I am a professional writer and editor in real life. I have a double degree in English and writing and am currently in school once more to obtain a masterâs degree. If your brotherâs fancy writing degree was worth anything at all, he should be able to admit that the vast majority of all literature is in fact fanfiction of someone elseâs story and its elements. In other words, no oneâs idea is, by definition, original.
Letâs take a look at just a few examples to support my theory that some of the most important or well-known pieces of literature ever created qualify as fanfiction:
¡       Around 2000 BCE: The Epic of Gilgamesh was inspired as a fanfiction of a historical King of Uruk, mixed with Mesopotamian mythology. The story includes the character Utnapishtim, who lives through a world-wide flood by building a ship per the instructions of the god Enki and ultimately landing on a mountain in the Middle East, similar to Noahâs story from the Bible (dates for the book of Genesis vary anywhere from 1400 BCE to 800 BCE). Many historians suggest that the story of Noah was directly inspired by Gilgameshâs story of Utnapishtim. Other historians suggest the two were simply inspired by a similar source. Either way, thereâs too many startling overlaps to classify Utnapishtim and Noah as only a coincidence.
¡       20-ish BCE: The Roman author Virgil wrote The Aeneid, which is a direct sequel to the previously created epic The Iliad attributed to Greek bard Homer. Virgil was also known for writing pastoral poems based off and inspired by the work of the great poet Theocritus (280 BCE). As a fun addition, Theocritus himself was known for rewriting the cyclops villain (Polyphemus) of Homerâs Odyssey into a love-sick idiot in his work, Idyll XI.
Medieval Era (500-1500-ish CE)
¡       700-1000: The Alphabet of ben Sirach was an anonymous Hebrew collection of satires that included a parody of the biblical Genesis story of Adam and Eve. The story gave Adam a totally different wife by the name of Lilith, the character of which was inspired by Babylonian mythology. The whole of the collection is additionally wrapped in a fictional account of telling the stories to the historical figure of the Babylonian king Nebuchadnezzarâanother real person fanfiction of a celebrity from that time.
¡       Around 1000: The worldâs first novel, The Tale of Genji by Lady Murasaki Shikibu, inspired the massive outpouring of Japanese Noh theater plays involving characters from the novel, such as Aoi no Ue (Lady Aoi), which has been attributed to a few people (Zeami Motokiyo and Inuo). This play appropriates the Lady Aoi from Shikibuâs psychological novel to explore her death and is only one example of the available fanfictions of the novel.
¡       1308-1320: Danteâs Divine Comedy (known most famously for the Inferno) is a literal OC self-insertion of the Italian Dante Alighieri himself into the hell, purgatory and heaven from Catholic / biblical texts. Its format is in an epic, in an attempt to outdo the Aeneid and Iliad before it. It also includes an insertion of a ghostly Virgil, who copied the Iliad to write the Aeneid. Furthermore, Danteâs work includes insertions of real historical people that Dante didnât like. Itâs possibly the most self-indulgent fanfiction ever created while also being named one of the greatest poems in literature.
¡       1392: Geoffrey Chaucer (known as the father of English literature) wrote a famous collection called The Canterbury Tales. The collection takes its basic format and inspiration from Italian author Giovanni Boccaccioâs The Decameron (written in 1351). Itâs suggested that some of the tales Chaucer uses actually originated from Boccaccioâs work.
Renaissance Era (1550-1660-ish CE)
¡       1590: English poet Edmund Spenser borrowed the legend of Arthur of the Round Table in his epic poem, The Faerie Queene. In it, Arthur is pretty love-sick over the fairy queen.
¡       1597: English playwright Shakespeare borrowed various mythologies and historical figures and mixed them together. Not even his most popular play, Romeo and Juliet, was original. He took the idea from a poem written by Arthur Brooke in 1562, called, âThe Tragicall Hystorye of Romeus and Iuliet.â Even more interesting, Brooke had taken his idea from the 1554 Giulietta e Romeo by Italian author Matteo Bandello. (Shakespeare repeatedly sourced other peopleâs ideas or historical existence for his plays.)
Enlightenment Era (1660-1789)
¡       1667: English poet John Milton wrote Paradise Lost, a fanfiction epic of the biblical story in the book of Genesis about the fall of creation and humankind into imperfection.
¡       1712: English poet Alexander Pope wrote a mock-heroic epic called the Rape of the Lock to make fun of all the serious epic writers before him, borrowing such images as the way epic warriors put on armor and connecting it to the way rich people put on rich clothing and jewelry. He used other standard epic elements as repeated throughout The Iliad, Aeneid, and so forth.
¡       1759: French writer and inventor, Voltaire, wrote a satire Candide. It borrowed various elements from Tales from a Thousand and One Arabian Nights, a collection of Middle Eastern folktales from the Islamic Golden Age.
¡       1819: In Don Juan, English poet Lord Byron took the pre-dated legend of Don Juan, which was about a man who seduced a lot of women, and reversed the original plot so that Don Juan ended up seduced by a lot of women.
¡       1820: English poet John Keats wrote a poem as a retelling of the Greek mythological creature called Lamia, which was a half-woman and half-monster (description varies depending on the Greek source). A lot of his works borrowed heavily from Greek mythology and literature, and he idolized the English Renaissance poet Edmund Spenser, to a point where his first work was called, âImitation of Spenserâ (1814). In it, he borrowed various images from Spenserâs epic, The Faerie Queene.
¡       1843: English writer Charles Dickens wrote A Christmas Carol, based off the various stories compiled in the 1841 and 1842 The Lowell Offering, a publication magazine written by a group of intellectual but mostly anonymous women. He borrowed the certain pieces of plot, language, and descriptions for Scroogeâs ghostly encounters from the stories âA Visit from Hopeâ (anonymous), âHappinessâ (anonymous), and âMemory and Hopeâ (by someone named Ellen). A Christmas Carol is additionally littered with biblical allusions all over the place.
¡       1844: French writer Alexander Dumas borrowed The Three Musketeers, as well as many of the storyâs side-characters, from The Memoirs of Monsieur d'Artagnan by French author Gatien de Courtilz de Sandras. He didnât even change the names or who the villain, the Cardinal, was.
¡       1845: American author Edgar Allan Poe wrote The Thousand and Second Tale of Scheherazade, in which he has the mythical Scheherazade from the Tales from a Thousand and One Arabian Nights telling another story about the legendary Sinbad the Sailor. Â
¡       1861: Hungarian author Imre Madach wrote The Tragedy of Man, which reverses the biblical moral principles of God and Satan: In this story, God is the violent and evil ruler, and Satan is the jaded/trickster victim just trying to open humanityâs eyes to the truth. Â
Modern Era (1900ish-1950s)
¡       1922: Irish novelist James Joyce wrote his stream-of-consciousness novel Ulysses, which was based off of Homerâs Odyssey, to a point where he took the characters and simply renamed them, as well as aligned the structure of his book to the various episodes in Homerâs work.
¡       1930: The Nancy Drew series was created under the penname Carolyn Keene, who did not exist. Instead, an American man named Edward Stratemeyer would write three pages of a story, then send it to one of several ghostwriters who wanted to write Nancy Drew. The ghostwriter would take the story and expand it. The anonymous group of ghostwriters all writing about the same character still exists today. Each individual ghostwriter has made changes to Nancyâs personality, looks, and age, as well as the type of plots said character engages in.
¡       1937: English writer JRR Tolkien wrote The Hobbit and then Lord of the Rings in the 1950s. He borrowed the names of characters and places after those seen in the Icelandic sagas Poetic Edda and Prose Edda by Snorri Sturluson. Tolkien admitted he based the physical appearance of Gandalf off of the Norse god Odin. He modeled the character of Aragorn directly after Beowulf, from the old English epic (700-1000 BCE) Beowulf. Aragorn himself even paraphrases the Anglo-Saxon poem, âThe Wanderer,â as an example of a verse created by his people of Rohan. Another fun fact is that Tolkien specifically borrowed the phrase âmy precious,â from a Middle English poem called Pearl. Additionally, Tolkien was a big fan of romantic prose/poetry writer William Morris and wanted to write like him, so he borrowed a lot of phrases, aesthetics, and even names from such works like the 1888 The House of the Wolfings by Morris, including the place called âMirkwood.â Of curious note is that Morrisâs work was massively influenced by Virgilâs Aeneid.
¡       1938: African-American author Richard Wright wrote a collection of stories called Uncle Tomâs Children, with an obvious borrowing of the title from Uncle Tomâs Cabin, written by Harriet Beecher Stowe in 1852.
¡       1930s-present: DC and Marvel comics mostly just updated the mythological gods and goddesses for a modern era, appropriating their names, special relics, and abilities for their heroes, and then mixing them with some modern-day cover identifies. As an example, Wonder Woman was originally a nod to the Greek goddess Diana, a nod to the female Amazon warriors, and a redesigned image of Rosie the Riveter. As another example, the Flash is a reproduction of the Greek god Hermes, his winged helmet further clarifying the connection. Even the name Superman was not entirely original. 1938 Illustrator of Superman, Joe Shuster, took the name âSupermanâ from the German âUbermensh,â a term coined by the philosopher Friedrich Nietzsche. As a final example, sometimes the appropriation from mythology is incredibly obvious, as in the case of Thor.
¡       1949: English author George Orwell reviewed a book called We by Russian author Yevgeny Zamyatin. He wrote a rave review on it and declared that he would try to write something similar, which ultimately became 1984, sharing many similar plot points and concepts while bringing the story of We into a more realistic environment. The novel We also inspired Ayn Randâs Anthem and Kurt Vonnegutâs Player Piano, for which Vonnegut admitted he also borrowed concepts from Aldous Huxleyâs Brave New World.
¡       1950s: The Chronicles of Narnia by British author C.S. Lewis was based on biblical stories conveyed through various mythological elements as well.
Postmodern Era (1950s-Present, debatably)
¡       1977: African-American author, Toni Morrison, wrote a critically acclaimed novel called Song of Solomon, which took its title name, as well as the names of several characters and plot points, from the Bible.
¡       1988: British-Indian author Salman Rushdieâs The Satanic Verses was inspired by the life of the Islamic prophet Muhammed. Its title is a direct reference to controversial verses once placed in the Quran but then removed. These highly controversial and sensitive connections to Islamic and Old Testament personalities of Gabriel and Satan resulted in the banning of Rushdieâs book from several regions. Â
¡       1997-2007: The Harry Potter series by British author JK Rowling borrows heavily from historical alchemy, including the age-old legend of the philosopherâs stone and the 1652 book Culpeperâs Complete Herbal, which was about the medicinal and occult properties of plants, which helped her build how magic was used in her stories. Rowling also admits the 1652 book inspired many of the characterâs names. She appropriates several historical figures as well for her own purposes (as a sort of real-person fanfiction), including references to alchemists Nicolas Flammel and Paracelsus. She even admits to, while writing Harry Potter and the Sorcererâs Stone, dreaming about Flammel showing her how to make a philosopherâs stone.
¡       2003: American author Dan Brownâs The Da Vinci Code and its twisting conspiracies are based almost entirely on the books of Margaret Starbird, most of which were written between 1993 and 2003.
¡       2009: Pride and Prejudice and Zombies, by American author Seth Grahame-Smith, is a rehashing of Jane Austenâs 1813 Pride and Prejudice. But with zombies.
¡       2015: American writer of critically acclaimed The Outsiders, S.E. Hinton, claims that she has posted anonymous fanfictions of her own novel, as well as at least four Supernatural fanfics, being a huge fan of the show and of the paranormal.
As a professionally educated and trained writer and editor myself, I had to study the intertextualities of several of the pieces I mentioned above. But this is not an exhaustive world list by any means and is missing some other fantastic and influential writersâIâve included only what has come to my mind in a short time. Plots and characters and ideas have been largely passed around throughout the history of literature. Without fanfiction, a solid portion of well-known literature would not exist. Â Â
In fact, many authors and even inventors will say that there is no such thing as an original idea. Certain pieces get touted as creative because they combine previously suggested elements in a different or thought-provoking way. (Donât even get me started on how science fiction is a driving force behind many scientific advancements today!)
If youâre writing fanfiction, then youâre participating in a tradition that spans millennia. There is no piece of literature created in some âoriginalâ vacuum. That is precisely why literary critics, and those who have professionally studied fiction in an academic setting, use the word âintertextualityâ to describe how works of fiction are ultimately interrelated in some way or another.
Therefore, fanfiction is the legacy of literature. If Virgil, Dante, Shakespeare, Voltaire, Keats, Poe, Dickens, Tolkien, and Brown can write fanfiction about and expand other peopleâs works, you can too. So the next time someone tells you to stop writing fanfiction, or tells you that itâs not a valid form of art, tell them that they obviously have never read the most important historical works of fiction, or even many popular modern stories, which are all rehashed fanfiction stories, borrowing characters and names and setting and even syntax.Â
Rant written for @greenappleeyes and everyone else unfairly shamed for writing fanfiction. Content was retrieved from my own class notes, as well as publically available online interviews and articles.Â
titsay
vaporwave
amandla
theartofmadeline
germansingergirl
