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no I don't owe you my personal info
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I always wondering what the point of "put your age on bio or you'll be blocked"
Like idk if I was a minor then I would just lie about my age if I want to see this content. and I really lied when I was a minor. Idk I'm not an US citizen I'm Russian and It's as if no one here has ever really given a shit about your age... Well more precisely we even have minors who put 18+/mdni just for show lmao. And no ones give a shit except very few people. And I was like this. And I don't regret it. And I would do it again if I was still a minor.
And there is no way you can stop it unless you put ID verification everywhere. You can't really control who interact with you on internet.
It also applies to DNI. Most of the people in DNIs don't give a shit about DNIs. Even I don't give a shit about for example "proship DNI". Like okay I wouldn't follow this person but not because of their DNI but because I think people with "proship DNI" are stupid asf so why would I follow them.
ALL. OF. THIS.
Oh! There’s a cool animation when you like pride posts now!
all RIGHT:
Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT
(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)
This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.
If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.
By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).
Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)
So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies
FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.
What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.
Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.
Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.
So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.
SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life
When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.
For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.
So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.
Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.
I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!
Genuinely I think Emperor's New School might be the all time best Disney movie spin off/sequel, because it does not take itsself seriously at all and it creates one of the most entertaining things I've ever watched.
It's a High School AU
There's a mix of modern tech in an ancient Incan style
Pacha is just his Dad
He pops in during the show to commentate on what's happening
Kuzco's doodles
Kronk not knowing the difference between Yzma and Principle Amzy
THE THEME SONG!!! Guys its so good, me and my sister have not skipped it once and I know all the lyrics
Kronk is Kuzco's best friend
I live for the Kuzco-Malina-Kronk friend group
It's sense of humor is very random, but it works with the show well
There are different secret lab entrance bits
Miley Cyrus as the local waitress
All the songs slap
Lore lore lore lore lore
Idk guys, there's more, I just adore this show. Who the hell thought of it? And who gave it 2 seasons? And why do people not know about it? People need to watch this shit
ummmmmmmmmmm
try to translate this
you will love it
"But the webcomic mentions incestous slurry and dave and rose flir-"
yeah there's no concept of incest in alternia beeecause all trolls are siblings and they fuck each other so why would they have this concept uuummh:?
Most modern 2020s analyses of Alternia and trolls are shit.
"Alternia is a matriarchy." "Nооооооо Alternia is a patriarchy."
No, neither one nor the other.
"BUT LORD ENGL-"
An excuse for lazy worldbuilding.
Trolls should have neither patriarchy nor matriarchy. Only hemospectrum matters. There is an interesting new system and you shove everything back into a gender essentialist framework. Embrace gender irrelevancy for trolls and try new things.
Not everything has to be so human-centric.
Stop analyzing the relationship between Eridan and Feferi as the relationship between an incel and an unavailable girl.
If you want allegories, these are two rich white cis hetero men who had a fight and one killed the other.
No jadebloods being imprisoned in a cave is not misogyny. This is a hemospectrum based oppression.
Try at least once in your life to imagine a female character in a position of gender irrelevance and in a completely different system of social hierarchy.
No, lowbloods aren't female coded nor are highbloods are male coded.
Hussie is just a fool and, like most sci fi writers, she stuck skirts and lipstick on the aliens. Trying to somehow explain this using the influence of Lord English you slide into wild and vile gender essentialism.
(Although explaining everything by the influence of LE is in any case lazy and boring worldbuilding by Andrew himself)
IDK TRY SOMETHING CREATIVE
HOMESTUCK META ANALYSIS SUCKS
STOP PUTTING SHITTI ALUSSIONS EVERYWHERE ACTION
The claim that “trolls don’t experience sexism because they’re aliens” is a strange one, especially when you consider the jadeblood caste. As an entire caste that is exclusively female, jadebloods are also defined by institutionalised servitude.
On both Beforus and Alternia, jadebloods are expected to remain underground and dedicate their lives to tending the Mother Grub. This role is not optional; it is socially and politically enforced. At this point, many people will argue that this system is overseen by the Empress, who is herself female and stop their analysis there.
But that perspective ignores the broader power structure. If we continue examining Alternian society, we see that the dominant highblood castes, particularly the purpleblood clowns and the violetblood seadwellers, place many men in positions of real authority across the land. The clowns act as the highest governing land-dwellers, while the violetbloods are coded heavily around military power. The Grand Highblood in particular is portrayed as someone whose authority legislacerator and enforcers defer to. His execution of the violetblood Dualscar demonstrates that his power supersedes even that of the upper sea-dweller caste; if anyone from a lower caste had killed a violetblood, it likely would have resulted in their immediate execution.
Even the existence of a female ruling caste does not eliminate these dynamics. Fuchsia-bloods are also exclusively female, which might seem to undermine feminist readings at first glance, but the religious undertones complicates that assumption. A figure like the Condesce still ultimately serves higher cosmic powers such as Lord English. Likewise, Feferi is framed as serving the Horrorterrors. In both cases, the castes that are explicitly coded as female are also thematically tied to forms of servitude to male or higher authorities.
Isolation reinforces this structure as well. Both jadebloods and fuchsia-bloods are socially separated from the rest of troll society. Jadebloods are confined underground, while fuchsias are largely cut off from ordinary social life. Feferi, for instance, is shown to have extremely limited social connections, Eridan being one of the only consistent ones we see and the Condescension spent the majority off her time off planet. Because of this isolation, they are forced to rely on the surrounding castes to govern, which are castes dominated by men. If the Condesce is absent or operating elsewhere in space, the practical governance and enforcement of the empire falls to those same male-dominated castes.
While trolls may reproduce with whoever they want, that does not erase gendered divisions within their society. Their concept of gender may be alien compared to human frameworks, but it still produces structures of hierarchy and power that map onto recognisable patterns of gendered control.
op disabled reblogs so here
It's so hard to come to that conclusion though, like at this point unalive is a part of gen Z culture. It's just using a word, they're not even thinking about talking on TikTok or YouTube anymore, they're just talking. It's a lot like people getting mad over AAVE because it's not grammatically correct and yes it's not, but AAVE is a cultural usage of English, a dialect if you will. They use it because their friends and family use it, everyone talks that way. Nobody thinks about grammar when speaking AAVE. It's actually kind of offensive if you try to correct someone. It's like that with unalive too. It's a clashing of culture, we don't understand it because we see it as it was formed, a response to a shitty half ass language filter, not as it is used, which is just another word for kill, death, or died. I really think this one is just not a big deal enough to fight. I think that teacher in the first part, while I agree with the sentiment and find the story funny, it's also in my opinion not about maturity but just a culture thing.
From working with children, the way kids who use unalive react when they hear someone say kill or suicide, it's not just slang or comparable to minoritised dialects, it's self-censorship, active and deliberate with fear of consequences built into it.
The idea of being punished by an invisible force for saying a bad word is literally something I was terrified of in Catholic school and it’s creepy that corporate sponsors are living in kids’ heads the way God and Satan lived in ours.
i'm sorry are we going to just gloss over the fact that user roughstar tried to claim that AAVE is ungrammatical?
AAVE is a full dialect of english with its own phonological and syntactic structures my guy. not comparable to corporate censorship "unalive" even a little bit
See, when the character Letty Chubb in Ros Asquith's Teenage Worrier series replaced the word "death" with "banana", it was supposed to be dark comedy about her untreated anxiety.