Richard Linklater's Waking Life (2001)
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NASA

gracie abrams
Noah Kahan

@theartofmadeline
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izzy's playlists!

Andulka

shark vs the universe
Keni

Jar Jar Binks Fan Club
d e v o n
Not today Justin
occasionally subtle
EXPECTATIONS
$LAYYYTER
Mike Driver
The Stonewall Inn

#extradirty
he wasn't even looking at me and he found me

seen from Türkiye

seen from Singapore

seen from United States
seen from United States
seen from United States
seen from United States

seen from Türkiye

seen from Indonesia
seen from Italy

seen from United Kingdom
seen from Malaysia

seen from United Kingdom
seen from Malaysia
seen from Serbia
seen from Portugal
seen from Spain
seen from United States

seen from Türkiye

seen from Türkiye

seen from Malaysia
@godar-t
Richard Linklater's Waking Life (2001)
Alexander Sokurov's Fairytale (2022)
Luis Buñuel's Nazarín (1959)
David Lynch's Blue Velvet (1986)
Guy Maddin's My Winnipeg (2007)
Paul Schrader's First Reformed (2017)
u have such a great taste! whats your letterboxd account?
thanks a lot! I appreciate your comment. my letterboxd username is @rvgolzarri
Aleksandr Sokurov's Mother and Son (1997)
Apichatpong Weerasethakul's Tropical Malady (2004)
Godard's Adieu au Langage (2014)
Harmony Korine's AGGRO DR1FT (2023)
Joel Coen's The Man Who Wasn't There (2001)
Carlos Saura's La Madriguera (1969)
Orson Welles' The Lady from Shanghai (1947)
Stanley Kubrick's Barry Lyndon (1975)
"When we talk about Barry Lyndon, we particularly praise the aesthetic value of its cinematography. And not without good reason: its immaculate visuals resemble authentic Rococo paintings. If Gainsborough and Boucher used canvas and oil to portray the pastoral and courtly life of 18th-century Europe, Kubrick, two hundred years later, used celluloid.
(...)
Barry Lyndon is an allegory about the impotence of Man as a species. A tragic discernment between deterministic cosmogonies: is compatibilism true, and therefore, do we have free will – whether we consciously use it or not – or were the fatalists right, and humans are devoid of agency, subject to whatever destiny dictates?"
Read my full analysis in English here.
Read my full analysis in Spanish here.
Stanley Kubrick’s A Clockwork Orange (1971)
Emilio Fernández’s The Pearl (1947)