Saw a piece by @xnighten which had this cool black out poetry style look! ^^ I thought it was so cool and wanted to do something like it with the ORV boys :D The result turned out pretty nice in my opinion~
$LAYYYTER
macklin celebrini has autism

@theartofmadeline

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The Bowery Presents
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Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
taylor price

shark vs the universe
Mike Driver
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sheepfilms
todays bird

bliss lane
we're not kids anymore.
Xuebing Du

Kiana Khansmith
will byers stan first human second
NASA
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@gyoomie
Saw a piece by @xnighten which had this cool black out poetry style look! ^^ I thought it was so cool and wanted to do something like it with the ORV boys :D The result turned out pretty nice in my opinion~
Starting reading ORV! Enjoying it ^^
All of my orv related trash so far
poor man's bloodhound rated M • 2,270 words • omniscient reader's viewpoint
[ summary ] "Either a pack of wolves got his ass, or he had a really wild night with some babes at the pubs." — one smell, two fools. alpha/beta au; joongdok.
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read on ao3
I THINK LOVE IS SOMETHING THAT HAPPENS TO OTHER PEOPLE by Michael Gray Bulla
Unreliable by Sarah Kay
‘the protagonist should be endearing and relatable’ the protagonist should make the audience scream and start banging on the one-way glass of the fourth wall. the protagonist should burn their entire life down and make the world’s worst sandcastle from the ashes. if they aren’t the cause of at least 50% of their own problems what are we doing here
Third base is when your blood is on my hands
Forth base is dying in front of you
fifth base is coming back from the dead to die in front of you yet again
Sixth base is seeing my shadow in your reflection as a representation how we parallel one another and how you are unable to move on from me despite the harm we caused one another. I may be gone but the memory of me will never die as I haunt you for the rest of your life.
I’m going to be honest. First base is ideological disagreement and second base is when I threaten to kill you for the first time
i think ive been so enamoured with tragedy and unhappy endings recently because it's so common for us to take comfort in the idea that we're okay because we will be okay, you know, the whole "it'll be okay in the end and if it's not okay it's not the end" type thing, this desire to put our faith in things turning out eventually, and that's why people sometimes get upset if something doesn't have a happy ending that gives them closure. but i honestly think there's something equally or even more comforting in having to cope with the fact that in reality the happy ending can't always be counted on. in trying to accept that fact, you're sort of forced to find your comfort and meaning elsewhere, which is what tragedy is asking you to do. if you know a story is going to end badly, can you still invest in it? can you survive it for as long as you're asked to? because then you have to concede that the things that happen and the lessons you learn during the story still are meaningful and fulfilling even if they don't culminate. if the story is unfinished and the threads are loose and you don't get closure, can you still find a way to let this frustrating and unfinished experience mean something to you? you kind of have to. can you be okay with it if you aren't able to believe that things will be okay in the end? without looking forward, can you be okay right now
Tragedy alignment chart. Feel free to use, but please reblog if you do.
And of course the second part of the tragedy, which is: which quadrant did you think you were in vs. which one you were really in
one of my favorite tropes of media is fate and when it comes to their lessons on how you deal with them