∞ gifsets of ca.llie adams foster. personals do not interact, mutuals feel free. © ruingood
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@goodruin
∞ gifsets of ca.llie adams foster. personals do not interact, mutuals feel free. © ruingood
∞ gifsets of ca.llie adams foster. personals do not interact, mutuals feel free. © ruingood
Clarice Lispector | Bryan Washington | Richard Siken | Emily Dickinson | Andrés Cerpa | Rainer Maria Rilke | Carol Rifka Brunt
Vivre sa vie (1962) dir. Jean-Luc Godard
OUTER BANKS (2020 —)
L’Eclisse (1962)
Emily Dickinson, from a letter to Abiah Root (August 1851)
Callie Jacob in 2x03: Play
my foster father caught my little brother wearing one of his ex-wife’s dresses. started beating the crap out of him. seriously? he hit him? yeah. i mean, he used to hit me all the time. but you know, whatever. but…when i saw him going after jude…
∞ gifsets of ca.llie adams foster. personals do not interact, mutuals feel free. © ruingood
∞ gifsets of ca.llie adams foster. personals do not interact, mutuals feel free. © ruingood
growing & healing & learning
1. Garden Song, Phoebe Bridgers 2. Interlude: I'm Not Angry Anymore, Paramore 3. The Orange, Wendy Cope 4. The Return, Mary Oliver 5. What The Living Do, Marie Howe 6. Ending, Johny Bulc 7. Will You Please Be Quiet, Please?, Raymond Carver 8. Spring, Mary Oliver 9. Witch Burning, Sylvia Plath 10. Why Be Happy When You Could Be Normal, Jeanette Winterson
well, in the comic books, it's always the people you never think could do it who turn out to be the hero. i mean, what if peter parker didn't want to be spider-man after he got bit? it's too bad, you know? it's just sometimes it's meant to be, super callie.
BONUS:
∞ gifsets of callie adams foster. personals do not interact, mutuals feel free. © ruingood
When Jane Austin said: “if I loved / you less, I might be able to talk about it / more.” and when hozier sang: “I'm so full of love, I / can barely eat”
it’s an unfortunate but true fact that callie heavily relies on the way others interpret her to define her. she has purpose, a strong sense of it, but lacks identity. she will believe any negative you have to say ( though she stands up for herself when she knows it’s necessary, she does respect herself in that sense ). she won’t as easily believe the good. the view she has of herself is hideous. she thinks herself incapable of ever truly being good ( for a partner, a companion ), lacks her own self worth, because she has tried salvaging herself. she has tried to be worthy of it. she is constantly left in the remains of different girls that she was, came close to being, or never had the chance to become. but she can be useful. she can put everything else aside and do what needs to be done, regardless of it’s cost. even if it’s her. and that’s who she has accepted she is.
no cause callie’s grief is often projected onto jude. like she doesn’t register it as her own. she will often think she’s protecting jude, but she is protecting herself. not necessarily in a selfish way. she’s looking out for him in her mind ( and she does a good job when taking in his input, listening to him about what’s actually bothering him ). but that’s how she sees it. when she had a meltdown after her mothers death, she remembered it as jude and her way of coping was to convince herself that he needed her, when she needed him. to be there for him. when she went to see donald and asked what he’s going to tell jude, that she doesn’t want him to be confused, she was the one confused. callie suffers from immense trauma projection and it hurts me every time