this is probably not gonna get much traction but I think it's time for me to launch my choromatsu yumeship on this site!!! (oc x canon, selective sharing)
this is oolong, she's an ex-idol (used to be hatsune miku) and a current accountant. she is an incarnation of hatsune miku and her and choro are currently married!! :D
their ship name is choroolong. I guess this also counts as choromiku hehe
she is 23 years oldddddd
Favorites:
autumn
horror novels
leaf printing
numbers / math
ladybugs
snails
singing
bringing joy to the world
After she quit being Hatsune Miku, she started dating Choro. She became an accountant and LOVES her line of work. She is whimsical, gentle and fun but is quite shy, insecure and reckless. She gets very affectionate and talkative once she knows you well. If she is an animal, she would be a deer.
BACKSTORY
(or at least the slightly shorter version of it)
⚠️CW // ABUSE⚠️
Oolong used to be a delinquent-girl-roleplay gang leader when she was in high school. She used to be desk mates with 18!Choro and talks quite threateningly and loudly as she have no idea how to communicate in a friendly manner. She protected 18!Choro from bullies as she forced him to sign a protection contract out of menacing goodwill. In return, he would have to get her out of trouble using his status as teacher's pet. In reality, 18!Oolong wanted him to sign it as she really wants to keep him as a friend but didn't know how to. 18!Choro slowly stopped being scared of 18!Oolong and they both began to like each other platonically until Oolong's sudden disappearance post-graduation. They eventually distanced.
Oolong then came back from her overseas education a few years later, completely mellowed out and matured a whole lot. She decided to pursue her dreams of being an idol by signing a contract with a famous agency. However, she wasn't performing well so the agency rebranded her into Hatsune Miku. What she didn't know is that the agency had a terrible, terrible history which they covered up. Oolong (debuted and disguised as Miku) suffered in their hands. She meets Choro again, but now he is a superfan. Choro had no idea she was being exploited until he observed red flags little by little while on agency-arranged fan hangouts with her. From those hangouts, they enjoyed each other's company. Oolong started catching feelings for Choro but she can't tell him as she is still Miku.
Eventually, the red flags were too much, so one day, Choro decided to carefully ask her about it and whether she is okay or if she needs any help. Oolong cracked, took off her disguise as Miku and revealed herself to be his high school best friend. She told him that the agency found out that she opened up with others about their treatment of her. She told him she lived in fear and exhaustion every single day waking up as Miku, performing as Miku and even interacting with others as Miku.
She started crying and asked him what she should do in pure desperation and hurt, not expecting a response. She just wanted someone to hold her. Choro was there do to exactly that in complete stunned silence. After a few hours, Oolong went back and told him to never contact her ever again as the agency wanted Miku to break off with Choro as they found out about her feelings for him too, and they strictly do not condone idol-fan romantic relationships so they can leech more money from her parasocial fans.
Oolong's agency punished her for revealing the truth and getting close with a fan by filling her schedule to the brim, so much so she couldn't even sleep. She was forced to be in the agency building. One day, a fire was started in that building and she accepted her fate of succumbing in the flames until Choro busted in the burning building to save her, just like how she saved him from the bullies when she was in high school. After that incident, the agency was completely gone due to their terrible history coming out and the fire killing the executives in that building. While they were waiting for an ambulance to treat them, Choro took this chance to confess his feelings to her and told her he was truly in love with her, Oolong, and not her idol persona Miku. Oolong was moved to tears and accepted his confession as she had been wanting to confess for so long but never got the chance to because of paranoia and fear but now that the agency is gone, she is no longer chained to her idol contract and can finally freely be with Choro without having to look over her shoulder.
that's all I have for her so far :P feel free to check out my artfight too! (I try my best to be active okkk)
osomatsu-san hit such a specific niche of people who want to do unspeakable things to pathetic little creature type guy complete with little guy art style you can really see it in their merch
kinda like when people salivate over cookie run cookies or spamton but it's official art
their name is Ichigo! (prolly going to change their name..idk tho) they use they/them pronouns
they want to become a famous painter one day
they work in a convenience store..they hate their job bc they don't like socialize with other people a lot..oh and they look like they're always worried about something
hello y’all, i’m sick af so don’t expect finesse and expert articulation, but i’m here today to drop my beef on the ever-simmering Totty Discourse, a.k.a. why are we pissing all over the pink satanic bean pretending he’s worse than ichimatsu or some shit because he ain’t
fandom wants to say totty is fake? well, he is. the shallow fuckboy he portrays himself as is 100% fake and in reality he loves the disgusting family he hates. see for yourselves my guys.
The thing I think is most telling about Totoko’s character is that she has no friends.
Chibita and Iyami are the most likely people to have been her friends in Osomatsu-san, but they mostly seem to regard her with fond exhaustion in all of their scenes together and don’t demonstrate any of the boisterous camaraderie that’s visible between Chibita and Iyami themselves. Her parents treat her in the same way; supportive but not quite sure how to get through to her, and completely unaware of where she’s at as a person to the point they’re surprised she’s unfamiliar with the basic idea of jealousy. The sextuplets don’t even seem to see her as a person any more than the elderly neighbors who abandoned their local idol for real celebrities.
Totoko has no friends. Her support network has always consisted of people who propped her up and never really pointed out her flaws in a way she could work with to improve, and Totoko developed such a complex around that void that she’s completely incapable of changing herself to improve even the slightest bit as a person.
Even the show points out in the reflection episode she and Osomatsu co-hosted that she’s just as useless as the brothers. Totoko is just as much of a loser as all of them. Except now they’re (almost) all trying to make strides to improve themselves as people by leaving home and finding new ways to live on their own, seriously putting their entire lives into the endeavor.
In contrast, Totoko finds the man of her dreams and ends it the second he makes a negative comment about her. She goes on a flight abroad and heads home the moment she gets homesick. Her idol career actively fails and she sustains herself on willful ignorance for months. Totoko and Osomatsu are just as stuck as each other in their respective fantasies of what life should be like, how they should act, what should be a granted and what should be dismissed.
So when Osomatsu loses his built-in support network in one fell swoop, his entire fantasy collapses. Totoko’s is probably going to collapse just as quickly — for all that she thinks the sextuplets are a pain to deal with, they’re an integral part of her pretensions of grandeur, right down to how her relatively-ordinary character in F6 is just as destined for greatness and true fulfillment as all of the sextuplets’ idol selves.
Totoko needs the sextuplets just as much as Osomatsu needs his brothers, not so much for what they offer her as people, but for the sense of stability and everyday reassurance that she’s a fundamental part of someone’s life. She carries out the same routines with them every single day just as much as Osomatsu does, and when that’s over?
I mean, Totoko has no friends. She’s an only child whose parents don’t connect with her on any level and whose peers are all living lives full of things she didn’t know she wanted until she didn’t have them. Totoko is what Osomatsu might have been if he’d been that only child he says he wishes he was, and now both of them are on equally unstable ground. Totoko didn’t expect him to walk away at the offer of a casual date, the last real affirmation to herself that it’s fine if she lives like this her whole life, and Osomatsu didn’t expect his brothers to leave home, his final shred of belief that his lifestyle is going to work out forever.
Her part in the cast is and always has been crucial for how she plays off of the sextuplets and how her story bumps up against theirs. Totoko’s half of 24 was all about failure to recognize having any sort of flaws and treating goals like things that should be innately far-fetched; the brothers’ half was about those “losers” making those first few small steps to concrete self-improvement and a sustainable lifestyle that makes them truly happy.
Except Osomatsu and Totoko, who are still spinning their wheels and not making it anywhere.
THANK YOU SO MUCH FOR SUBMITTING THIS META! aaaaaaaa, this is SO good!
