Palazzo Farnese (x)

shark vs the universe

JVL
h
Lint Roller? I Barely Know Her
"I'm Dorothy Gale from Kansas"

Love Begins

ellievsbear
almost home

pixel skylines
AnasAbdin
Show & Tell
ojovivo

Kaledo Art

roma★
Stranger Things

祝日 / Permanent Vacation
Keni
noise dept.

Origami Around

❣ Chile in a Photography ❣

seen from Portugal

seen from T1

seen from United States

seen from United States
seen from Portugal
seen from United States

seen from Malaysia
seen from United States
seen from France
seen from Poland
seen from United States

seen from United States
seen from Suriname

seen from Japan

seen from United Kingdom

seen from Germany
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seen from Malaysia

seen from Türkiye

seen from United States
@habitualhaunt
Palazzo Farnese (x)
The longest, left-breaking wave in the world, Chicama, Peru
"Hoshikawa-kun, have you ever had canker sores? I have two right now. One here and one here, so I can't speak very well. My parents always say if you eat ice/ice cream the canker sores will go away. But you know what, sometimes no matter how much ice/ice cream you eat, the sores just won't go away. There's things like that in this world. Do you know a typhoon is coming? I heard that the eye/center of a typhoon is calm and quiet. It sucks in all kinds of sound. Do you have SUICA? Can we go somewhere together? Can we live together?" — Transcript from the scriptbook.
The director of Monster(2023) has often times emphasized on the symbolism of water and fire with Yori and Minato. While Yori is leaning towards water , Minato is leaning towards fire. He also mentioned how a lot of times Yori's father punished him by using water as a weapon which resulted in Yori's fascination with fire. Yori's fear of water due to his abusive dad lead to him finding comfort in fire. He burned the hostess bar his father was in and also burned the dead cat which Minato throws water over later on. Minato is the one who saved him when he drowns (or was probably put there by his dad). Minato is also the only person Yori could find comfort in even though he is significant of something Yori fears. The symbolism gets even more clear when we notice the clothes they wear. Yori is usually wearing bright coloured clothes while Minato is wearing muted coloured clothes (Reference and info from this tweet. Thanks to @_4_cson for sharing this.)
/the artist cat
the résumé. yet another contemptuous and despicable piece of work from the french
Bat cat character sheet
The thing about Timmy Chalamet is that he’s truly a great actor and he even has good taste in projects and he’s not even overexposed when you calibrate for how overexposed all that group of 25-30 year old big stars are……however something is still off. any time he gets cast in something it feels like that movie instantly turns into a parody of a movie. I cannot explain this
we need another bidoof’s law to refer to the phenomenon where someone says some rude stupid shit in the reblogs of your post and you go to their blog and all their posts are about nature loving you and being kind to each other and cute illustrations about friendship etc. the cognitive dissonance
Fleming’s law: the most toxic person you’ve ever met over-relates to woodland creatures on social media
listening to the same music i used to listen when i was 14-15 is something else i'm still her i'm nothing like her anymore she knew everything she knew nothing she was so right she was so wrong
https://www.instagram.com/p/BYlRg67Hyng/
I cant stop thinking about The Boy and the Heron.
It's horrifying. It's fantastical. It's tragic. It's beautiful. It's hopeful.
It's about grief. It's about family. It's about war. It's, "You don't have to walk the same path your ancestors did." It's "Your lived experience builds a world as deserving of your attention and care as your inner world" and "You inherited a flawed world, and you are flawed, and that is still beautiful" and "I made this beautiful thing and it's ending and that's just how it goes, but wasn't it beautiful?"
It makes me think about the worlds we make within ourselves and how they can be entrancing and wonderful even as they lead us to walk deeper into ourselves and away from those around us. It makes me think about connection, about how love can be so flawed sometimes but it is still something we need to hold onto. It asks "What if the monsters never asked to be monsters?" and "What if things can die before they're even born?"
It's about not being afraid of fire, not being afraid of endings, not being afraid of the world falling apart, of pain, of walking away, of reconciling, of finding new family and new love even as you mourn and miss what you lost.
It says, "Beautiful, wonderful things end, but afterwards, you can go home."
I'm going crazy.
[guy whos forgotten the word 'cycle' exists voice] the carousel of violence
how do you live?
The Boy and the Heron plays like dream you may have had - the characters float from moment to moment, from horrific to beautiful imagery as the story progresses, loosely connected until the final moments when the narrative threads are all brought together. It is about legacy, about grieving, and most importantly, how do you move forward.
Kukeri maskers, Bulgaria, by Aron Klein