Fio Silva : “Mural con el gran David Petroni. Más que hermosa tarde en el conurbano!” (Villa Maipú, San Martín, Buenos Aires, Argentina)

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noise dept.

if i look back, i am lost
TVSTRANGERTHINGS
trying on a metaphor
Noah Kahan
Sade Olutola
occasionally subtle

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver

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d e v o n
KIROKAZE
🪼
let's talk about Bridgerton tea, my ask is open

pixel skylines
RMH

#extradirty
he wasn't even looking at me and he found me

seen from Dominican Republic
seen from United States
seen from United States
seen from United States
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seen from United States

seen from United States
seen from Ukraine

seen from Türkiye
seen from Belarus

seen from United States
seen from Venezuela
seen from United States
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@graffitiqueens
Fio Silva : “Mural con el gran David Petroni. Más que hermosa tarde en el conurbano!” (Villa Maipú, San Martín, Buenos Aires, Argentina)
Fio Silva x Alan Myers - (Parque Quirno, Hurlingham, Buenos Aires 2016).
Bastardilla is a Colombian street artist whose internationally acclaimed graffiti focuses on gender inequality and the ever-present violence in her country.
(via The Elusive & Mysterious Bastardilla)
BOGOTÁ, Colombia — Here, where graffiti is classified as a violation rather than a crime, street artists do not have to hide. Bright murals, often uncompromisingly political, cover public walls, as well as those of home and business owners who, understanding the value (cultural and financial), allow their own properties to be used as a canvas.
Marta Noemi Noriega – Part of the Vertical Smile series (Detail), 2014, Panama
Female empowerment is important to her and in series of paintings she exhibited the beauty of female body and mind.
Marta Noemi Noriega is a multidisciplinary artist from Panama. She mixes various mediums and different themes. Inspired by poetry and art, she explores the deeper dimensions of political and social fields. She dedicates her murals to children and their education. The artist strongly fights against social injustice.
Through her art, La Suerte loves to play with the idea of the female body.
“Here in Ecuador, dealing with body issues or talking about the body is still a sin – it’s frowned upon … I like the beauty that there is in the skin folds. In my work I like to take this idea of flesh to an extreme. This is my way to deny female body stereotypes,” she said in an interview with Women Artists.
This is Lady Pink. She was born in Equador and grew up in New York. Her street art career began in the late 1970’s to early 1980’s. She began with graffiti writing and now does murals and fine art all around the world.
Panmela Castro, Cochabamba, Bolivia, 2015.
Panmela Castro, Quit, Ecuador, 2015
Panmela Castro, Rio de Janeiro, Brazil, 2013.
Panmela Castro, São Paulo, Brazil, 2015.
Panmela Castro, Rio de Janeiro, Brazil, 2010.
Panmela Castro, Santiago, Chile, 2012
Panmela has diversified her into the field of performance art. In this piece she carves the title of the performance into her skin