m an addict.” The word is barely a whisper. “Just like him. I became everything I hated.” His breathing is getting slower. More labored.
“I’m sorry,” he murmurs. “For everything. For using you. For not being able to love you the way you deserved. For—” He coughs, and it sounds wet, wrong. “For not being strong enough to choose you over this.”
“You’re choosing now,” you beg. “You’re choosing now. Just let me call—” But his eyes are closed now, his chest barely moving.
You grab your phone with shaking hands and dial 911, but even as you’re talking to the operator, giving them the address, begging them to hurry, you know. You know it’s already too late.
You cradle his head in your lap, your tears falling onto his face, and you watch the boy you love slip away. “I love you,” you whisper. “I love you, I love you, please don’t leave me—”
His chest rises one more time. Then stops. The music is still playing. Your voice, moaning his name, layered over dark beats and his rough vocals. A monument to what you were. What you did to each other.
The paramedics arrive seven minutes later. They try. They really try. But Jay Park is already gone.
The funeral is three days later. It’s huge. Industry people, fans, press. Everyone wants a piece of the tragedy. The rising star who burned out too soon. The cautionary tale.
Your father gives a speech about Jay’s talent, his potential, his bright future cut short. He doesn’t mention the drugs. Doesn’t mention the drinking. Doesn’t mention how he enabled it all in pursuit of profit.
Your mother sits beside you in black, her face carefully composed. She squeezes your hand once, and that’s the extent of her comfort.
You sit through it all in a numb haze. You haven’t slept since that night. Haven’t eaten. You’re running on empty and coffee and the small amount of cocaine you managed to score yesterday. You needed it. Needed something to get through this.
Ginny speaks too. She talks about Jay’s dedication, his artistry, his complexity. She cries. Real tears. You wonder if she loved him too. If he told her he loved her before he died. You’ll never know.
When it’s over, people approach you with condolences. They know you were close to him. Your father made sure everyone knew his daughter was friends with his star artist. Friends. Like that’s all you were.
“I’m so sorry for your loss,” they say, over and over. You nod and smile and thank them mechanically. None of them know. None of them understand.
You didn’t just lose Jay. You lost the only person who understood the worst parts of you. The only person who saw you completely and wanted you anyway. You lost everything.
A week after the funeral, your father calls you into his office. You know what’s coming. You’ve been avoiding this conversation, but it’s inevitable.
He’s sitting behind his desk when you arrive, and your mother is there too, perched on the couch. They both look at you with matching expressions of concern that don’t quite reach their eyes.
“Sit down, sweetheart,” your father says. You sit. “We need to talk about what happened,” he continues. “With Jay.” You say nothing.
“The police found drugs in his apartment. A significant amount. And they’re investigating where he got them, who supplied him.” Your father’s jaw tightens. “They asked if you knew anything about his drug use.”
“What did you tell them?”
“That you were friends. That you might have known he partied, but that you weren’t involved in anything illegal.” Of course. Protecting the family reputation. Always. “But we need to know the truth,” your mother says, her voice careful. “Were you involved with Jay? Romantically?”
You could lie. You should lie. But you’re so tired of lying. “Yes,” you say. “We were together. For almost a year.”
Your mother’s face tightens. Your father’s expression goes carefully blank. “Were you using drugs with him?” your father asks.
You don’t answer. You don’t have to. They can see it in your face, in your weight loss, in the hollowness of your eyes. Your mother makes a small sound—disappointment or disgust, you’re not sure which.
“This is unacceptable,” your father says, his voice cold. “Do you have any idea how this looks? My daughter, involved with an artist who overdosed? Using drugs? If this gets out—”
“If this gets out, you’ll look bad,” you finish. “That’s what you’re worried about. Not me. Not the fact that I just lost someone I loved. Just your reputation.”
“Isn’t it?” You stand up, your hands shaking. “You pushed him. You knew he was using, you had to know, but you pushed him anyway because he was making you money. You worked him until he broke.”
“It is true! You saw what you wanted to see. You ignored all the warning signs because Jay Park was going to be a star, and that’s all that mattered.”
“You don’t get to blame me for this,” your father says, his voice rising. “You’re the one who chose to get involved with him. You’re the one who started using drugs. Those were your choices.”
“You’re right. They were my choices. And I have to live with them.” You head for the door. “But so do you.”
“Yes, we are.” You leave before they can stop you.
You find yourself at the cemetery on a Tuesday afternoon. Jay’s grave is in the back, under a tree. The headstone is simple: his name, his dates, and a line from one of his songs: “Burned bright, burned fast, burned out.” It’s depressingly fitting.
You sit down on the grass beside his grave, your back against the headstone. From your purse, you pull out a small bag of cocaine. The last of your supply. You cut a line right there on top of his grave, using a credit card and the smooth marble surface.
“I love you,” you whisper to the stone. “I’m sorry I couldn’t save you. I’m sorry I wasn’t enough.” You snort the line. The burn is familiar, almost comforting.
The high kicks in slowly. That familiar rush, that feeling of everything being okay even when nothing is okay.
You lean back against the headstone and close your eyes. You should get clean. You should get help. You should choose to live instead of slowly killing yourself the same way Jay did. But you won’t.
Because without him, you don’t know how to be anything else. Without him, you’re just empty. Just going through the motions. You’re too far gone. Just like he was.
The sun is warm on your face. The drug is warm in your veins. And for a moment— just a moment— you can almost pretend he’s here with you. That you’re both okay. That love was enough.
But it wasn’t. It never was.