Happy Pride Month to and from the two most dangerous men in London
DEAR READER
occasionally subtle
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Lint Roller? I Barely Know Her
Mike Driver
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Xuebing Du
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cherry valley forever

JBB: An Artblog!
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titsay
Show & Tell
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Peter Solarz
I'd rather be in outer space 🛸
todays bird

Janaina Medeiros

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@hell-yeah-sebastian-moran
Happy Pride Month to and from the two most dangerous men in London
An Archive of Our Own, a project of the Organization for Transformative Works
Characters/relationships: Sebastian Moran & Augustus Moran
Rating: teen
Summary: Sebastian Moran meets his father again
Contents/warnings: implied past child abuse
Notes: modern universe, set before Moran meets Moriarty
Fic: Happy Birthday Doctor Watson
Sebastian Moran/John Watson
Rated teen. No archive warnings apply. Content warnings: references to war, injury, past sex (no actual sex)
Summary: While serving in Afghanistan, Watson has an unexpected visitor on his birthday.
for @justasillydetective because you mentioned about your birthday (happy birthday!) and about Moran/Watson recently
What is love? ’tis not hereafter;
Twelfth Night, William Shakespeare (1601-1602) // "The light of the street fell full upon his face." Sidney Paget, The Strand Magazine (1903) // The Tyger, William Blake (1794) // Tiger's Head, Abbott Handerson Thayer, oil on canvas (1874) // The Sniper, Liam O'Flaherty (1923) // The Killer, David Fincher (2023) // A Literate Passion: Letters of Anaïs Nin and Henry Miller (1932-1953), Anaïs Nin (1987) // Tiger and Snake, Eugène Delacroix, oil on canvas (1862) // Seduction, Frank Bidart (2006) // "Professor Moriarty stood before me." Sidney Paget, The Strand Magazine (1893) // Rattlesnake, Stanley Vestal (1928) // Inferno, Franz von Stuck, oil on canvas (1908) // How to Maintain Eye Contact, Robert Wood Lynn (2021) // Ripley, Steven Zaillian (2024) // Twelfth Night, William Shakespeare (1601-1602)
Sherlock Holmes: A Game of Shadows Sebastian Moran + Sherlock & Co. Sebastian Moran
Bonus:
why is moran one of your favorite characters?
Moran is a highly intelligent, skilled man. His devotion and loyalty to Moriarty is admirable. I always liked villians more since they have more interesting story most of the times. Even though we don't know a super lot of Moran in the Empty house case, we do know bits and pieces. It just find intriguing to explore Moran. Also his friendship with Moriarty intrigued me. They are employer and employee on paper. But also described as bosom friends. After Moriarty died, Moran could've just moved on and find a new employer. But he didn't and he tried to kill Holmes as revenge for Moriarty. Then also the fact that you can't really track Moran's crimes back to him. Sherlock only suspects that Moran killed Adair but we don't know for sure. Moran is just a very intriguing character to explore and that is why I probably like him so much
Blue, blue, strip you blue
(Started in 2017, abandoned for years because it was not working at all, finally retrieved yesterday and more or less completed. This still did not want to work as a more realistic coloured painting so I turned it blue because of Cabaret Voltaire's Blue Heat)
Chapters: 1/1 Fandom: Sherlock Holmes & Related Fandoms Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Mary Morstan/John Watson, Sebastian Moran/John Watson Characters: Mary Morstan, Sherlock Holmes, John H Watson, Sebastian Moran Additional Tags: Wedding, Past Moran/Watson, lingering feelings Summary:
Moran attends Watson’s wedding despite all odds against it. He reminisces of old feelings and possible “better life”
Wrote something.
An Archive of Our Own, a project of the Organization for Transformative Works
A meta piece which considers the claim in The Empty House that Ronald Adair must have been murdered because he had discovered Moran was cheating at cards and had threatened to expose him, suggesting the possibility that the pair were not merely whist partners but were also involved with each other sexually.
By the way did I ever point out how in AGoS, when Moran is next to Moriarty he's more often on Moriarty's right (viewer's left, Moriarty's right).
Even when he's on Moriarty's left initially he actively switches to his right side.
Then there's the first time he's directly facing Moriarty
when, however, Moran signals everyone else to leave the cafe after watching for the sign from Moriarty's right hand.
A right hand man indeed
Happy 14th anniversary of me shipping these assholes
For prompt #FFF329 Masquerade Gone Wrong @flashfictionfridayofficial
Contents/warnings: implied past injury and possible abuse
Masks
He stands there before the largest display cabinet, this handsome man in his perfectly tailored dark suit, with his silk cravat and his even silkier voice and his neat and perfectly waxed moustache. He smiles and gives his little speech with a humorous anecdote here and there, and he hands out his praise and compliments to others in all the right places. Several women cast him admiring glances while people of both sexes laugh at his jokes and express admiration for his knowledge. Of course he would be a special guest at the opening of a new ceramics exhibit at the Victoria and Albert Museum, this good-looking aristocrat with his expertise in Chinese pottery in particular.
Why the young woman with the red hair and wearing the blue silk and velvet dress is in attendance is not so obvious. Though her companion – a tall and well-dressed man perhaps still with something of a military bearing – appears to be admiring the different displays, she does not look at the exquisite eggshell-thin cups or saucers, she seems not to care at all how gorgeously painted the vases are, or about the craftsmanship involved in making the delicate clay baskets, almost as fragile-looking as lace, or an array of beautiful but also somewhat unsettling ceramic masks. Her attention is fixed on that particular Chinese pottery expert, and for a moment the look in her eyes burns hotter than the kilns in which his beloved pieces are fired.
Another man steps forward to give a small talk about another portion of the exhibit, his voice carrying across the gathered crowd. “These are based on the creations of the old mascherari, the mask-makers, from Venice,” he is saying, gesturing at the display of white porcelain faces, with their empty eye sockets and carefully painted patterns.
“That's him then,” says the young woman's companion without looking at her, his expression giving nothing away, not even when the woman's fingers dig almost painfully into his arm as the expert in Chinese ceramics favours another pretty young woman with a smile. To anyone else he would appear interested only in what is being said about Venetian carnival masks.
“That's him all right,” she says, her voice low. She is standing still and a tad stiffly, holding her other arm very slightly awkwardly, her face revealing nothing however of the physical discomfort she is in at present.
Baron Adelbert Gruner, from Austria originally, lately of Kingston upon Thames, takes so many people in, charming them with his intelligence and culture and wit and wrapping them around his little finger like a man reeling in an endless succession of pretty little fish.
But Miss Kitty Winter, most recently of Westminster but before that from London's poorest parts, wearing her fancy new dress and trying to ignore the pain and the itching of her scars beneath the fabric, looks through his mask. She takes in the cold dead look in his beautiful dark eyes, notices the spectres which cling to him, and she sees the blood on his hands.
“I could do it,” her companion says, also in a low voice. “Easy as breathing.” He would and all, Kitty's certain. Seb Moran, formerly of the Indian Army, now still living with his paramour in Mayfair (despite the best efforts of a certain consulting detective). Once suspected and then acquitted of a man's murder, but she knows for sure he's still a killer, and she knows that he sees through Gruner's mask too; that he also sees that second or two when Gruner, while talking to a lady, happens to glance over and meets Kitty's gaze and falters mid-word.
“No.” She turns to look at Moran. “Not yet.” She smiles at him now, that blazing fury tempered when her eyes meet his, smiling at him only with warmth. “You leave this one to me.”
(Also posted on AO3)
An Archive of Our Own, a project of the Organization for Transformative Works
Title: Erotica
Characters/pairing: Sebastian Moran/James Moriarty
Rating: adult/explicit
Summary: Moriarty discovers Moran has been writing erotica.
Contents/warnings: sexual content
The Empty House
Although we will later learn that he was already involved with the Moriarty organisation during the Birlstone Manor case, we had certainly not heard of Colonel Moran prior to the Adair affair. But Holmes had him under watch then, and comprehensively indexed by the time of his arrest. What happens after is somewhat hazy: Holmes does seem confident enough that the evidence against him will put him in the gallows, yet the Colonel is still very much alive in 1902, and possibly even at liberty, as he is able to steal the Crown diamond in the original play version of “The Mazarin Stone”. (For which he gets caught again...or possibly not, depending on the version you choose to believe.) When Holmes returns from America in 1914, he references the Colonel once more in a way that makes one think he is still out there somewhere, perpetuating mischief in the stead of his late lamented employer.
Our Little Adventures 28/60 | Tumblr | RSS | Newsletter
The Ballad of Colonel Moran or “The Marksman’s Lament”
A Modern-ish Murder Ballad.
[Verse 1]
He came home from the war with a scar and a stare,
London was colder, but he didn’t care.
A tiger’s tooth round his neck like proof,
Of the man he was, and the things he’d do.
-
He found no peace in a soldier’s bed,
Just the ghosts that drank where the gutters bled.
So he loaded his gun, one eye on the sky,
And waited for a reason not to die.
[Chorus]
Oh, Sebastian, my love, my sin,
You kill to remember, you drink to forget again.
Every saint’s got blood on their hands,
And every bullet’s got a name in the end.
[Verse 2]
He met a man with a smile like glass,
Said, “There’s work for you, lad, if you live fast.”
They built their kingdom on whispers and lies,
Under the flicker of the city lights.
-
The papers called them devils, ghosts,
But London always loves her rogues the most.
And in the alley by the river bend,
He learned what it means to lose a friend.
[Chorus]
Oh, Sebastian, my love, my sin,
You kill to remember, you drink to forget again.
Every saint’s got blood on their hands,
And every bullet’s got a name in the end.
[Bridge]
There’s a guy still waiting in Camden Town,
He keeps a room lit when the lights go down.
He says he promised him once he’d make it right —
But killers don’t dream, they just aim at the night.
[Verse 3]
Now the years roll by like London rain,
And the city forgets, but he whispers his name.
Some say they’ve seen him near Waterloo,
Smoking with the ghosts he knew.
[Final Chorus]
Oh, Sebastian, my love, my sin,
You kill to remember, you drink to forget again.
Every saint’s got blood on their hands,
And every bullet’s got a name in the end.
[Outro]
If you hear a shot in the dead of night,
Don’t run, don’t scream, don’t reach for the light.
It’s just the marksman, calm and still —
Taking aim at the man he’ll never kill.
---
( p.s - blame/thank @tinchuleytiger for me actually posting this)
for prompt #FFF326 Peripheral Vision @flashfictionfridayofficial
content warnings: guns, minor character injury/death (not graphically described), swearing
The Meeting
You stand behind him but to the side and you watch him, and you watch the other figures too, Lyle (that petty criminal with aspirations, delusions of grandeur and terrible dress sense. Not something he could ever be convicted of, unlike the murders and the blackmail and all the thefts, but that waistcoat alone should be considered a crime against humanity) and his bodyguard (no name given; very clearly ex-army; never reached as high a rank as you did; smokes even more than you do; drinks too much and all – the reddening of his face and the tremor in his hands would probably give that away to someone with even a quarter of your skills at observation). But you also watch everything else too. You know there are pigeons up in the rafters (and you hope to hell those feathery little bastards ain't gonna shit on you) and a big rat has run through a corner of the warehouse and vanished through a hole gnawed in the wall and there is so much dust (half of it desiccated pigeon shit, probably; you are hating this meeting place more and more by the second) suspended in the shafts of sunlight that pierce through the holes in the roof. It smells strongly of the river here and with that and the brightness and the warmth of the day which is making sweat trickle down the small of your back and has you hot under the collar in a not merely metaphorical manner, for a moment your thoughts are snapped back to India, to those fertile hunting grounds. Even so, while you remember tracking the big jungle cats and all those times when those magnificent beasts would seem to blend in utterly with their surroundings and you could only detect them by sensing the slightest stirring in the shadows around you, another part of your mind remains keenly aware of everything around you now.
The Professor and Lyle are talking, Lyle trying to cut some kind of deal with the Professor apparently, although you can tell that James is already bored by the younger man (no criminal genius is Lyle, just a rather tedious and predictable little man), and his nameless bodyguard looks at you, sizing you up, but you ignore him. A hired thug with a hand made unsteady by drink – dangerous in his own way, especially if he starts letting off haphazard pot-shots with that pistol of his, but not the real threat here. Something else shifts in your peripheral vision – a brief glint of light like some strange day-star that just catches your eye before it vanishes, and you flick your gaze up, the barest movement, as is the tiny smirk that appears on your face. So that's how you want to play this game. Suddenly things have become rather more interesting. The rifle is an extension of you, an inseparable part of you even, as you bring it up swiftly, fluidly, practically instinctively aiming and pulling the trigger with the first finger of your right hand almost in the same moment. The shot is loud in the cavernous space and sends the various pigeons scattering and frantically fluttering skyward while Lyle and his bodyguard both duck down, although you note in the corner of your eye that the Professor did not flinch. You lower the rifle and almost as a continuation of the same movement, your left hand comes up, snatching up your own pistol and pointing it squarely at the bodyguard's head before he can quite think to get his gun up and aimed at you. “Don't you fucking dare,” you say, your voice practically a growl, but an amused one. You are right-handed, mostly, but when it comes to guns you're almost perfectly ambidextrous – a broken wrist while in India had made you very aware of the need to be able to shoot well with either hand. You'd probably have gone mad from the boredom had you not spent your recovery time teaching yourself to shoot perfectly with your left hand. It's then that the man up on the rooftop, along with the rifle that he'd aimed at the professor's head, plummets through some seemingly especially rotten portion of the roof and hits the hard floor with a thud, quite dead even before the impact. A bullet through the brain will tend to do that to a man, after all. The Professor tuts at this sight as Lyle glances back to see his would-be assassin brought down – literally. “Mr Lyle,” the Professor says. “You disappoint me.” Lyle is trying to smile, trying to conceal his shock at this turn of events behind his pasted on benevolence. “It's not what it looks like, honestly, Professor.” “Is it not? I had thought it looked as if you were about to try to have me murdered.” The Professor's voice is smooth as silk, his tone as light as if he's merely gently scolding a promising student who's made a small error in their calculations. “Perhaps you thought you could remove me and take over my operations, hmm?” “No, no! Of course not.” Lyle looks from the Professor to his bodyguard, some sort of plea seeming to pass from one to the other. You shoot the bodyguard through the arm before he can get the pistol even halfway pointed at you. He yelps like a kicked dog and drops the gun with a clatter, though he'll live. For now. “Thank you, Moran,” the Professor says, giving you the briefest glance, the most fleeting smile, but there is warmth in those blue-grey eyes, maybe even the promise of him showing you his true gratitude later, and you grin at him. Unlike the soon-to-be-late Mr Lyle, you do not disappoint him.
-
Also posted on AO3 here
So Moran in The Final Problem (2018)
I liked him and what they did with him, except for the end. They made use of him, they actually used his name and talked about his history a bit, he got to do things and though he had no interaction with Moriarty in it they actually did say about him escaping with Moriarty when everyone else got arrested. I could buy him being completely loyal and close to Moriarty.
Also he barely spoke in it, I think he said about 2 words in it, and that for me also really worked. Him being this kind of lurking presence who is very taciturn and very 'aloof' and who barely ever says anything really worked because there's really no evidence that Moran is some kind of extrovert guy and I really don't think he is someone who says a lot most of the time unless he's just acting out some kind of role so he can cheat people or something.
Also it did feel like when he was shooting at Holmes initially he was toying with him, not actually seriously trying to kill him. That and the whole lurking about watching Holmes before he did make a real attempt to kill him did feel like there was this element of psychological manipulation almost going on, him subtly winding Holmes up, making Holmes feel really paranoid, which is a really interesting way of doing it I think. It's definitely hinted at in the canon that this might be going on but it's not something that seems to get explored much and I don't know for certain if that was meant to be happening in this or not but it definitely felt like that to me.
(Also that's Parker with him. They actually put Parker and Moran together!)