that's how i see them

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@hackademic
that's how i see them
Witch Hat Atelier is problematic because it tells the audience that you're not going to throw your back out deadlifting 12-year-olds several times a day
Qifrey is really playing 4D chess to keep himself at a livable level of stressed the fuck out by taking on not one but FOUR girls between the ages of 10 and 13. I know he's lying awake at night in fear of the first of four Shark Week premieres
When in doubt of which bit of media you'd like to make fanart of, combine them 😎✨
I kind of think this works because I relate to both WHA and IDWTBAMG for the different ways they reflect being an artist, WHA for the journey and how you can find bits of yourself in different characters and relate no matter where they are in their progress as witches and IDWTBAMG for being a great allegory for artist burnout and how sometimes that results in a complicated relationship with the thing you used to love doing and distancing yourself from it a bit for your own mental health (which I relate to heavily 😅). Side note: I genuinely think Zira would make a good witch, just maybe don't have her be an apprentice with Coco, I don't think the constant danger would be good for her 😂
yeah
Can anyone hear me
more of these. someone sedate me
Depending on how Ahu does in the tournament we could be getting a lot of milage out of this in season 2
taking off a mask to reveal what lies beneath as a romantic gesture is overdone, and besides i want to see the romantic or even platonic potential of protecting someone's identity beneath the mask, without any expectation of ever being allowed to see what's under it. picking it up and holding it gently to their face when it's knocked off and they're in danger of being exposed, without trying to catch a glimpse of what they "really" look like under there. throwing yourself in front of them to hide them from view while they put themselves back together without taking advantage or looking back to see what you're protecting. learning to read them by body language, tone of voice, and behaviour so well that you never need to see their face to feel like you know and understand them.
and needless to say. the mask stays on during sex.
i regret to inform you that the top 10 have hit the island
hell yeah brother now we're cookin with gas
the gluttony they talk about in bible
i regret to inform you that the top 10 have hit the island
I'm sure someone has talked about this already somewhere, but I noticed something in the "preview" at the end of episode 24 which I found super interesting.
So. Uh.
Who successfully landed a hit on X?
It's still visible at the end, too, indicating that this is part of the same sequence. His glasses have changed (the lenses are orange again and they're very square rather than the inverted trapezoidal shape from before), which kind of implies there was at least one snap in between these shots, since inconsistencies in X's design appear to be indications of him shifting reality around. The change in color grading may also be indicative of that; the art style between these two shots is pretty consistent so it's hard to say, but it's not like he doesn't regularly jump from one style to another and then back again.
The idea that there was a snap in between shots here is almost as interesting to me as the fact that someone landed a hit square on X's face (somehow) because the injury is still there, indicating that shifting himself around doesn't reset his physical state. He's not invulnerable—if you can catch him, you can hurt him, and he may not be able to fix himself.
That's some dangerous information to have out in public, sir.
this was a sketch that turned into a clothes study that turned into a lighting study
Alright which one of you is editing Nice's wiki page because this is just FOUL