summer break-up haiku
it was always this
going to be this, you know
nothing gold can stay
Sade Olutola

Origami Around
Sweet Seals For You, Always
Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me

#extradirty
wallacepolsom

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One Nice Bug Per Day

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we're not kids anymore.

roma★

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Stranger Things
Peter Solarz
Xuebing Du
"I'm Dorothy Gale from Kansas"
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seen from Vietnam
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@grow-or-perish
summer break-up haiku
it was always this
going to be this, you know
nothing gold can stay
‘Woman Into Man, Paris’, photographed by Helmut Newton, 1979.
You can love someone so much…But you can never love people as much as you can miss them.
John Green, An Abundance of Katherines
I won’t give flowers, jewels or expensive gifts, I’ll give all I am.
Tyler Knott Gregson
“It’s a human need to be told stories. The more we’re governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible.” (x)
Alan Rickman 1946-2016
Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living.
Anaïs Nin
I have been a medicinal marijuana smoker for nine years now. I find relief from the gastrointestinal effects of the chemo even now. I find it helps with regulating my sleep. I also enjoy it before I watch “Game of Thrones.”
Melissa Etheridge
come celebrate with me that everyday something has tried to kill me and has failed.
Lucille Clifton
october 18, 2015 / one a.m.
it is so different now
now that years of memories linger behind us
waiting for us to come back to them and remember
to come back and use them as signs
of just how well we like to think
we know each other
now that i have looked into your open veins
now that you’ve withstood my tornado
now that the wondering is less
“if i know you then”
and more
“if i ever don’t know you someday...”
now that i have wandered and tracked
and conquered and memorized every inch
the real flesh of you
that’s it — the difference
it’s the flesh of you
and the flesh of me
the only way to know
is to get close enough to see
you have to taste it
smell it
wrap your own flesh into it
i have soaked up your skin
and traced my lips over every freckle
inhaled every pheromone
until i thought my lungs couldn’t grow
alongside the pace of my heart
and the miracle of loving you
is that no matter how full i think i am
no matter how much of you i think i breathe
you endlessly lead me into new territory
the levels of what makes up every piece
the wonder that is your flesh
and beyond
i have covered every inch of you
for days and weeks now impossible to count
and i stand certain in the fire
that burns bold as the first time
i heard you say my name out loud
the moment i made my mission
to uncover every layer of you
and that it’s — the difference
because today i have lived
inside of a miracle
for days and weeks
impossible to predict or measure
and i stand still as certain
that i have only begun
to scratch the surface
have only begun
to count the days i wake up
to this miracle that is loving you
Louise Bourgeois, What is the Shape of This Problem?, 1999, lithography and letter press, series of 9 (x)
words go la la la la la