literally if not then why

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Janaina Medeiros

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@grumley-1
literally if not then why
It's been said before but I really do appreciate that for all the negative things people have to say about Kerry no one can even try to claim she's not an amazing doctor. I would even go so far as to say a lot of the characters if they were forced to pick someone to work on them they'd pick Kerry. There are a few that have like someone specific that they want (like Carter and Benton like touching inside each other's bodies and would pick each other) and like Romano's answer would be "no one especially Kerry because she'd let me die on purpose" which is not true but like...she would think about it for a half a second. But I'd wager to bet almost everyone one else would pick Kerry because she's a damn good doctor.
one (1) missed opportunity on er was having carter get one of his Work Crushes on Older Women on kerry weaver. i think he should spend like 1-3 episodes attempting to charm and seduce her and she seemingly oblivious until finally [kerry weaver voice] i’m gay carter. carter visibly swallows his own tongue and then they never speak of it again. this must also happen before kerry weaver’s actual gay realization arc.
Chapters: 1/1 Fandom: ER (TV 1994) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: John Carter & Kerry Weaver, Original Female Character/Original Female Character - Background Characters: Kerry Weaver, John Carter (ER TV 1994), Rachel Greene (ER TV 1994), Original Female Character(s) Additional Tags: Crack, Crack Treated Seriously, Fluff and Crack, Canon Lesbian Character, I so don’t know how to tag this one, it’s just like fun queer vibes and like feels Summary:
Kerry visits County many years later to find something…odd in the lounge
i rewatched carter's intervention and i can’t stop thinking about how much work the blocking is doing, so here’s a very brief summary of some of my favorite details.
first: benton
the second carter walks into the room, the camera cuts to benton. he's probably the most important person in the room to him, the one he respects and loves likes the most, and he's almost completely removed from the confrontation. he's standing on the other side of the room, out of scrubs, head down. he barely even looks at carter, and i don’t think he says a single word until they’re alone. everyone else is participating in the intervention, but benton really doesn’t need to say anything, because his mere presence is enough for carter.
this very short silent exchange is so amazing, you can feel how betrayed carter feels:
then, as the intervention goes on, he gets up and starts looking more directly at carter and becomes harder to ignore. i don't know if "denial" is exactly the right word, but there's a shift. at the beginning he seems unwilling to engage with what everyone is there to say, and by the end he's forced to confront it along with everyone else. notice how he goes from trying to stay low and far away to fully getting higher, bigger, and eventually running after carter. obviously his words and his physical presence ended up making the most impact. there’s something so fucking devastating to me about seeing your mentee that you love and care for so much, who almost died in your arms, in a situation like this. the choice to keep him silent and distance until they’re outside is brilliant imo
kerry:
she spends the entire scene by the door. every time carter tries to leave, she's the person who stops him. what stands out to me is how little force is actually involved. and objectively, if carter had really wanted to leave, he could have. he is bigger than her, stronger than her, and kerry is physically the smallest person in that room. he probably would’ve knocked out anyone else guarding the door (just two mins later he punches benton). but she’s somebody that he likes and respects (and fears) enough to not make it physical. she opened her door to him one year ago and now she’s keeping another door closed to help him.
after carter storms out, kerry turns toward the door and away from the room. it's a tiny blink and you’ll miss it moment, but i've always noticed how she doesn't want anyone to see her face. maybe i'm reading too much into it, but just like in the stabbing, she once again seems much more affected than she's willing to show in front of everyone else. she spends the whole scene holding her ground, even raising her voice at carter, and the second he’s gone she turns away.
carter:
and then there's carter himself. the scene keeps literally backing him into dark corners, so whenever he moves, he's running into another obstacle. when you watch carefully, you’ll notice that in almost every shot in this scene you’ll see the edge of someone’s head or shoulder or arm, all meant to make it feel like he’s trapped.
later, when he turns on jing-mei, he immediately starts using his height and physical presence. he gets into her space and tries to intimidate her, and he’s so desperate that something she did six years ago is the only leverage he has against her. god knows how many mistakes he made while she was away
and again, after kerry asks him about his wrists, instead of moving her out of the way, he walks to the other side of the room through all his mentors, all the people who care about him, who’ve been there from him since day one, and storms out.
so yeah i just love how carefully staged this whole scene is. each character has a very specific job in every frame, and you can learn a lot about their relationships just by watching where they're standing, their body language, everything. 10/10 scene.
Kerry sketch :P I just watched s10e12 and cried for her and Sandy and their moment with Abby in the NICU
I watched Our Man Bashir and, giving I wanted to make a drawing immediately afterwards, I really liked it
"i might stick an IV pole up his ass"
kerry weaver i love you
humiliating to be attracted to a conventionally attractive person. I thought I was a more sensitive and refined pervert than this
susan lewis and kerry weaver + linger by the cranberries
baran x kerry….save me baran x kerry……
need a lesbian who's ev— (remembers i don't believe in evil) — need a lesbian whose material conditions incentivize her to be mean to me
do they know it’s legal now
Shipwrecked Characters as textposts
Part 3
My collection. Please lmk if yall have more I would love to expand.