Clamshell compact e-reader, It Follows.

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Product Placement

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cherry valley forever
KIROKAZE

@theartofmadeline

#extradirty
I'd rather be in outer space 🛸

❣ Chile in a Photography ❣
almost home

oozey mess
Mike Driver

Janaina Medeiros
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Today's Document
Three Goblin Art
taylor price
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hello vonnie

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@hauntedtours
Clamshell compact e-reader, It Follows.
Hi Friends and Followers! So I’m trying out this Patreon thing. As you may know I published a novel, The Wolves (Publication Studio 2014), and I’m in the process of completing a second novel! I would love to have your support over the coming months as I wrap up the drafts, edit, and make this second book all that it should be. I’m not looking for a ton of money! If you can spare a $ or two, I will be forever grateful. Many thanks! Love, Jason
Kathy Acker, Empire of the Senseless
ELDERLY 15: NO FACE
Elderly is a bi-coastal magazine.
THE BAY/NYC
Curated by Jamie Townsend & Nicholas DeBoer free, creative commons, post anywhere, print out, or have a nice day. Issue Fifteen JANICE LOBO SAPIGAO
JASON MORRIS
REX LEONOWICZ
MARK LAMOUREUX
ANSELM BERRIGAN
MEGAN KAMINSKI
JASON R JIMENEZ
KATE ROBINSON
vVv read my essay FIND EACH OTHER here in this ELDERLY magazine vVv it’s a sweet pdf, you should download it too.
from my essay: “it is true i love you and when i say i i do not only me but the world”
vvvvvv vibes everlasting to you and the ones vvvvvv
LOOK AT ALL THESE CUTE BOYS
NEW YORK: MARCH 30TH, YOUR NIGHT HAS PLANS
Wendy's Subway is pleased to present a reading featuring Andrew Durbin, Jason R Jimenez, and Wendy Lotterman. Andrew Durbin is the author of Mature Themes (Nightboat 2014) and the chapbook MacArthur Park (Kenning Editions 2015). His work has appeared in BOMB, Boston Review, Flash Art, Poetry London, Text Zur Kunst, and elsewhere. A contributing editor of Mousse, he co-edits the press Wonder and lives in New York. His first novel, Blonde Summer, is forthcoming from Nightboat in 2017. Jason R Jimenez lives and writes in California. He is the author of a novel, The Wolves (Publication Studio), and he tweets often @jimenezwrites. "A tour de force of pleasure and pain that will make you blush down to your core." Dodie Bellamy on The Wolves. Wendy Lotterman is a PhD student in comparative literature at NYU. Her writing has been published in The Claudius App, The Third Rail, BOMB, Conjunctions and elsewhere. Her first chapbook, Intense Holiday, was published by After Hours Ltd in 2016.
THE FELLOW TRAVELERS SERIES!!!!!!!
I live continually in a reverie of the future. I have no faith in human perfectibility. I think that human exertion will have no appreciable effect upon humanity. Man is now only more active — not more happy — nor more wise, than he was 6000 years ago. The result will never vary — and to suppose that it will, is to suppose that the foregone man has lived in vain — that the foregone time is but the rudiment of the future — that the myriads who have perished have not been upon equal footing with ourselves — nor are we with our posterity. I cannot agree to lose sight of man the individual, in man the mass…
Edgar Allan Poe, 1844
†HR33ΔM ~ CLOSE TO DARKNESS (Instrumental)
This is the music I’m in love with.
<3 it too
†LVKKO ~ RITVAL
Antonia is super excited to talk to you guys tonight about our Fellow Travelers series and our new collaboration with Chroma Fund that will allow you, Oregon residents, to crowd-source invest in an e-book release of the series! Mike and Marcus will be here tonight to talk about Chroma Fund. 6pm, 717 SW Ankeny Street.
La dernière énigme (F.J. Ossang, 1982)
Book Art is the Jewel of Mills College & Cutting it is a Betrayal of the School’s Identity
(In response to proposed changes and cuts)
I moved across the country to attend Mills College specifically because of the strength of its Book Art program. A returning adult student, I graduated in May with a minor in Book Art. While I was a student, I revived the Book Art club, serving as president, and received the Rosalind Keep award for Book Art.
The Book Art program, along with the legendary music department and the progressive education school, is the jewel of the college. The program uniquely and rigorously combines writing, bookmaking, and printmaking in a way that elevates the medium on a nationally recognized level. The cross-pollination between the program and the college library’s incredible rare books collection is also a valuable and unique asset.
Many colleges are in a moment of transition these days. Liberal Arts schools feel the pressure to be more profitable. Many are responding by trying to reinvent themselves by adopting the neoliberal techniques of corporate universities, slashing programs (particularly in the arts), exploiting workers (particularly adjuncts), and hiring outside consulting firms to evaluate what can be gutted or monetized.
These proposed cuts would hurt students, faculty, and the community in the short term. In the long term, they won’t even work. Mills will NEVER be primarily a business school. The proposed additions–economics, languages–pander to frivolous and unsustainable regional trends. Mills is not going to become a goldmine by catering to aspiring international biz/techies. Becoming a fourth-rate Stanford is not going to enable Mills to retain greatness. Buckling to the national –but particularly accelerated in this region– devaluation of art would be a tragic waste. Staying true to the school’s roots (avant garde art, cutting edge social critique) and cultivating the departments that make Mills so special is the only way for the school to maintain integrity in the short term and survive in the long term.
Instead of recklessly and foolishly slashing the Book Art program, Mills ought to support it working more closely with its other art departments, with programs that train students to apply for grants and fellowships, and with library science certification programs. Instead of destroying one of the best resources for learning about Book Art in the country–equipped with a fantastic studio and brilliant faculty–Mills ought to support the program growing to include papermaking facilities. There’s plenty of room for the Book Art program to improve and grow. Killing it would be a blow to the local and national book art community, past and future students of Mills, and the identity of the school as a whole.
[petition to save Mills College Book Art]
[tumblr devoted to saving Mills College Book Art]
[Mills College Book Art facebook group]
“Michael Brown” by Fred Moten and Stefano Harney in a recent boundary 2 issue on “Race and Innovation”