2025 on Tumblr: Trends That Defined the Year

Love Begins

Product Placement
Xuebing Du
Show & Tell
Lint Roller? I Barely Know Her
Monterey Bay Aquarium

Origami Around

★

blake kathryn
hello vonnie

titsay

if i look back, i am lost
occasionally subtle
No title available

No title available
No title available

Kiana Khansmith
DEAR READER

Kaledo Art
seen from United States

seen from United Kingdom
seen from United States

seen from United States

seen from United Kingdom

seen from Italy

seen from United States

seen from United States

seen from Nepal
seen from Nepal
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
@gothhunny
𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢, Untitled, 1968
Acrylic on paper laid down on panel
57 7/8 × 40 3/4 inches
📸 mark.cashion (instagram)
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
This is a much better shot than the auction catalog so I'm sharing it here because you can see a lot more of the paint texture, and that's pretty cool
The Girl on a Motorcycle (Jack Cardiff, 1968)
La Belle Noiseuse (Jacques Rivette, 1991)
https://www.instagram.com/cozyvu/?hl=en
“She’s read every word I’ve written… That’s the truest way to know someone’s heart.”
— Adam Johnson, The Orphan Master’s Son
“I breathe for you. I covet you. I spend every second of every day thinking about you. A burden?” I scoffed. “The way I love you goes beyond any love story you’ve ever heard. There isn’t anything I wouldn’t do to keep you. I burn for you, in the way that only someone can when you’re holding a piece of their soul.”
The Pucking Wrong Date - C. R. Jane
Shihoko Fukumoto: 'Tea Room :: Mist' (1990) comprising walls of indigo-dyed linen
Akira (1988) dir. Katsuhiro Otomo
Parker Posey in Party Girl (Daisy von Scherler Mayer, 1995)