The Isle of Sodor's greatest rights abuse, commemorated in Gachapan miniature. (at Funabashi, Chiba) https://www.instagram.com/p/CDT3SxQFsDM/?igshid=6xzrbxqyguse

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The Isle of Sodor's greatest rights abuse, commemorated in Gachapan miniature. (at Funabashi, Chiba) https://www.instagram.com/p/CDT3SxQFsDM/?igshid=6xzrbxqyguse
put this in the MOMA
b (at Keisei Rose Garden) https://www.instagram.com/p/BpylL9Gl9q2/?utm_source=ig_tumblr_share&igshid=d5218hldqvvo
at Keisei Rose Garden https://www.instagram.com/p/Bpw9luiFkr3/?utm_source=ig_tumblr_share&igshid=1b1oscrcm9llu
"But there's something about us, I want to say Cause there's something between us anyway" #halloweencostume #cosplay#halloween #daftpunk #daftpunkcosplay https://www.instagram.com/p/BpZdc-wFe1ylD4pnayCJy0cFnyc9jHdkolWDx80/?utm_source=ig_tumblr_share&igshid=1vjq5we9xwmrf
Captain America knows what’s good.
STAY WOKE
This is the Captain America we need in 2017.
Let’s hear Cap’s entire speech:
“Listen to me– all of you out there! You were told by this man– your hero– that America is the greatest country in the world! He told you that Americans were the greatest people– that America could be refined like silver, could have the impurities hammered out of it, and shine more brightly! He went on about how precious America was – how you needed to make sure it remained great! And he told you anything was justified to preserve that great treasure, that pearl of great price that is America!
“Well, I say America is nothing! Without its ideals– its commitment to the freedom of all men, America is a piece of trash! A nation is nothing! A flag is a piece of cloth! I fought Adolf Hitler not because America was great, but because it was fragile! I knew that liberty could be snuffed out here as in Nazi Germany! As a people, we were no different than them! When I returned, I saw that you nearly did turn American into nothing! And the only reason you’re not less then nothing– is that it’s still possible for you to bring freedom back to America!”
–Captain America, “What If (Captain America Were Not Revived Until Today)?” Volume 1 #44 (Peter Gillis, writer), April 1984Â
*Italian chef gesture*
Lake Zurich, from the Now Now premiere. This and the last song were the biggest bangers on the album, but in all it seemed to have more consistent, trippy beats than Humanz (at DiverCity Tokyo Plaza)
Geek’s Guide To Britain: Cheddar Friend
With everyone on my dash freaking the heck out about the latest reconstruction of the Cheddar Friend (aka Cheddar Man)* it is a great time for a GEEK’S GUIDE TO BRITAIN: Cheddar Edition!
It is important to point out that the Cheddar Friend is called the Cheddar Friend because they come from the Cheddar Cave Complex, which DOES have to do with cheese. (Also, I call them Cheddar Friend, not Man, and everyone will have to deal with that.)
This is a complex of caves in the southwestern part of England, named for the village of Cheddar, and Cheddar Gorge. A nearby cave complex is called Wookey Hole, which is equally silly.
Cheddar cheese was invented in Cheddar, because of these caves. You make the cheese and put it in a cave to age - then, by the process of alchemy, it turns into Cheddar cheese. It is not a bad little town. You can admire Cheddar Gorge, then go into the Cheddar Caves and see the scratching of a mammoth on the wall that is one of the earliest pieces of art in England and the world, and then you can look at the cheese sitting on the racks in the cave, and then you can buy the cheese and eat it. A satisfying day for all.
The word “Cheddar” comes from an old English word “ceodar,” which Wikipedia says means “dark cavern,” but more accurately is something like “ravine” (because of the gorge.)
So it’s rather sweet because in a way, Cheddar Friend means “Cave Friend!” And while most anthropologists hate the term “caveman” because it’s misleading, it is accurate when you apply it to Cheddar Friend!
Some people are also confused by the news coverage surrounding Cheddar Friend. Why does it seem so contradictory? Was Cheddar Friend a cannibal? Were they there 10,000 years ago or 15,000 year ago or what? This confusion is because the caves have been colonised by early hominids several times over in the ancient history of England, and the news coverage has tried to explain that. The “cannibal” hominids, who lived in the cave 15,000 years ago and had cups made out of human skulls, were outliers adn should not have been in the press materials. That sort of thing just confuses the public. The skull-cup-owners were an older variant of human-adjacent being, and were not considered “modern humans.”
By contrast, Cheddar Friend, who lived in the cave 10,000 years ago, is believed to be a “modern human.” The reason they are the SUPERLATIVE CHEDDAR FRIEND is because the colonization paths of MODERN humans are very interesting. There is no evidence that Cheddar Friend or their fellows were cannibals. That is jumbling and conflating together the news coverage in an incorrect (yet predictable) way.
Anyway, if you ever visit Cheddar, you can go to the Caves and have some Feelings about them. It’s an easy day out from Bath / Bristol, and a half-hour drive from Glastonbury. (Home of the music festival, mythical resting place of King Arthur and possibly the Holy Grail, new age center of fuckery.) You could, if you were an absolute madman, fold it into a trip to Wookey Hole or Longleat. Cheddar Caves are more value for money than Wookey Hole.
* We don’t know that they were a male person. we really don’t. Bone-fondlers would like you to believe that they know this, but really human-bone-fondlers don’t know shit. Nobody can hold up a splinter of bone like they do on TV and go “hmmm hmmm yes this belonged to a 25-year-old white male ironworker with red hair who lived 3,000 years ago,” that’s just what the press releases say because it’s a series of reasonable assumptions, and the news runs with it as truth. We don’t know the exact shade of Cheddar Friend’s skin color. We can’t and we don’t and we never will. But we knew it wasn’t white, because that would have been silly, unless they were an albino, which is possible but statistically unlikely. It was foolish to pretend that they ever could have been white-skinned like a modern white person, because we KNOW that is a recent mutation and Cheddar Friend is older than that, but people pretended this anyway, because that’s what they wanted to do.
The skull-cup cannibals were modern humans; they were Magdalenians. Magdalenians were partly ancestral to Mesolithic Europeans like Cheddar Man, but 5000 years is a pretty long time- 5000 years before us, English and Sanskrit were the same language, Egypt was just unifying, and penis sheaths were the hot fashion in the Levant. Things have changed since then, and things changed between the time of the Magdalenians and Cheddar Man.
That the Magdalenians were cannibals isn’t a slander against them. Early Modern Europeans practiced medicinal cannibalism even as they decried cannibal “savages” elsewhere. Magdalenian finds are most consistent with endocannibalism, also called funerary cannibalism, where members of a social group are partly eaten when they die. It’s smart when you live on the Malthusian margin, and in their culture would have been a sign of respect for the dead. However, even if it was in the context of warfare, I will say that killing someone and then eating them isn’t that much worse than killing someone and not eating them. If Magdalenians warred, that’s not exactly a unique flaw of theirs.
But also, the Magdalenian culture* is also responsible for some of the most iconic artistic achievements of, well, all human history.
*Magdalenians were genetically homogenous, but existed over a wide range of time and space, and so probably spoke many languages and comprised many peoples, who nonetheless shared certain cultural characteristics in common.
(some of these are reproductions, as the moisture from our breath can damage paintings)(I chose a lot of bison ones because i like the bison paintings)
In France and Spain, Magdalenians had a tradition of magnificent cave art. Magdalenians weren’t the only prehistoric Europeans to make cave art; cave art in Chauvet cave is as much older than the Magdalenians as the Madgalenians are than us. But many famous caves like Lascaux are Magdalenian. Looking at their cave art literally brings me to tears. It’s so beautiful, so sensitive to aesthetic quality, to nature, and to a sort of “spiritual” sense.
The leading hypothesis is that Magdalenian art was made in the context of a shamanic spiritual framework, but since Magdalenians left no written records, we can’t know. Whatever the purpose, these paintings were meant to be viewed by lamplight in the dark of a cave, so they were made to swirl and flicker from the darkness. And so the (perhaps illusory) naturalism is sometimes abandoned, for something altogether more impressionistic and emotive.
This is to say that Magdalenians were cannibals, but they were people, and their practice of cannibalism doesn’t detract from their humanity. Also, even non-modern humans like Neanderthals, while they had simpler art and material cultures, were still people, who loved and laughed and cried and had hopes and dreams. The apparent poverty of their culture may have been due to their bands being more isolated from each other, so cultural ideas didn’t spread as well as they did in early modern humans. Even if Neanderthals were “dumb”, like, they’re people, don’t dismiss them as orcs or something.
(for what it’s worth, Magdalenians also had dark skin and black hair, but uniformly had brown eyes, unlike Mesolithic Europeans who were mostly light-eyed. No modern person has more than a small bit of Magdalenian ancestry, though through Western Eurasia it’s present. Magdalenians weren’t any race recognized now because race is a social construct and the Magdalenians lived in a different social context)
(I referred to Cheddar Man as Cheddar Man because, while determining sex from bones is famously iffy, he’s had his genome sequenced, and though it’s not published it seems that he was genetically male. Most XY people are men, so I referred to him as “Man”. That said, it is not impossible that Cheddar Man is inaccurate, since we have many cases across human prehistory of people buried with grave goods indicative of a gender that doesn’t correspond to their genetic sex. So though we can’t ask Cheddar Friend their pronouns, OP might be right and I might be wrong)
(also, Cheddar Friend/Man may have spoken a language without gendered pronouns, so even if you asked their pronouns you might not find out their gender from the answer!)
This is a very charming response and I like it a lot! Thank you!
Actual sound of Baragon on set. That’s the voice of suit actress Rie Ôta.
EVERYONE UNMUTE THIS
Black History Month!
2017 note: Hey, guys.  With Black History Month just around the corner, I wanted to repost this so that teachers have a chance to print the (FREE) poster before February so that it can be used as a classroom resource if anyone feels like it might be worthwhile to have on hand.  Let your teacher pals know! 2016 edit: a lot of teachers and librarians asked if there was a poster for this that they could buy.  Nope!  This post was made as an educational aid and teachers oughtn’t have to pay anything to get it in their classroom.  So here’s a link to download the poster’s print file to print it yourself: https://gumroad.com/l/Exvau I did include the series in my recent art book 555 Character Drawings, so if you want it in a book with a lot of other stuff, that’s available, too. http://crogan.bigcartel.com/product/555-character-drawings-preorders
My favorite parts of history (as might be obvious from my choice of subject matter when making books) are the ones that fall into easily-categorized genres, genres with associated visual iconographies. This is the sort of stuff I loved as a kid: pirates, knights, cowboys, explorers, romans and Egyptians and flying aces. Stuff you could find featured in a bag of toys or a generic costume. For Black History Month, I thought I might visit some of these adventure-leaning periods and pick a few historic black people from those eras to draw, just for fun. If you’re doing a project or report in school this month, you could do worse than to tackle one of these toughies.  Feel free to share some of these with youngsters that you know.  And call them youngsters, they LOVE that.
(longer write-ups under the break)
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Tom Gauld (Scottish, b. 1976, Aberdeen, Scotland) - The Reason I Stayed In The House All Day Drawings
I made my choice. Quit asking. (at Funabashi, Chiba)
So the other night during D&D, I had the sudden thoughts that:
1) Binary files are 1s and 0s
2) Knitting has knit stitches and purl stitches
You could represent binary data in knitting, as a pattern of knits and purls…
You can knit Doom.
However, after crunching some more numbers:
The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…
3322 square feet
Factoring it out…302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.
Hi fun fact!!
The idea of a “binary code” was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:
Here’s Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, you’ll see a stack of blank punch cards that she will use to store her calculations.
This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer.Â
But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine.Â
Here’s a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and here’s a nice little diagram explaining how it works:
But what if you don’t just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!
Here’s an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,
and as you can see, the holes (or 0′s) told the machine not to knit the ground color (1′s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.
tl;dr the textiles industry is more important than people give it credit for, and I would suggest using a machine if you were going to try to knit almost 3 megabytes of information.
@we-are-threadmage
Someone port Doom to a blanket
Once again, knitting machines are not the origin of punch cards. Looms are.
^ yes, looms!Â
Chaining together several punch cards was the clever part of the Jacquard loom. Here’s a picture of chained punchcards, ready to instruct a pattern. This is the forerunner of a computer program:
From the 1700s to the 1960s, punched cards were a Thing Used to Store Data. The early association of women with computer programming was possibly due to the fact that women were already familiar with creating and using textile punch cards.Â
And then we all forgot.Â
And then we apparently all decided that computing must have been invented by men in the 1980s, in a single bolt of enlightenment, when Bill Gates had a dream?? I don’t know, it seems to be how people treat it.
But anyway, yes, textiles are absolutely the origin of the data entry methods we use today, though to be perfectly accurate, the craft was weaving.
The headmistress of the weaver’s guild sorted through the cache with an expert touch, thin cards flickering beneath her fingers like an elegant zoetrope.Â
"I'm afraid your signals have been hacked stationmaster. Somewhere within these threads of code a traitor has been lying in wait, perhaps for weeks. How often do you revise your timetables?"
"Twice a month on the regular. I'll find the paper copies if that'd help find who derailed the Duke's train, they're kept up at the main office -"
"No need." She plucked a card from the lacquered box with a deft motion, a fresher color than the others. She peered through one of her lenses at the small, densely ordered holes. As soon as she saw the signature she dropped the card into one of the many pockets on her finely woven sweater which was encoded with the tenets of the dataweavers. She knew who had placed this card and taken the Duke's gold. Now the question remained- who had employed the girl, and was there any reasoning that could stop her?Â