to see and read

*my things *tell me something

[drs-rdt]

Feigen Gallery - Hans Hollein

1967-69

via

[sovtime]

В. И. Ленин.

V. I. Lenin.

[thunderstruck9]

Arthur Streeton (Australian, 1867-1943), Cremorne Point, Sydney Harbour, c.1926. Oil on wood panel, 20.5 x 11.0 cm.

[wmud]

mario campi e franco pessina - eglise madonna di fattima, san vittore, 1998

[leuc-deactivated20150726]

Sandro Botticelli, The Birth of Venus (detail), 1486

[salonduthe]

Auguste Rodin, watercolour.

[istmos]

Cai Guo-Qiang

[microbordados]

Prendedor amor al universo !!!! Mañana nos vendo en la feria #antimoda !!!!

[textileartlove]

ramona zordini

[archatlas]

Colosses Fabrice Fouillet

Statues are often idealized works of art. They are ideological, political or religious representations and attempt to turn their subjects into fascinating, eternal figures. Even when erected to keep alive the memory of a single person, a statue that lasts many generations will eventually establish itself as a symbol for the community.

Statues are even more influential when they are monumental. An edifice can be said to be monumental when it is unusual, extraordinary and physically imposing. It has to be abnormal — as exceptional as the political or religious power itself — and also inseparable from its symbolic aspects.

The series “Colosses” is a study of the landscapes that embrace monumental commemorative statues.

Keep reading

[mpdrolet]

Viju Rao

[thunderstruck9]

Katrin Fridriks (Icelandic, b. 1974), Dreamliner 1, 2015. Acrylic on canvas, 80 x 80 cm.

[flintandpyrite]

Tom Killion

Kaweah Lake

[thunderstruck9]

Gerhard Richter (German, b. 1932), Flow (934-15), 2013. Enamel on back of glass mounted on Alu Dibond, 45 x 35 cm.

[ryantippery]

Ryan Tippery | Formel Nº 35

[nearlya]

ruby onyinyechi amanze. 

under the galaxy’s stars, we will always be the same, 2014

[acetoxy-deactivated20151215]

James Kirkups