Playing Fruitbus
There were a few bugs, but it was a fun game.
Cooking was fun, but the driving was surprisingly enjoyable too.
The sunset is beautiful.
2) To all of you who love the yellow brigandine made in Milan.
During the romantic scene, the chain mail around Henry’s neck came off on its own.Whenever I wear this brigandine, it reminds me of the beginning of KCD2.
I wanted to create Hans's avatar in gogh, but there weren't any good hairstyles…
I'm happy that I was able to display Kingdom Come on the game package and screen.
To those who love the yellow Milan-made brigandine.
It’s striking how, as both a knight and a retainer, he never hesitated for a moment and never once looked back at Hans.
I really liked the first yellow armor, so I kept it on until the very end.
I love the way Henry stares intently at Hans.
With that, I’ve finished DLC 2, and it’s finally time to start DLC 3.
It was a beautiful game.
The translation was a bit of a letdown, but each character had their own distinct personality, which was fun.
I hope Zoe finds happiness.
KCD1 finished! After playing KCD2, Henry and Hans' relationship felt fresh again.
After all, in the final scene, he's sleeping in Hans' room, on Hans' bed.
They even went out of their way to change the bed's orientation.
Was it to reflect the window and show the chickens?
I can't help but think the beginning and end are connected.
And as a Hansry fan, I thought the sword's transformation from 1 to 2 was brilliant.
Henry's expression in this scene has always troubled me.
It's after Godwin says, “Good luck, son.”
He doesn't seem to be about to say something, not that she smiled in agreement, he looks away.
Henry recites prayers facing the shrine, but he only prays for things beyond his control—like Hans's injuries or people who've been treated and can only pray now.
Even when Hans faced hanging or was taken away for imprisonment, Henry showed no despair or divine supplication. He was filled with resolve to save him.
(Excluding interjections in dialogue)
At the funeral scene, Godwin is positioned directly between Henry and Hans.
It might just be the camera work, though.
While Godwin delivers his sermon,
Hans and Zizka listen intently, while Henry, Sam, and Katherine appear distracted, swaying or looking away.
A woman who had been crying bitterly stops, and Hans and Sam look toward her.
Henry might be looking straight ahead, but it appears he's looking toward Hans and Sam.
Even if it's not according to the rules, if you pray sincerely, if your feelings are genuine, God will hear you—I think Hans was the one who came to believe that.
Because Henry had already experienced it at his parents' burial.
His gaze is turned away, as if to say he already knows.
This realization likely gave Hans the push he needed, leading to the romantic scene.
I looked up the English translation of “Good luck” again and was a bit surprised by the difference between ‘luck’ and “fortune.”
[Good luck・Potential for sounding sarcastic: When the other person is already in a tough situation, and your encouragement might come across as “Well, it's all up to luck now, good luck (though it probably won't work).”
In English-speaking cultures, the implication of leaving things to “luck” is strong, and depending on the situation, it can sound cold or sarcastic.]
Of course, I don't think Godwin meant it sarcastically.
Godwin and Henry are devout, yet they won't hesitate to sin for their goals or desires.
However, unlike Henry's “I'm never going to run do that again” Godwin frequently says “I should have run.”
He fled from his father, fled to alcohol, and was expelled by the bishop.
The difference between Godwin and Henry lies in whether they have Hans—a symbol of not running, a symbol of facing things head-on.
The playable character switches, and ultimately Godwin stays by Hans's side, fighting to the end without fleeing.
Godwin, too, is moving forward alongside Henry and Hans.
Godwin said “Good luck” as if to emphasize it.
After the cross was made on his forehead, Henry immediately averted his face and body.
(Just being cautious? Well, maybe.)
Even so, Henry's demeanor in this scene is distinctly awkward.
The phrase “audentes fortuna iuvat” repeated between them multiple times—
I wondered if it might represent something new they'd come to believe in (each other), cultivated solely between them, replacing prayer to the gods.
It's not the short-term word “luck,” but the life-staking word “fortune” that binds them.
What began as a bright slogan uttered by Hans
evolves midway into words of mutual encouragement between Henry and Hans,
only to shift in the final act when Hans is struck by an arrow: “Didn't fortune favor the bold?”
Was what they believed in wrong?
Godwin might have hinted at Hans in a positive light to Henry.
“Seize fortune, advance without retreat.”
But Henry, suddenly intruded upon (or perhaps sensed) in something he shared only with Hans, was at a loss for how to react.
Or, before taking a dangerous step forward, thoughts of Hans—who likely shared his space just minutes before—flashed through his mind, stirring guilt before the priest.
I believe this expression revealed Henry's profoundly complex state of mind: having found something new to believe in and protect, yet confronted by his own faith.
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