Hell bent and Heaven sent

♍️🌞♍️🌙♋️⬆️

[heritagedeathlegacy]

[dailyrothko]

𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢, Untitled, 1968

Acrylic on paper laid down on panel

57 7/8 × 40 3/4 inches

📸 mark.cashion (instagram)

© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)

This is a much better shot than the auction catalog so I'm sharing it here because you can see a lot more of the paint texture, and that's pretty cool

[365filmsbyauroranocte]

The Girl on a Motorcycle (Jack Cardiff, 1968)

[365filmsbyauroranocte]

La Belle Noiseuse (Jacques Rivette, 1991)

[achillesinhighheels]

[achillesinhighheels]

[cozyvu]

https://www.instagram.com/cozyvu/?hl=en

[quotespile]

“She’s read every word I’ve written… That’s the truest way to know someone’s heart.”

— Adam Johnson, The Orphan Master’s Son

[placeeee]

[achillesinhighheels]

[critical-quoter]

“I breathe for you. I covet you. I spend every second of every day thinking about you. A burden?” I scoffed. “The way I love you goes beyond any love story you’ve ever heard. There isn’t anything I wouldn’t do to keep you. I burn for you, in the way that only someone can when you’re holding a piece of their soul.”

The Pucking Wrong Date - C. R. Jane

[zegalba]

Shihoko Fukumoto: 'Tea Room :: Mist' (1990) comprising walls of indigo-dyed linen

[zegalba]

Akira (1988) dir. Katsuhiro Otomo

[ethereal-sweet-tea]

[heateron]

[zagrebinaa]

[365filmsbyauroranocte]

Parker Posey in Party Girl (Daisy von Scherler Mayer, 1995)