Anok Yai by Elizaveta Porodina for Mugler 2026 Campaign

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Anok Yai by Elizaveta Porodina for Mugler 2026 Campaign
by Dora Abodi
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robert wun | fall 2026
Vintage runway Lanvin turquoise enamel knotted snake Medusa necklace.
Source
apple spider vinegar
everything is a reference when you're crazy
Nymphs Finding the Head of Orpheus by Nicole Dollanganger, from Married in Mount Airy (2023)
first gif ever what do we think guys
Sorrow, 2021, 90x130 cm, acrylics on canvas
Anna Sui Fall 1993 Ready-To-Wear
MARKGONG Fall 2024 Ready-To-Wear
Katsushika Hokusai
Loon Gathering - Mia Bergeron , 2026.
American , b. 1979 Â - Â Â
Coloured acrylic on flat panel , 6 x 6 in.
i really like the yearning mircalla corrosions
they both have wing-like structures like those of bats, but i think they look a bit like angels to me. donqui is seated on a throne while meursault appears quadrupedal, like he's a lower organism, perhaps because of their different positions in the hierarchy
meursault moves like an insect or animal, don quixote like she's reaching to embrace, grasp or envelop. meursault's movement is like that of a hungry creature moved by physical need, don quixote like a lover running desperately towards you to fall into yours or take you into their arms, affected, emotional, wanton
meursault protects himself with his wings like he's about to be physically harmed; don quixote covers/protects her face. meursault is, again, animalistic in his body language, as if lower kindred are more akin to animals whilst higher kindred have a more "human"-like demeanour. don quixote covers herself as if she's ashamed, apologetic or frightened. meursault guards his entire body and curls up into a defensive posture. don quixote is a very emotionally volatile person, meursault has the instincts of an animal. four hundred roses has two soundtracks that point to this psychological instability: me relinque, "leave me", and ne me relinque, "don't leave me".
You should be able to say âdonât touch meâ to anyone ever in any context and not have it be considered in the realm of surprising or insulting imho if we ever needed to normalize something itâs this