By Federica Giordano
KIROKAZE

if i look back, i am lost
The Bright Sessions
🪼
Today's Document

shark vs the universe
hello vonnie

oozey mess

titsay
almost home

Love Begins

Origami Around
RMH
No title available

pixel skylines
★
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
EXPECTATIONS

Product Placement
seen from Germany

seen from Georgia
seen from United States
seen from Singapore

seen from Australia
seen from Italy
seen from Switzerland
seen from Colombia
seen from United States
seen from South Africa
seen from Kazakhstan
seen from Germany
seen from United States
seen from Indonesia
seen from Malaysia

seen from Malaysia

seen from Türkiye
seen from United States
seen from Indonesia
seen from Portugal
@gritstone-skies
By Federica Giordano
West caucasian tur father and kid,
Toronto, Ontario, Canada
credit: Lisa Smith
three of them
Courage, Anxiety, and Despair Watching the Battle by James Sant (ca. 1850)
when its breezy i always imagine my hair is these creekbed plants #Normal
raphael raffel croissant sofa 1970
Farm Day (1991)
I wish this were me
sheet of fuzzy dalmatian stickers, sandylion co. c. 1986.
the power of 3 (2026)
megan thee stallion as zidler in moulin rouge! the musical (march 24 - may 17)
Sean Scully. Inis Oirr (I-VI), 2005
SONY - High Fidelity Headphone 「DR-11」 (1973)
The alienation of the spectator, which reinforces the contemplated objects that result from his own unconscious activity, works like this: the more he contemplates, the less he lives; the more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle's estrangement from the acting subject is expressed by the fact that the individual's gestures are no longer his own; they are the gestures of someone else who represents them to him. The spectator does not feel at home anywhere, because the spectacle is everywhere.
The Society of the Spectacle
Guy Debord
Sorcerer