By Federica Giordano

roma★

shark vs the universe
almost home
RMH
Noah Kahan
Mike Driver
$LAYYYTER
Monterey Bay Aquarium
Aqua Utopia|海の底で記憶を紡ぐ
todays bird
★
noise dept.

❣ Chile in a Photography ❣
Phantogram Three
I'd rather be in outer space 🛸
YOU ARE THE REASON
tumblr dot com
Sweet Seals For You, Always
cherry valley forever
hello vonnie

seen from Mexico

seen from United States
seen from United States
seen from Netherlands

seen from Malaysia
seen from Mexico

seen from Indonesia

seen from Chile

seen from United States
seen from Philippines
seen from Ecuador
seen from United States
seen from United Kingdom
seen from Portugal

seen from Argentina
seen from Canada
seen from United States

seen from United States

seen from United States
seen from Ecuador
@gritstone-skies
By Federica Giordano
West caucasian tur father and kid,
Toronto, Ontario, Canada
credit: Lisa Smith
three of them
Courage, Anxiety, and Despair Watching the Battle by James Sant (ca. 1850)
when its breezy i always imagine my hair is these creekbed plants #Normal
raphael raffel croissant sofa 1970
Farm Day (1991)
I wish this were me
sheet of fuzzy dalmatian stickers, sandylion co. c. 1986.
the power of 3 (2026)
megan thee stallion as zidler in moulin rouge! the musical (march 24 - may 17)
Sean Scully. Inis Oirr (I-VI), 2005
SONY - High Fidelity Headphone 「DR-11」 (1973)
The alienation of the spectator, which reinforces the contemplated objects that result from his own unconscious activity, works like this: the more he contemplates, the less he lives; the more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle's estrangement from the acting subject is expressed by the fact that the individual's gestures are no longer his own; they are the gestures of someone else who represents them to him. The spectator does not feel at home anywhere, because the spectacle is everywhere.
The Society of the Spectacle
Guy Debord
Sorcerer