Trey gives his thoughts on the original Secret Wars and how well it holds up before looking at the heartbreak that is the new series.
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Trey gives his thoughts on the original Secret Wars and how well it holds up before looking at the heartbreak that is the new series.
Trey’s Take On...Blog
Time for a new blog where a more professional me will come about. Â Please join me their and hear what I have to say.
http://treystakeon.blogspot.com/2015/04/welcome-to-site.html
Star Wars #1-3
      By now the everyone knows that the Star Wars juggernaut is once again in full motion and is easily on the path to becoming more powerful and popular than ever before with a new highly anticipated film due for release this Christmas, a standalone film entitled Rouge One due for release a year later, a sequel to Episode VII set for a late May, 2017 release, a number of new videogames, and of course comics.  Now published by Marvel, the studio launched their new franchise with Star Wars #1 and has easily becoming one of the bestselling single issues of all time, selling nearly a million issues in January and well on the way to surpassing that amount, (if it already hasn’t) making it perhaps the best selling comic since the comic book crash during the mid-90s.  And I have to say that the first story arc of this newly revived franchise is a bit disappointing.
      Taking place in the strangely unexplored between Episodes IV and V, the first story arc in Star Wars takes a surprisingly safe and uninspired direction, promising better things to come but fails to deliver a satisfying story on its own terms.  Taking place sometime after the events of the destruction of the Death Star, issues 1-3 focuses on Han, Luke and Leia as they try to destroy an Imperial weapons factory and….well that’s about it.  Aside from a few realities that Luke is awakened to about his abilities as a Jedi, (or lack thereof), and the foundations of Vader discovering his connection to Luke, the whole thing just plays out like a three issue long action sequence that would have felt more at home in the middle of a story as opposed to the beginning.  It also doesn’t help that the series is full of logistical gaps as well that raise so many questions such as why are Luke and Leia on this mission when clearly Han and Chewy could have handled this on their own?  Why does it seem like the four of them are the only ones capable of leading a mission in the entire Rebel Alliance?  Why did Vader conveniently show up right as the heroes get to a “can this get any worse” moment?  Granted things like this seemed to happen in the original trilogy all the time but what these writers seem not to understand is that there is a world of difference between what works dramatically in the context of a two hour film and what works within the context of a short story arc in a comic book that is meant to add depth to a universe. Â
      Where the book’s strength comes in, however is in the art departments.  Credit has to be paid to artist John Cassaday and colorist Laura Martin for their abilities to capture the look of the original Star Wars so well but also being able to take liberties in ways no one will really notice or mind, (Luke’s face anyone?) and while this is essentially a three issue action sequence Cassaday’s and Martin’s artwork ensures that it is a good looking a visually appealing action sequence.  All of the colors and explosions just leap off the page and draw your eyes in and make you interested in seeing what is next and you feel the tension of what is on the panel.  When, for example, Vader, stops a walker foot in midair as it comes down to crush him you feel the full weight of this thing and what a feat it is for Vader to have stopped this thing.  Later on, when he actually succeeds in taking said walker down you feel the full impact of the feat in a way that no other film, video game or book has ever conveyed. It truly is fantastic artwork and I cannot praise the artists enough for it.
Unfortunately that just doesn’t make up for the utterly safe and uninspired story.  It’s a three issue action sequence that fails to be a satisfying story on its own terms with no real character development outside of a few throwaway lines and Luke realizing that he still has a long way to go with his Jedi training before he can be anywhere near a match Vader which I can only predict will result in Luke sulking for a while and being emo about his leadership abilities making him insufferable for a time before stumbling upon the thing that the final panel in Issue #3 hints at and becomes a more competent protagonist as a result.  And quite frankly I think we’ve seen that particular kind of story a few to many times to remain interested.  It ultimately seems slightly more interesting than what they’re doing with the Princess Leia series that is currently being published but if you want a good Star Wars comic being published by Marvel at the moment I would recommend checking out the Darth Vader series, as it actually attempts and succeeds to add depth to Vader and his relationships to the people around him.  This series however can be safely added to the discard pile.
 Verdict
Discard
(Not good enough to browse but not bad enough to burn)
So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel and may the Force be with you more then it was the writers of this comic!
Trey Griffeth
Follow me on Twitter @TreyGriffeth
Thor Annual
      Annual are perhaps one of the more irritating things about comics.  The tend to be up ten pages longer than a traditional issue, cost up to a dollar more than a traditional issue and very rarely have anything to do with whatever story arc the series is currently in the middle of. But every now and then I am surprised by what I get out of these Annuals and I am happy to say Thor Annual #1 is one of those pleasant surprises,
      Containing three stories in one, Thor Annual #1 follows three different Thors across three different time periods.  The first follows King Thor in the distant future as he attends the funeral of the last elf in the universe, lamenting over how much he has lost over the eons as his grand-daughters attempt to cheer him up with a birthday present. The result is a story that is all at once heart-warming, hilarious, sad and just slightly optimistic and knows how to address the themes of morning ones past as well as looking towards the future without shoving it in the reader’s face.  Complemented by appropriately dark art work, this first story is instantly memorable and worth checking out the entire issue for this alone. Â
      Luckily the second story, while not as good, still holds steam.  This one follows Thor, (the female version), as she and the Warrior Three participate in various amusing pranks and activities throughout the universe.  And that’s really all there is to say.  It’s just a funny little story about Thor and the Warrior Three having a good time while complemented by cartoonish looking artwork and is quite a fun little read.
      The final story is sadly the weakest but still entertaining in its own right. It tells the story of a much younger Thor, (the male one), as he partakes in various drinking games and somehow outdrinks everyone in his path.  This story is a bit on the vulgar side, featuring characters passing out drunk, vomiting and boasting like…well drunken idiots but it is fun if you like that sort of humor.  It all comes to a head when Mephisto challenges Thor to a final drinking contest in the hopes of defeating him while he is at his weakest and the results are more or less the same as you read earlier.  It’s not as heartfelt as the first story and not as fun as the second but still entertaining in its own right.
      All around this is a pretty damn good issue and more than worth the time and money I put into it and I cannot recommend it highly enough.  It’s heartfelt, funny, and above all, fun and you will not be disappointed.
Verdict
Read
Spider-Man and the X-Men #3 "Review"
      I’m just going to be very blunt about this one.  It involves Mojo and anything that involves Mojo can burn in a fiery pit along with every single useless story that has been produced that involves a story where a protagonist gets captured just for the sake of having an eloborate escape, grinding an otherwise decent story to a halt.  And that’s basically all that this issue of Spider-Man and the X-Men is; another escape from Mojo world without any real character development that hadn’t been done in previous issues and reveals that could have easily been done at the end of Issue #2.
      For those of you who aren’t aware, Spider-Man and the X-Men is a series where Spider-Man comes to the Jean Grey School in order to flush out a trator in the school at the behest of Wolverine before he died.  And in this issue they are captured by Mojo, an annoying reocrrring X-Men villain, T.V. producer…slug….thing who rules Mojo world with his network…or something like that and these storylines always go the same way.  The X-Men get captured, are made to do some crappy TV show that tries and fails to be a parody of some other current TV show. They break out, break Mojo’s stuff and escape his realm and this issue follows that that formula without any real innovation and doesn’t even attempt to move the plot along outside of a few things that could have been done in other issues.  In short, it’s not worth my time, it’s not worth your time and if you find a copy of this issue or any others that involve this annoying villain and the stupid premises that come with it burn to ashes and then crush the ashes so no part of it may ever blight the world again! Â
 Verdict
BURN!
So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel and burn this one in a pit!
Amazing X-Men #17: The Once and Future Juggernaut Part 3 Review
      The premise of the Amazing X-Men series is a very simple one: have all the X-Men do awesome and heroic things but leave behind all the Civil Rights allegories and general grimness that tends flow through the other X-Men related series.  As a result the series is by in large a pretty fun one, featuring pirate ship battles in Heaven and Hell and battles against armies of Wendigos while still generally keeping true to the characters and addressing their personal issues and dramas but fail to leave a lasting impressing.  This particular arc, entitled The Once and Future Juggernaut features a great deal of the latter but hasn’t exactly been as fun as the previous to arcs and this is no more on display then with Issue #17.
      If you’re not up to speed on the series, The Once and Future Juggernaut arc revolves around the reappearance of The Ruby of Cyttorak, the ancient gem that gives the Juggernaut his powers after it had been out of play for some time as the X-Men attempt to prevent someone from claiming the gem while various villains of the Marvel universe attempt to obtain it.  This particular installment in the series is more or less a prolonged action sequence where the X-Men attempt to fight off the various villains while trading quips and insults and the issue does a serviceable job of this. And that’s really the best word for the writing of this issue.  It’s serviceable.  The action isn’t particularly memorable but it does do its job as a continuation of what happened in the previous issue and the banter between the heroes and villains again is very much the same.  The writing does show a bit of life when Colossus and Cain Marko, the original Juggernaut, enter the picture when both characters show their true motivation behind their reasons for seeking the gem but I suspect that the more interesting stuff for the two in the next issue. Â
      Like most other issues of Amazing X-Men the artwork is gorgeous to look at.  Every character looks exactly the way they are meant to and is full of contrasting colors, with the heroic characters dressing visibly brighter than the villains all set to an even darker background, symbolizing the characters own alignments as well as that of the evil place they battle within.  My hat is off to the artists behind this series for making such eye-popping visuals.
      In the end, however, this issues is just what was stated above; a serviceable entry in a story arc and is clearly meant to fill in before the end if the arc and likewise ends on a cliffhanger which the issue seemed intent on getting to. It’s by no means a bad issue but you’re probably better off reading what happened in this one on a recap website then coughing up $3.99 for it.
Final Verdict
Browse
So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel.
Trey Griffeth
Follow me on Twitter @TreyGriffeth
The Amazing Spider-Man #15: Spider-Verse Epilogue Review
      As anyone who has been keeping upwith Marvel’s current lines of comics knows, the Amazing Spider-Man series just came off of a massive crossoverevent entitled Spider-Verse; an event revolving around nearly Spider-Man of every other universe coming together to battle The Inheritors, a group of vampires who are set on killing every Spider-Man of every universe in order to preserve their own immortality.  The series on the whole had all the same strengths and weakness of any massive crossover.  It was epic in scope, well written, featured more Spider-Men and women then one could ever imagine ranging from incredibly creative to insanely awesome, and featured many eye widening panels that kept you hungry for more.  But like most other crossovers it also had an insanely high body count that seemed to toss characters aside like discarded candy wrappings and featured a few to many tie in issues with other series that were required reading in order for one to obtain the entire story, making it an extremely expensive endeavor.  But on the whole it was a fun, well written, creative crossover that introduced a ton of new interesting characters and when the collection comes out in March I highly recommend that you check it out if you’re a Spider-Man fan.  It is a shame, however, that the series ends on such a whimper. Â
      As with previous installments to the series, the art work is fantastic.  All of the drawing is professional, creative and properly moves the story along with its visuals, knowing what colors are needed for the characters and designs to look properly.  Unfortunately it’s the writing of the issue itself that just falls flat with some very odd pacing and structuring issues and seems to focus on everything but what the reader wants to see.  Initially it starts how you would thing an epilogue story would; one of the surviving characters returning to his/her dimension to assess the damage and personal cost the event has caused and setting up the ground work for said character to heal and move on. Â
However the moment this bit is over the story completely derails as Doc Ock, The Superior Spider-Man tries to change his fate and the majority of the issue revolves around Peter and company trying to stop him before he, as a side result, closes the doors to other dimensions.  Because of this, the storylines of characters like Spider-Gwen, Miles Moral, and Spider-Man 2099 are shoved to the side without any real resolution or showing the effects this whole event may have had on them and felt like a rushed way to send them out.  Likewise, Silk seemed to get pushed to the side.  The very odd relationship between her and Peter had been a driving force behind the entire series so it’s really shocking that the effects this event had on her wasn’t a prominent part of the final issue and I can’t help but think that this is a subtle way to promote other series.  It’s as if the writers are saying, “You wanna know what effects all of this had on these characters?  WELL CHECK OUT ARE NEW SERIES, SILK AND SPIDER-GWEN AND BECOME REINTRODUCED TO SPIDER-MAN 2099 AND FIND OUT!”  Will this work on me?  Yea probably but it still doesn’t mean I have to like it!
But despite all of this, there are plenty of characters who do get some kind of resolution.  I won’t spoil it for those who have yet to read it, but three major characters in Spider-Verse make some life changing decisions, and succeed in both resolving the story arc that had been presented in the event as well as leaving room open future stories.  And finally, the series does end on a high note, showing that while the experience in Spider-Verse have changed him for the better he is still the same character we have all come to know and love.
All around, however, I can’t help but focus on what the comic failed to do as opposed to what it succeeded in doing.  More characters needed more resolution within this series and it’s massive shame that the publishers expect us to pick up half a dozen other series so we can get that resolution.  It isn’t a comic that is worth throwing in the burn pile by any means but it does come pretty close by virtue of being a near botch of an ending to such a good series.  Make of that what you will.
Verdict
Browse
(But only just)
So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel, and check out the event but be ready for a sub-par ending.
Trey Griffeth
Follow me on Twitter @TreyGriffeth
Power/Rangers
       It seems that since the 80s every generation has some franchise, (or in some cases several), that was by no means objectively good but managed to preeminently install itself into the hearts and minds of the children who grew up watching it all the while begging parents to buy them an increasingly large catalog of action figures as the franchise went on and as adults have an un-ironic love and nostalgic attachment to it.  For my generation, that franchise was Power Ranger; a series shamelessly comprised of action sequences ripped straight from a live action Japanese show with new footage of American actors edited in to give the series some resemblance of a plot, masterminded by a man who is easily one of the most blatantly commercially driven producers in all of history.  And like everyone else who saw this show as a kid, I still dig the hell out of it.  I think like a lot of other people, however, my interest in it was renewed when they announced a feature film reboot of the series last year, set for a 2016 release date.  I’ll address more on this another time, but today we’re here to talk about the recent fan film, Power/Rangers.
      Produced by Adi Shankar, also known for other fan films with major actors and high production values such as Punisher: Dirty Laundry and Eddie Brock: The Truth in Journalism, the short follows Rocky, (aka the second Red Ranger), as he interrogates Kimberly, the Pink Ranger, played by Katee Sackhoff, as he tries to find the location of Tommy, the Green Ranger who he suspects has killed all the other original rangers.  What follows is a very cyberpunk-esc, dark and gritty look at the characters and some of the more messed up things about the series, (drafting teenagers to fight an intergalactic war anyone?) and it’s pretty fun to see these particular versions of the rangers and what they may have been or become once they set aside the morphers.  While watching this fan film, however, I couldn’t help but have mixed feeling on the plot.  On one hand it is very well written and entertaining but it also felt less like a Watchmen version of Power Rangers and more a cyberpunk noire story that just happened to include Power Ranger characters.  On the whole I say that it’s a good take one that I have reservations about.
      As with Adi Shankar’s previous productions, the production value is top notch, for the most part.  The CGI is impressive for a fan film, the action is all well done, it looks stunning, and the acting is, for the most part, really good.  There are moments where the CG looks laughably bad, the ranger suits never really looked right, and for some reason Tommy’s character sounds like the Christian Bale Batman but it is all very well done for a short fan film that probably won’t have an existence outside of YouTube or Vimo. Â
      On the whole it’s a pretty fun little short and a must see if you’re a Power Rangers fan.  It’s no masterpiece by any means but it has renewed interest in the franchise for adults it actually has renewed a dormant interest in the upcoming reboot.  It’s absolutely worth watching so check it out.
https://www.youtube.com/watch?v=vw5vcUPyL90
So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel, and check this one out before someone decides to take it down.
Trey Griffeth
Follow me on Twitter @TreyGriffeth
First GGP video in a while where I try and play Grim Fandango and...well just watch to see how well that went...
Trey Griffeth
The Hobbit: The Battle of the Five Armies
       The best way to sum up The Hobbit: The Battle of the Five Armies would be to say that it's an appropriate ending for Peter Jacksons' second Middle Earth based trilogy, for better or for worse. You see, this trilogy has surprisingly become the most controversial thing in what one might call geek culture since the Star Wars prequels. But unlike those films their doesn't seem to be any real consensus on the quality of these with people in one of two camps. They either see the trilogy as a blatant attempt to milk a relatively simple children's book for all its worth or they see it as a way to expand upon lore and characters present in the book but not really developed one reason or another. Generally I find myself leaning more towards the former of the two. I wasn't against splitting the movie up into two parts, (there was more than enough content to justify it), but three films seemed to be stretching the source material to its breaking point and the resulting films have been difficult to entirely endorse.
           For those of you who aren’t aware, The Hobbit Trilogy is an adaptation of the novel, The Hobbit, by J.R.R. Tolkien and follows a hobbit named Bilbo Baggins as he accompanies a band of dwarves in their quest to reclaim their mountain from the dragon Smaug, who devastated it long ago and they battle through various threats that stand in their way. Part one, An Unexpected Journey was very much a film that showed the strain of being broken into three parts. Every scene seemed to go on for too long, every shot seemed to linger on the characters for too long and every conversation seemed endless. But despite all of that it was still a pretty decent film. The action was good, the acting great and it at least attempted to give the dwarves more developed senses of identities. Part two likewise had good acting and action and succeeded in giving various characters personalities that they lacked in the book but this time felt faster paced and seemed a bit more justified in splitting its run time with two other films. Unfortunately The Battle of the Five Armies feels like the third act of that film that was somehow drawn out to a feature length runtime.
           The film takes place right after the end of The Desolation of Smaug with the dragon attacking Lake-Town. After being slain by Bard the Bargeman, tensions mount as Thorin refuses to give aid to the people of Lake-Town or negotiate with the Elves of Mirkwood who stand poised to take the mountain by force if Thorin continues to refuses, while Gandalf and Bilbo attempt to make all see reason as an orc army converges on all of them and eventually devolves into an prolonged action scene that lasts at least half the film. And beyond that there really isn’t a whole lot to say.Â
Everything that is wrong with the narrative and characters can be summed up by saying it feels like an extended third act to The Desolation of Smaug.  All the major character developments happened in the previous film and it feels like we were put into right back into the middle of something that should have been wrapped up in an earlier entry. The plot, again, just feels like a third that was hacked out of the previous installment, similar to how Quantum of Solace felt like an extended third act to Casino Royal. Unfortunately, beyond that there really isn’t a whole lot to say about this movie. The action and acting and special effects are all on-par with the previous two entries and if you were invested in the characters from those two, chances are you will be satisfied with where they go, for better or worse. But ultimately this did not need to be its own film and, for me at least, settles the argument The Hobbit did not need to be broken up into three movies in order to tell a good story.
 All Around
6/10
So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel, and get hype or ready to hate on these new movies.
Trey Griffeth
Follow me on Twitter @TreyGriffeth
Jurassic World, Star Wars: The Force Awakens, and Terminator: Genisys Trailers: What They Mean and Why They May or May Not Work
       Over the past few weeks a number of teaser trailers have been released for major blockbusters coming out next year and all of which have a strange theme to them. Mainly that they’re all some kind of continuation of a major franchise that has effectively been dead for years and/or had previous installments that had fans calling for the creative team’s blood or both.   It’s probably a coincidence but it has raised the question in me as to why some of these franchises continue to exist despite the fact that they have either long since ceased to be relevant or have since hit their high point and have never quite recovered from the decline they’ve been going into since. The obvious answer is money. In an age where franchising and brand name means everything there is no way a studio will let a potential cash cow end gracefully or burn out altogether, even if no one is asking for another installment. But sometimes there are new ideas. Sometimes there are ways to justify continuing a franchise. And sometimes these ideas are good and sometimes they are flat out shark jumping insane!
                       Jurassic World
                         https://www.youtube.com/watch?v=RFinNxS5KN4
       In all honesty, Jurassic Park was a movie/book that probably should never have been expanded into a franchise. But much like Steven Spielberg’s first masterpiece Jaws, the studio in charge, (and in this case Spielberg himself), decided to milk what was then the highest grossing movie of all time to the point where the franchises began to look more like the “B” movies that had inspired them then the original masterpieces that started it all and from the looks of this trailer it seems like that spiral is continuing. Granted the “science” in the Jurassic Park series was never sound but the actors saying the words “genetically modified hybrid” with a straight face is baffling on so many levels and raises so many questions about the whys and the how’s and generally what were the filmmakers thinking when they pitched this idea and what were characters thinking when they decided to do this. To quote Chris Pratt’s character, “Probably not a good idea.” At the same time this concept can’t help but make it feel more like something that the Syfy channel or The Asylum would have produced to cash in on the popularity of a film like Jurassic Park.Â
       But at the same time, one could easily make that exact same argument against every single major blockbuster that has come out since 1975 and many of those are considered the greatest films ever made. Films like Jaws for example took what was effectively a “B” exploitation movie concept and made it into one of the greatest thrillers of all time. The Indiana Jones series is heavily inspired by what was then considered to be disposable movie serials that used to play before the main movie in old theaters before TV series came into their own. Other films like Star Wars and The Terminator series effectively took what were old “B” science fiction serial concepts and turned them into some of the most profitable franchises ever made. Heck even the original Jurassic Park has a concept that seems straight out of a Rodger Corman film with its “so-so” science and monsters running around eating people. So it is very possible that Jurassic World is just taking another concept that was once thought of as ridiculous and only worthy of crappy “B” movies and bringing it into modern world to a mainstream audience. But we’ll ultimately have to wait until summer of next year to find out if it will actually work or not.
      But if the image of Star Lord leading a pack of Raptors into battle isn’t enough to sell you on this movie you’re probably a lost cause anyway.
                  Star War: The Force Awakens
       https://www.youtube.com/watch?v=OMOVFvcNfvE
       The most that can really be said about the trailer itself is that, for better or for worse, it looks and sounds like a Star Wars movie. But it does raise a lot of questions and contains things that have become surprisingly controversial. Like, why is there a black stormtrooper even though they were all clones of a single man? Why are there even stormtroopers and tie fighters left even though the empire was defeated thirty years ago? Why is there a droid who rolls around like a ball? Why is that lightsaber shaped like a claymore and have handle guards? My biggest question: why the heck was a Sith warrior in a German looking forest? I expect that we’ll probably get more answers as 2015 rolls on but for the time this is what we have.
           But for me this trailer really cemented one thing in my head. I, like everyone else, was aware it was happening but it really didn’t hit me until I saw this trailer; a new Star Wars movie is really being made. Like everyone else, I shocked at the news that Lucas had sold his company to Disney. I couldn’t believe that they were already announcing movies before the ink dried. I booed when they announced J.J. Abrams as the director. I was hype when they announced the cast of both new comers and veteran actors to the roster. I read with suspicion as rumors leaked of clashes with Abrams and Disney executives over the writing and release date of the film. Yet despite all of that, it only sunk in that a new Star Wars movie was being made after I saw this teaser.
           You see, the Star Wars franchise is one that not only set up the foundation for the modern concept of a summer blockbuster franchise but one that is, more than any other, made for the modern era. I have my disagreements with other people over the quality of films like The Avengers and the Marvel Cinematic Universe in general but if nothing else one has to acknowledge that it has open the door for other film franchises to follow in suite. Many in all honesty have no reason to but the Star Wars franchise was always one that was begging for the same treatment the MCU has received. With a universe as large as the Star Wars one, it is just begging for stories that go outside the same old “Jedi V.S. Sith” scenario we’ve been seeing for almost forty years. Perhaps spinoffs concerning the exploits of bounty hunters or smugglers and their dealings with the underworlds of the galaxy? A Game of Thrones-esc political drama concerning galactic politics? The possibilities for the universe that Star Wars has built are quite literally endless and that’s what this trailer seems to be more about, (for me anyway), more than anything else. It has finally given visual confirmation that Star Wars is back and gives more merit to the idea that sequels will happen and that the two spinoffs they currently have in development may actually see the light of day. And that, more than anything else, is that this teaser means.
    But seriously, why are people freaking out over this new lightsaber design?
                     Terminator: Genisys
          https://www.youtube.com/watch?v=CN__WyMfEKw
       Despite the stupid name, this movie looks awesome. There are some cool new machine designs, many of the casting choices are untraditional but are made up of good actors, the action looks imaginative and intense, the post-apocalyptic future looks great, and it seems to have a theme that messing with the timeline multiple times can and will have unexpected consequences. And yet, despite the sheer awesomeness of seeing the T-800 skydive into a helicopter I can’t help but worry.
           You see, it’s widely agreed upon that the Terminator franchise should have ended after Terminator 2. The film effectively ended, (SPOILERS), with Judgment day being prevented and all trace of the machines and Skynet being wiped from history and stating that the future is not set and that we ultimately decide where it will go. And this new movie seems to be a little too aware of this as this trailer clearly contains rehashed ideas from T2, from trying to prevent Judgement Day to a T-1000 being the apparent primary antagonist. While I wouldn’t go so far as to say that they’ve run out of ideas or are playing it safe, (if anything the reshaped timeline seems to imply the opposite), it does make me worry that the film itself will itself be a redo of the plot of T2, if in concept if not necessarily in execution. And quite frankly after Days of Future Past I think a good deal of these concepts have worn out their welcome.
           In the end, all of these trailers have their downsides ranging from “B” monster movie ideas, to clamor, hilt guarded lightsabers, to a complete reset of a beloved franchise but they all also show or imply a lot of promise. They all seem to contain new ideas and are interested in continue these beloved franchises in new ways but also in ways that will respect what came before them. But we won’t know for sure until next year. All we do know for sure is that 2015 is going to be a hell of a year.
So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel, and get hype or ready to hate on these new movies.
Trey Griffeth
Follow me on Twitter @TreyGriffeth
Interstellar: A Mixed Bag of a Film
         Of all the filmmakers to break out in the late 90s/early 2000s, Christopher Nolan is easily one of, if not the, best.  With films like Memento, Inception and The Prestige he redefined what it meant to tell a story through the medium of film, interweaving incredible ideas with incredibly compelling narratives, the likes of which we haven’t seen since Stanly Kubrick died. His Dark Knight Trilogy effectively redefined what it was to be a great comic book movie with The Dark Knight still widely held as the benchmark of filmmaking achievement in that genera as well as the thing that probably, more than anything else, that turned Batman into such a cultural icon that rivals and possibly surpasses Superman at this point. So there was obviously a lot of hype revolving around his latest project, Interstellar but I’m kind of sad to report that it’s probably going to go down as one of Chris Nolan’s lesser films.
           Now don’t get me wrong. Interstellar is a good movie, but there are just few to many things that hold it back from being a truly great film. Taking place in the not so distant future, the Earth is now experiencing radical environmental change that’s slowly but surely destroying all plant life on the planet and will make the planet unlivable within the next few decades. After a wormhole is discovered just outside of Saturn that leads to another Galaxy, NASA opts to make a last ditch effort to go through this wormhole in hopes of finding a planet viable for colonization, essentially battling theories of relativity, time and space in order to do it while scientists at home hope to find a solution to a complex gravity equation that will allow them to transport the whole of humanity to said world.
           The film is led by Matthew McConaughey’s Cooper, a onetime NASA pilot turned farmer, who is forced to leave his family behind knowing that it will be years, if not decades before he can return, essentially leaving his kids to grow up without him. If one thing can be said in the film’s favor it’s that McConaughey is fantastic in the role and is what ultimately holds it all together. The emotion here feels real and you very quickly become empathetic to this man’s plight and it is heart breaking to have to watch his children grow up without him as he only sees them through video recordings transmitted through the worm hole and the film manages to completely invested us in his struggle to save them, get back home or at the very least find a way back to them before it is late. This is mostly due to a very well done, if slightly overlong, first act that does a great job of showing just how much this man cares about his family, particularly his relationship with his young daughter Murph who shares his ambitions to do something aside from farming.
           Unfortunately, the rest of the characters ultimately fall very short. Everybody gives a good performance but they’re not given a whole lot of time to develop their own personalities or any reason for us to be invested in their fates. For example, Wes Bentley gives a good performance as Doyle, a scientist who has a “humanity’s survival first” agenda but we really don’t learn anything about him aside from his role as a fellow scientist and astronaut and the same goes for various forgettable characters played by Topher Grace and Casey Affleck. The great Michael Cain is essentially given a role that amounts to “the old mentor scientist” without much else to define him. Ann Hathaway is more or less suck in the “female lead role” that could have been played by anyone and isn’t really given a whole lot to do beyond that. Heck, even after Jessica Chastain gets into her role as older Murph she just seems to someone to be mad at her dad and to try and solve the gravity equation without much else to define her. There is thankfully some comedic relief in the form of TARS the android whose “sense of humor” cracked me up every time he threw out a joke but the rest of the characters were just parts to be filled to move the plot along.
           Where the film really shines, however, is in just how interested it is in grounding this universe realistic science and as a film based around theories of relativity, time and space and it works. Anyone who has any interest in these subjects is going to do back flips over the ideas and themes presented in the movie and it really feels like the filmmakers wanted to present these ideas to a more mainstream audience then it would have otherwise gotten. In fact a lot of the tension of the film comes from these theories and the actual workings of them as sometimes decades can pass in mere hours for the characters, making earth’s survival and Cooper’s chance of being reunited with his kids that much less likely.Â
Unfortunately this leads to another weakness of the movie. At times it is very obviously trying to be a thrilling space adventure with threatening planets and hostile environments and possibly more. But the scenes where these threats come out mostly feel tensionless and probably looked a lot better on paper. In one scene a tidal wave the size of a mountain is coming at the characters and they’re forced to ride the wave out but it doesn’t come across as tense or thrilling at all. In fact the only tension that we feel is the fact that every hour on this planet equals seven years on earth which again makes the odds of the characters succeeding in their mission in time that much less likely. It’s just a scene that happened to have a have a tidal wave in it and this lack of tension seems to plague every threatening situation the characters are thrown into making the movie a lot less thrilling then you would expect from a movie about space exploration. Finally there is the final act, which just reeked of needing a rewrite. It was obvious that they were trying to go for a Space Odyssey type ending but were still trying to keep it more or less grounded in reality and the rules the movie had set but the end result just feels like the idea wasn’t fully realized or should have gone completely insane the way 2001 did or completely reserved and grounded the way Babylon 5 did.
           The visuals are also another mixed bag. The best way to describe it is that everything looks real. The effects are one hundred percent convincing and everything looks like it could exist and at times, particularly when the characters go through the worm hole, can be beautiful. But unfortunately that’s kind of the problem as well because when you get right down to it space can be pretty boring looking and aside from said wormhole sequence there really isn’t much to look at. The space ships and equipment all look like typical space ships and equipment. The planets never get more interesting looking beyond “water world” and “whitish rock world” and the majority of what you see in space and on earth looks like typical space and earth stuff and seems to lack the creativity that goes into most sci-fi films these days.
           If there is one thing that is fully against the film however it is the score. Hans Zimmer is easily one of the best people in the music department of films but this score just feels wrong. The music simply does not match with the visuals and tends to come off more as obnoxious and distracting then enhancing as his music usually does.  It’s obviously an attempt to emulate the music of John Williams, (look up the production history of this movie for more context on that), but it just seems to be more of a shackle and it represents perhaps the only real failure of a music score the man has ever done.
           In the end Interstellar is just a mixed bag of a film. What is good is incredible and are things that will stay with you and make for great conversation pieces but what doesn’t work really doesn’t work and is what keeps this movie from being great. It’s a film that I would ultimately recommend that you go see for yourself and get your own opinion on. It’s worth your time and money but just don’t expect another masterpiece from Chris Nolan.
 All Around
7/10
  So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel, and check this one out and get your own opinion on this one.
Trey Griffeth
Follow me on Twitter @TreyGriffeth
Godzilla: All Build Up and No Payoff
             As a longtime fan of Godzilla, (a love predating Batman, Superman, Star Wars and possibly X-Men and Spider-Man), I have been longing to see the iconic monster make it to the big screen in America and brawl with other monsters with modern, big budgeted special effects to make it a spectacle to behold. So when the word came that this movie was finally filming I was beyond happy and incredibly excited to see the King of the Monsters return to the big screen and couldn’t wait to see what they had planned. Unfortunately, the only way I can describe my reaction to this movie is heart breaking in the most negative way possible.  In spite of all the critical praise, a decent haul at the box office and fans loving the movie this film is perhaps the most disappointing outing of an iconic character since last year’s Man of Steel.Â
           The plot centers around a young soldier named Ford Brody as he tries to get back to his family in San Francisco as a pair of giant, radiation consuming, prehistoric monsters known as M.U.T.O.s begin tearing up Japan, Hawaii, Las Vegas, and San Francisco in their search for more food and to find one another in order to reproduce. Realizing that these creatures have appeared, Godzilla comes out of, (hiding?) and beings to hunt the two, (for reasons that are never fully explained), as the US military begins to enact a plan to destroy all three monsters in one blow. Unfortunately all this seems to amount to is a whole lot of slow buildup with nothing to keep you engaged and no real pay-off.Â
       Let it never be said that the buildup in this film is not good. If fact, it’s great. The slow reveals of the monsters build suspense perfectly. Slow grins will creep onto people’s faces as the camera slowly pans toward Godzilla’s head as he lets out a threatening roar. The gradual build up to seeing his iconic atomic breath as his dorsal fins slowly light up is one of the most exciting things to see in theaters all year. It’s all really good stuff. Even the first act of the film is fairly solid in giving us a good setup for a decent mystery and a, (mostly), interesting set up for a group of characters that seem like they would be good to work off one another but by the time the first act ends it becomes increasingly clear that this is not the case.            The majority of the film centers on Ford Brody, played by Aaron Taylor-Johnson and he is just a terrible lead giving one of the most wooden performances I’ve seen all year. Throughout the film he just seems to stare at things with the same blank expression and has zero onscreen charisma or any distinguishable personality traits outside of his job and “I have to get back home” routine that we’ve seen a dozen times before. It’s difficult to tell if this a directing, writing or acting problem, (or all three), but because so much of the movie focuses on this dull character it leave the audience bored and almost hoping the monsters will crush him by accident. And yet somehow his wife Elle, played by Elizabeth Olson is even less interesting with fewer personality traits and both completely fail to invest us in their characters’ or their fates. Likewise the various soldiers that Brody meets along the way obviously serve no function other than to increase the body count making dramatic tension for the human characters non-existent.
           Several of the older actors like Bryan Cranston, David Strathairn, and Ken Watanabe fare a lot better with Strathairn and Wantanabe playing otherwise stock roles with an amount of professionalism that it makes you forget that they’re playing stock roles. The best of these three however is Bryan Cranston as Ford’s father Joe who just sells every line of dialog he speaks and every emotion on his face and likewise takes what could have been a stock character and turns it to the most compelling character in the film. He’s so good in fact that once the film diverts from his story, (roughly around the end of the first act), to focus on his son’s you immediately start to wonder why the movie wasn’t about him. In fact all three are completely wasted and more or less stay a safe distance away from all the major action which again contributes to a distinct lack of compelling human tension or drama.
           But then you may ask “Why do I care when there are giant monsters fighting in these massive, city destroying sequences?” To which I would answer, “What giant monster fighting?” As I stated above, the build-up to these creatures is fantastic and actively makes you want to see more of them and what they will do once they start fighting but sadly the film never delivers on it. It is true that the original Toho films tended to focus a lot on the human character but generally when the fights started to get going they would stay focused on Godzilla and his enemy and often found ways to make the fights creative and interesting, (very impressive considering they were guys in rubber suites).Â
      The same cannot be said for this film. All the fights seems to amount to is Godzilla ramming or biting the MUTOs while they ram, bite and stab back for about five seconds at a time before cutting back to the boring human characters that we don’t care about and their boring, non-sensible mission that we don’t care about for a full minute.  It’s not at all unlike Transformers: Dark of the Moon’s final act where the more interesting stuff with the robots was happening off camera and we kept getting stuck with human characters we just didn’t care about, only the action is far less satisfying.  In fact if there was one scene that sums up the movie’s monster action in a nutshell, (minor spoiler ahead), it has to be the one where Godzilla uses first uses his atomic breath. We first see the dorsal fins glow on his tail, then slowly make its way up his back and lead to his head before he unleashes…and underwhelming haze of blue smoke with some force behind it as opposed to the destructive hyper beam type attack that was seen in the majority of the films and just shows great build up with no payoff.
       Visually, the film can almost be described as repellent. For some reason, the film ops to show the monsters either at night or when it’s raining, (during the third act it’s both) and usually has some kind of grey aesthetic to it much like the way Man of Steel did. It doesn’t make the effects seem fake, per say, but it does make them boring and unappealing, (watch Pacific Rim for an example on how giant monsters are designed right). I’m not the biggest fan of Godzilla’s new design and he does seem to have a dull gray color to him but I guess there have been worse designs for him. The MUTO’s unfortunately are just boring in every way visually and feel like some kind of bastard offshoot of the Cloverfield/Super 8 monsters without a whole lot of detail to their design. Overall, it’s not a film that’s going to be winning any awards for visual effects.
        In the end, this newest version of Godzilla is a film that just felt like it had some great ideas for Godzilla movie but just fails to deliver on them. The main characters are boring and you won’t care about them, the fights are too short and unimaginative and keep cutting to said boring characters doing boring things, and doesn’t really have a visually pleasing aesthetic. The only things that keep it from being a complete failure is the fact that it’s not the 1998 monster movie that happens to be named Godzilla, the buildup to Godzilla and his fights is fantastic, the first act is solid and will keep people intrigued, and its final scene is one that I can only describe as perfect, (something else it shares in common with Man of Steel). Unfortunately these things just don’t elevate the film enough for an endorsement. I’ll eventually take another look at it and maybe my tune will change, but for now, for me, it remains the summer’s biggest disappointment.
All Around
5/10Â
       So until next time please follow us here on tumblr, on twitter, like us on Facebook and subscribe to our YouTube channel and let’s hope that whatever is planned next for the King of Monsters better than what we got this summer.
 Trey Griffeth
Follow me on Twitter @TreyGriffeth
The Amazing Spider-Man 2: More Enjoyable Then It Has Any Right To Be
        The Amazing-Spider Man 2 is perhaps one of the most fascinating films I have encountered in recent memory in that all the reasons for me to dislike it are as plain as day. Yet for some reason, despite all of its undeniable flaws I found it to be an incredibly enjoyable film and probably one of the most fun films to come out this year. Taking place sometime after the events of The Amazing Spider-Man, the film follows Peter Parker as he wrestles with being Spider-Man and keeping a promise he made to the dying father of his girlfriend Gwen Stacy to stay away from her. This promise is ultimately put to the test when Gwen has a very real chance at getting into Oxford University and as a slew of super villains emerge from Oscorp Corporation that requires his constant attention.
           The most immediate flaw that is apparent in the film is the plot and story, or lack thereof. In truth the plot doesn’t really amount to much more then Peter and Gwen talking and trying to decide where their relationship is and where it’s going while a few super villains and stuff about Peter’s parents just pop up seemingly to interrupt it and feels more like a series of episodes from the animated series from the 90s then it does a feature film. There are massive pacing problems, particularly after the first battle with Electro where the film grinds to a halt for what feels like a third of the movie into an shockingly uninteresting and underwhelming reveal as to why Peter’s parents left him in such a hurry, giving us no real humor, action or compelling drama to keep this point of the film engaging. It picks up again during an incredibly well done climax but you’re going to find yourself looking at the clock when this point comes along.
       Judging the character of this film is…difficult to say the least. Andrew Garfield proves once again that he is an incredible pick for Spider-Man, capturing the good nature of the character perfectly. When he says he wants to help people you genuinely feel that he is trying to help people. When he is being nice to a kid, you genuinely feel that he is trying to be nice to the kid. The big downside to it is that once again he just isn’t a convincing Peter Parker; unable to capture the dorkiness of the character that made him so interesting in the comics.Â
           But the real difficult part comes to judging the villains. Electro for example is a character who starts out as a looser, nerd stereotype and stalkerish fan of Spider-Man and in an instant turns into a psychotic villain who is bent on killing him, any number of people for no real reason and becoming lord of New York. Granted the groundwork that this man may not have been the most mentally healthy person was all their but the transition from this looser into a monster can really stretch your suspension of disbelief. The upside to it all is the Jamie Foxx sells the hell out of the role. When you see him as the looser who is obsessed with Spider-Man, you see a looser who is obsessed with Spider-Man and when you see him as Electro, you fully believe that this guy is a monster who wants Spider-Man dead and doesn’t care who he has to hurt in order to gets in his way. Likewise, Dane DeHann as Harry Osborne is in the exact same boat. We believe the guy when he speaks his lines and when projects emotions but the writing doesn’t really give him enough time to properly develop as a character nor make his sudden transition from Peter’s friend into a villain believable at all. In fact the only character who isn’t in this boat is Emma Stone as Gwen Stacy who is all at once likeable, funny, charming and has incredible chemistry with Garfield but beyond that there really isn’t a whole lot to say about her character. However, I feel that the acting wins over the writing and goes to show what a set of great actors can do to make their characters compelling with lousy writing.
       What ultimately saves this movie, however, are the action scenes, music, humor and special effects. Unlike its predecessor, this film goes out of its way to be funny, putting Spider-Man comedic situations when it’s appropriate giving the film some much needed levity that seemed to be lacking in the first film. Hans Zimmer’s score of the film is nothing short of incredible giving Spider-Man a distinguished theme as well as a great mix of dubstep with Electro’s theme that fully puts you in the mindset of the character and keeps you fully fixed on what is on screen. But the main highlight of the film is the action and special effects which are both outstanding. The web slinging sequences are creative, look great, are perfectly shot and have their own style which greatly separates them from the Rami films. Throughout each action sequence, the film introduces a new function for the slingers and that combined with several pretty cool “bullet time” sequences makes the action the best of any of the Spider-Man films.
           All-around this film is a strange animal. The plot can only be described as awful but has some great things throughout its runtime. The acting is outstanding but the weird motivation flips for the characters in unbelievable but what ultimately makes the movie work is that magnificent score, its humor, the great special effects and those well done action sequences. Did Spider-Man fans deserve more from this movie? Absolutely, but it’s still a fun ride that I recommend everyone should take.
                           All Around
                            7/10
                    Comic Book Movie Rating
                            Good
           So until next time please follow us here on tumblr, on twitter, and subscibe to our YouTube channel and have fun with this latest Spidy installment!
 Trey Griffeth
Follow me on twitter @TreyGriffeth
Delays
       As you have no doubt been aware, save for a couple of text reviews of a few independent comic books, Griffeth Galaxy Productions went on an indefinite hiatus nearly nine months ago and has yet to produce a single bit of content outside of said reviews. This was due to a number of issues including but not limited to personal financial problems, loss or lack of equipment, and general laziness. But regardless it is at last time for that to change. As if right now my brother and I have some ideas for new videos and intend to produce them as soon as our schedules align but for the time being I have to start out small. Before I started GGP, I was a blogger on a site I called The Illusive One’s Reviews, (dumb name I know), and on it I reviewed films, video games and every now and then did TV shows and comic reviews and I’m going to start doing something along those lines again. Rest assured, more videos are coming but for now I have to get back into the swing of things and start out small and build my way back up again. But regardless, Griffeth Galaxy Productions is back and I promise in the coming months it will be everything I originally intended it to be and better.
The Legend of Will Power #1-3 Review
       When discussing the mainstream comic book universes to people who don’t usually read the stories within them one begins to realize just how insane a lot of these series can be. To use a relatively recent example, trying to describe what happened in the final story arc of The Amazing Spider-Man series to people who have never read a comic in their life will get you a lot of confused and shocked looks. The same can probably be said for a lot of origin stories during the Gold and Silver Age of comics that were, intentionally or not, beyond goofy and it’s hard not to read these series without either scratching your head or laughing at the absurdity of it. And today’s subject seems to take the insane and goofy nature of comic books of the Silver Age Era and tries to roll it into something modern. Does it succeed? Well read on to find out as I take a look at the first three issues of another Primal Paper Comics title, The Legend of Will Power by Vince White.
                      The best word to describe the story is weird. It revolves around Will Power who, during a freak accident in his father’s lab, is put in a tube that placed him just outside of our reality while a machine went off that apparently killed his father and two of his friends and caused the entire universe to lose a great deal of its density. Twenty years later, Will and what is left of his father’s lab are discovered and he finds that he is the most powerful thing in the universe because of it. Realizing that his father is gone, Will sets out to discover just what happened at the lab, why his father was developing these machines and who was really behind the lab accident while discovering just how powerful he is.
           It’s hard to take a look at this premise and not compare it to something straight out of the Silver Age and the series fully embraces this nature. The initial premise is goofy and nuts but it’s the kind of goofy and nuts that made comics from that era so enjoyable. In the first few pages of the comic Will’s dad casually lets his son and his two friends into his lab that contains what I can only imagine are Top Secret projects and explains what they are and what they are for as if he was describing the contents of an electronic store. By today’s standards this may seem stupid, unbelievable, or silly but that seems to be the point. Things like this happened in the Silver Age all the time and this comic seems to be a throwback to a period where these kinds of things were acceptable and it’s a little hard not to get caught up in the goofy nature of it.Â
Unfortunately that seemed to be the only note the story really hits. The rest of it feels like it’s jumping from plot point to plot point and fails to give us much to keep us invested in Will’s story. None of the characters really have all that much development and it’s hard to remember anything about them after they left the panel. For example there is one time traveling man who has inserted himself into Will’s story but outside of that we know nothing about him. We don’t know why he is time traveling. We don’t know why he has inserted himself into Will’s life, what his likes or dislikes are or even his name and it’s this kind of characterization that seems to plague every character within this comic.Â
The only times the writer seems to give anyone any development is when it goes back to flashbacks of the dad, revealing just who he was making the machines for or when it focuses on Will’s friend Abbot who has been transported to a prehistoric era. The villains also have a menacing edge about them and it is spacing out the reveal of their goals in a way that has thus far kept me interested. All three of these things are good when the story focuses on it but it just seems to falls flat everywhere else.
The artwork, also done by Vince White, is passible. There is a good amount of details in the characters and backgrounds and the gray, black and white coloring works very well to give things a fuller feel. However, the designs aren’t particularly interesting and aside from why I can only imagine was an intentional homage to the Teen Titans, none of the designs really leave that big of an impressing. The only thing that is really “wrong” with it is that Will’s legs are completely out of proportions with the rest of his body and it’s really distracting whenever his full body is in view. Aside from that the art really doesn’t offend the senses but it doesn’t really leave a lasting impression either.
 Overall, this probably felt like a scathing review The Legend of Will Power and I would be lying if I said that there wasn’t a lot about it that bothered me. However the storylines concerning Will’s father, his friend Abbot and the goofy nature of it all was more than enough to keep me interested. It’s just very refreshing to find a series that doesn’t take itself too seriously and is willing to embrace the kind of insanity that made comics such a unique medium in the first place. My recommendation is to check out the first issue and if it clicks with you take a look at the next two. You can find them at Primal Paper Comics.com and I would say it’s worth at least a look.
 Comic Book Rating
Browse
 So until next time, please follow us here on Tumblr, like our Facebook page, follow us on Twitter and be sure to subscribe to our YouTube Channel and read more comics people. It’s a great medium and if you look into it, you’ll probably find some great things that you’ll never encounter elsewhere.
 Trey “Griff the Ghost” Griffeth Â
Red Knight Issues #1-#3 Review
       I recently found myself at a comic book convention in Richmond, Virginia with the intent of meeting people to add on to GGP’s currently limited roster of creators and to record some panels for the YouTube channel. Unfortunately neither of these goals was met, either due to the way the panels were set up, my own need to have some of my stuff signed by a guest, or just plain bad luck. However, I did find myself talking to a number of comic book dealers and independent creators who really caught my interest and sold me a few interesting books. I wasn’t able to grab everything that I wanted partly due to some of these books costing ten times the normal amount of a retail comic book and because by the time I got back to some of the booths they had already left the convention. However there was one particular booth I found myself at that left an impression; the booth of the Norfolk Virginia based Primal Paper Comics. In a sentence they described themselves as “Image, but without the money” and after one of their writers made a pitch for their series that I couldn’t pass up I took a few issues home with me and gave them a read. And today we’re here to talk about one of their series; the first three issues in the series Red Knight by writer Justin Cristelli and artist J.C. Grande. So, is Red Knight a comic series worth your time, effort and money or is it just another series that does nothing to separate itself from the crowd? Read on to find out!
The story of the series focuses on Todd McClain, a.k.a. the Red Knight in a world that isn’t all that different from the Marvel and D.C. universes with one twist: Superheroes have to be licensed crime fighters and have government sponsors in order to perform their duties. Unfortunately this makes getting a license very difficult and has caused most of the world’s superheroes’ attention to be diverted to major cites leaving other smaller cities like Todd’s hometown of Norfolk as a go-to location for super criminals to lick their wounds after being defeated in the major ones. Seeing this, gifted with super-strength and an unflinching desire to do good, Todd sets out with a few of his fellow super-powered friends to bring the criminals of the city to their knees. But things don’t quite go as well as planned and Todd is put in a tight spot very quickly with super criminals, the mafia and cops closing in all around him.Â
Taken out of context, this series might seem like it’s trying to be mix of Watchmen and the initial post-civil war period at Marvel but it actually has a much more thought out world then that, that’s more limited but at the same time much more broad because of it. In these first few issues you get a feel for just how understaffed and undertrained the Norfolk PD is in its superhuman department is and why super criminals come to this city to recuperate from their fights elsewhere and it makes the character’s actions all the more understandable and it does feel as if this is a city that needs superhero help from the criminals that come to it. The exact reasons as to why masked vigilantes now require license to operate is left pretty vague but it’s implied that it has something to do with the actions Red Knight takes in the first issue and other incidents like it, (read the issue and you’ll see what I mean), and you can easily see why the government would feel the need to put restrictions on these sorts of actions. If there is one problem I have with the world building it’s that a good chunk of it is done through dialog exposition but to its credit most of it is subtly put in and the situations the characters are in seem to call for it.  Â
The actual story itself does feel like an origin story but it is a well done one. It establishes its world, major characters, succeeds at giving them each an interesting personality and setting up villains for later issues and is full of great action sequences that are very well paced and always feel epic and intense. However, it’s the world itself that really makes the plot worth wile and beyond that the first three issues can’t really escape the “this is set up for later stories” problem that plague every origin story ever written. It’s not really a problem per se but because of all the superhero origin stories out there that do the same thing it may seem a little tired. But at the same time that’s kind of a given of the genera so take of that what you will.Â
The characters are all good but most seem a little one note at the moment but it’s the kind of one note that says “you’re just getting to know us and you’ll like us more as time goes on”. Todd McClain for example seems a little too optimistic about what he’s doing and doesn’t seem to have much of a personality beyond that and his uncle, Nathan, likewise seems to have the same problem But at the same time the comic hints that as they learn more and gain more experience they’ll become more interesting. The upside to this is that it shows just how out of their depth they are in the world of crime fighting which in turn makes the characters and their struggles all the more interesting.
Then you have Martha Brown, a detective who works in the Norfolk PD’s superhuman department and is perusing Red Knight and serves as a good counterweight to the previous two’s optimism. Whereas Todd and Nathan seem to live in mindset that the world is like that of Superman and Captain America’s, Brown is very much grounded in reality and seems almost beaten down by everything Norfolk has thrown at her but none the less hasn’t lost any of her edge and peruses her job to the best of her abilities and beyond and is easily the best character in the series this far.
As for the villains there really isn’t a whole lot to say about them. The first set who appear in Issue #1 and some of Issue #2 are drug dealers who dabble in things that they shouldn’t and their isn’t much to say about them. However, the remaining super powered villains are another story. You have a hulking one that takes sadistic pleasure in what he does and another who doesn’t quite seem to have a handle on what he’s doing or if he’s ok with it. But for the most part they’re just put in for the action and the writer seems more interested in having them brawl with Red Knight in building destroying sequences, (which are awesome), then to properly develop them as characters. But while they aren’t the most fleshed out villains they are none the less intimidating and threatening and make for worthy villains for any superhero and I am curious to see where series will take them.
If there is one solid problem I have with the characters it’s the dialog in the first three pages of the first issue. It’s a flashback to Todd’s days a 13 year old before he gained his powers and the dialog between him and his friend is just unbelievable. In short, no thirteen year old talks this way and it’s easily the most distracting thing in the writing.
But if there is one HUGE thorn in this series side, it’s the artwork. Now to its credit, the artwork gets better with each issue, it shows things in a coherent manner and properly conveys the action in a way that gives it an epic feel. BUT most of the panels in this series feel unfinished, almost as if the artist was on a deadline and had to cut some corners. Particularly in the first issue many of the characters feel more like incomplete sketches; like the artist intended to put more detail into them but didn’t for some reason. There are also many instances where the backgrounds will appear vacant even though details should clearly be there as they were in the last panel and it gives the books a bit of an empty feel. Like I said, it has been getting better and better with each issue but as of Issue #3 these are problems that still remain.
 All around, despite the flaws in the artwork and the whole “this is set up for later stories” problem this is a very enjoyable series. The characters were all well set up very well and made me genuinely care about what will happen to them, the action was epic and well-paced and it has an interesting world for it all to take place in and the possibilities for it are endless and I am very interested in seeing where they take it. If this series seems like your thing you can find the Red Knight series at Primal Paper Comics.com and I highly encourage you to give the series a look.
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 Trey “Griff the Ghost” Griffeth Â