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ellievsbear
Cosimo Galluzzi
Sade Olutola
sheepfilms

bliss lane
Lint Roller? I Barely Know Her
RMH
art blog(derogatory)
Cosmic Funnies
The Bowery Presents
Doug Jones
let's talk about Bridgerton tea, my ask is open
Phantogram Three

@theartofmadeline
Noah Kahan

❣ Chile in a Photography ❣
Color Me Curious

Discoholic 🪩
seen from Malaysia
seen from Ukraine

seen from Germany
seen from Philippines
seen from Iraq

seen from Malaysia
seen from United States

seen from United States
seen from Türkiye
seen from India

seen from Malaysia
seen from Netherlands
seen from United States
seen from Bangladesh

seen from Russia

seen from Türkiye
seen from Malaysia

seen from Malaysia

seen from Portugal

seen from Singapore
@giorgoskretis
pics of some of dineo seshee bopape's works
Lygia Pape (BR, 1927 - 2004) Divisor (1968 - ) Photograph and façade print of street performance, performed in Central, Hong Kong, 2013
Futurefarmers
Bulid Your Own Residency
Digital library of arts and humanities
Mary Mattingly - Manifesto
This Manifesto proclaims that art and utopian thought can cultivate systemic social change. Art can transform people’s perceptions about value, and collective art forms can reframe predominant ideologies
1. A Violent Economic Order:From the supply chain to the waste chain, if our systems of production, trade, and consumption use the social and ecological space of others, it is a form of violence.
(Art and) A Nonviolent Economic Order:
Make all works of art without participating in economies of violence. Boycott so-called Free Trade, companies that participate in slave labor, or militia-managed extraction. Demand fair wages on behalf of silenced workers and build informal, cross-border supply chains within interdependent Art networks.
2. A Violent Education:The business of education and compartmentalized forms of learning best serves the people we work for, and those that they work for. With steady erosion of job security, it leaves us dependent while increasing their control.
(Art and) A Nonviolent Education:
Share underrepresented histories. Expand school curriculums and individual classes to include mutual education around nonviolence training towards active compassion. Flip the so-called script.
3. A Violent Ecological Order:As increased desertification, land degradation, and water privatization continue to fuel global wars through droughts, famine, and resulting forced migration, investors trade in weather derivatives and reinsurance, profiting from ecological disasters.
(Art and) A Nonviolent Ecological Order:
Work towards building with materials that are reused and already part of the waste chain or that are regenerative and work to heal ecosystems. Work towards worlds where humans serve as caretakers and stewards rather than private owners. Help to recognize the reciprocity of commons and indigenous rights to land, while protecting it from being sold off. Help to disempower the word “own”.
4. A Violent Social Order:Collective traumas are known to change our collective sense of what is possible.
(Art and) A Nonviolent Social Order:
Reset the dial of what is possible by working together on utopian projects. Be a transgressor and an empathic lover. Promote difference not indifference. Remember that we have bigger battles to fight than those we may want to fight against each other.
5. Working Towards a Nonviolent Art.How can we dedicate ourselves to living nonviolently, today? This is not an ambitious question - it’s an essential one. In art and life, create flexible and inclusive schemes for living that encompass respect, non-hierarchy, nonviolence, and tolerance. Art making is powerful; and a nonviolent art is a duty.
2015 (excerpt)
Motoi Yamamoto (JP) salt (ca. 2010-2017)
Toril Johannessen (NO) Secrets and Hidden Structures in History, 2011
Lutz-Rainer Müller (DE) drumkit, 2011
Bent metal from car wrecks that had been involved in accidents were collected and combined with parts of drum sets
Amy Balkin (US) This is the Public Domain, 2003 -
This is the Public Domain is an effort to create a permanent international commons. The land will be free to everyone, and will be held in perpetuity. In 2003, a 2.64 acre parcel of land was purchased to serve as the site for the proposed public domain. Located in Tehachapi, California, sharing of this commons will be initiated when a juridical solution for public handover is found.
The project to date has involved the purchase of land and research into legal strategies by which to hand over all rights associated with ownership to the global public. Mineral rights will also be acquired before the land is handed over.
Manifesto for Maintenance Art 1969!
Jonathan Mess (US) Landfill No. 43: Central Cross Section, 2012 various clays, glazes and stains
more Adrian Villar Rojas... (a. Planetarium / b. Theater of Saturn series)
Damián Ortega (MX)
Win Knowlton (US)