OH NO GUINEA PARADE. THERE GOES MY LIFE.
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OH NO GUINEA PARADE. THERE GOES MY LIFE.
The story of Cassandra, the woman who told the truth but was not believed, is not nearly as embedded in our culture as that of the Boy Who Cried Wolf—that is, the boy who was believed the first few times he told the same lie. Perhaps it should be.
In her cover essay on silencing women in the October 2014 issue of Harper’s, Rebecca Solnit once again proves that she is one of our era’s greatest essayist – further evidence here and here. (via explore-blog)
"It’s time to start with the boys." Madhuri Dixit for Vogue Empower campaign. [x]
shit
this is so damn important
now that’s powerful
i still dont like this ad because it basically reduces a problem for males to something we need to work on only because it affects women.
I think that’s kind of missing the point but w/e
Like its pretty clear the bottom line is “stop teaching boys being ‘feminine’ is wrong or that healthily expressing your emotions is ‘feminine”
Personally I wanted to see this ad resolved with a father’s arm around his crying son, saying “hey son, it’s ok”
I think the ad sort of missed the mark, because really we should be trying to say that crying isn’t a sign of weakness, and that your manliness isn’t automatically “revoked” for showing emotions. Instead we got, “teach boys not to make people cry.”
Apparently “male tears” are only taken seriously if there’s a risk they’ll end up hurting women.
OK, a couple of things RE: this GIFset, mostly in response to dnotive's last comment:
First, it’s a Vogue campaign. Vogue, which has a primarily female demographic, is using rhetoric about domestic abuse and violence against women in order to activate women’s emotions and make them think, “Oh, Vogue really cares about women and their issues, they must be a good company, I should give them money.” They didn’t make this film to start a conversation or empower anyone or change behaviors. They made it to make more money.
That’s not to say there are not ethical corporations, or that Vogue’s staff doesn’t actually care about this issue. I’m just always suspicious of for-profits using social justice language in their advertisements- it feels really exploitive to me. This is a really common thing in advertising right now, especially for companies that generally target women, and while it superficially seems like a good thing (yay, girl power, equal representation, defy beauty norms!), I’m not sure it’s actually helpful, because it ends up being so one-sided.
Also, this campaign is for Vogue India. India is in the midst of a pretty serious anti-domestic abuse campaign- as of 2006, almost 40% of married women experienced violence at the hands of a spouse. I’ve seen figures around 70% when including non-married women and non-intimate partner violence. This is a rampant problem in India (as it is in the U.S. and everywhere else), and the country is trying to figure out why these rates are increasing and what to do about it. This ad is targeted at that conversation.
(*Side note- It’s possible that it looks like the rates of violence against women are increasing because more of these incidents are being reported, which is good, but also makes the numbers look way scarier)
(*Side note 2- dnotive- We’ve talked before about how problematic it is that the domestic abuse conversation basically ignores male victims- I would bet that’s even more of an issue in India than it is in the U.S, particularly among cultural groups that have a strong emphasis on “traditional” gender norms.)
There is a conversation going on in feminist circles, at least in the global West, about masculinity and the effect that enforced “masculine” gender norms have on boys and men- not just because of the results these gender norms have on women, but because of the fact that they limit males’ ability to reach self-actualization. Men who spend their lives feeling like they need to lie or hide part of their identity, to mask how they really feel, will never reach their full emotional, intellectual, or personal potential. It’s hard to ignore the impact that these standards of “manliness” have on women, in that men who feel chronically disempowered are more likely to lash out at populations they see as being “weaker”, which often includes women (I think GamerGate falls into this category, but that’s another conversation). But you’re right in that the conversation about validating male emotions should not only be centered around the effect on women. And I promise, it’s really not. That is just one aspect of a much bigger conversation. Most feminists I know would say that boys should be allowed to cry because boys should be allowed to cry. Not just because it means they won’t hit girls.
Although that is a pretty big bonus.
TLDR: Be skeptical of corporate social-justice messages, cultural context is important, and feminists are about equal rights for boys just as much as for girls.
WHOOP THERE IT IS
… :(
What's your opinion on there being "fake" and "real" fans/nerds?
Until I meet any obviously fake human beings — and I think they’d have to be held together with glue, or have the eyes painted on, or really be dolls or slugs or something — I think all people, not to mention fans, nerds, geeks and suchlike are real.
Some people haven’t read/seen/done as much as others. Some people haven’t been around as long. Some people wear T-shirts without knowing everything about what the T-shirt represents. But they are still real, and (and this is the important bit) everybody starts somewhere.
People at my signings sometimes tell me, apologetically, that they aren’t real fans, they’ve only read one book or a single comic, not like the people who know every obscure reference I make and win quizzes on my life and times that I would probably fail. And I tell them I’m glad they read the book. And I am.
Chris Pratt as Alistair “Just so you know, if the king ever asks me to put on a dress and dance the Remigold, I’m drawing the line. Darkspawn or no.”
All of my loves.
I <3 Marceline
*Reaching enlightenment*
She had curves in all the wrong places. She had a boob sticking out of her kneecap and I’d never seen an ass on the back of someone’s head before
She had legs that went on forever. And ever, and ever. Legs going on into the endless primordial void from which we all came from and to which we shall all return. Her toes touched infinity, her hips perched on the cessation of existence.
Is this a night vale singles ad
I LITERALLY THINK THIS EVERY TIME THE SONG COMES ON
i scrolled down for an explanation and there wasn’t one but i think i’m ok with that
Oh my god this is the BEST.
Norwegian forest cats are the best.
They look like little snow lions.
MORE REASONS WHY NORWEGIAN FOREST CATS ARE THE BEST:
The colloquial term for them is “skogkatten”.
They’re also called “fairy cats” in Norway, because they’re so pretty.
They run down trees headfirst.
They’re fricking gigantic and they purr really loud.
They literally walk over snow like motherloving Legolas.
In Norse mythology, skogkatts pull the goddess Freya’s carriage.
Who doesn’t want a carriage pulled by cats?
Viking cats. End of story.
Oh what a terrible thing it appears that I haven’t reblogged these glorious beasts this year yet
I designed my Inquisitor, you guys. She’s a smart, strong, sensual woman.
And she likes touching all her companion's butts. Is also very into darkspawn (because they're kinda like zombies, right?).
Subscribe to Button! New video daily: http://bit.ly/buttonpoetry Brenna Twohy, performing for Portland, OR at the 2014 National Poetry Slam. If you loved thi...
This made me think of youreanerd. Also spiceandlemonade. And yourdogdoesdrugs.