Richard Linklater's Waking Life (2001)
almost home
occasionally subtle
"I'm Dorothy Gale from Kansas"

No title available
Monterey Bay Aquarium
let's talk about Bridgerton tea, my ask is open

ellievsbear
YOU ARE THE REASON

Product Placement
Peter Solarz

if i look back, i am lost
NASA

#extradirty
I'd rather be in outer space 🛸

Janaina Medeiros
DEAR READER
Keni

pixel skylines
trying on a metaphor
i don't do bad sauce passes
seen from United States

seen from United States
seen from Australia

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from Sweden
seen from T1
seen from T1

seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from United States
seen from United States

seen from Germany
seen from United States

seen from United States
@godar-t
Richard Linklater's Waking Life (2001)
Alexander Sokurov's Fairytale (2022)
Luis Buñuel's NazarĂn (1959)
David Lynch's Blue Velvet (1986)
Guy Maddin's My Winnipeg (2007)
Paul Schrader's First Reformed (2017)
u have such a great taste! whats your letterboxd account?
thanks a lot! I appreciate your comment. my letterboxd username is @rvgolzarri
Aleksandr Sokurov's Mother and Son (1997)
Apichatpong Weerasethakul's Tropical Malady (2004)
Godard's Adieu au Langage (2014)
Harmony Korine's AGGRO DR1FT (2023)
Joel Coen's The Man Who Wasn't There (2001)
Carlos Saura's La Madriguera (1969)
Orson Welles' The Lady from Shanghai (1947)
Stanley Kubrick's Barry Lyndon (1975)
"When we talk about Barry Lyndon, we particularly praise the aesthetic value of its cinematography. And not without good reason: its immaculate visuals resemble authentic Rococo paintings. If Gainsborough and Boucher used canvas and oil to portray the pastoral and courtly life of 18th-century Europe, Kubrick, two hundred years later, used celluloid.
(...)
Barry Lyndon is an allegory about the impotence of Man as a species. A tragic discernment between deterministic cosmogonies: is compatibilism true, and therefore, do we have free will – whether we consciously use it or not – or were the fatalists right, and humans are devoid of agency, subject to whatever destiny dictates?"
Read my full analysis in English here.
Read my full analysis in Spanish here.
Stanley Kubrick’s A Clockwork Orange (1971)
Emilio Fernández’s The Pearl (1947)