Dialogue/Description Balance
Every writer falls into one four categories of capability. Either they excel at writing description (but not dialogue), at dialogue (but not description), at both, or at neither.
What I usually find is a person tends to be in one of the first two categories: either they have great description but their dialogue is lacking in some capacity, or their dialogue is great but the description is weak. I tend to fall in the latter category.
Nevertheless, Iâm going to be talking all about dialogue and description, how to fake it if you canât do one or both, and how to find a balance between them so that the story flows effortlessly (well, thatâs the hope).
Before I start in, I just want to clarify that description includes not only of the setting and characters but also of their actions in scenes, how they move and react as they converse.
Also, as a general rule, if you are lacking in one or both of these areas (or any part of writing), donât worry about it when youâre writing the first draft. Just get it down. Then go back in after its done, knowing your weaknesses, and revise the hell out of it.
Study the art of good description: To improve your description writing skills, read description that you like, from any story or piece of writing. Really try to break down what exactly you like about it, what they do, where they put the description, what they donât describe, etc.
Practice: get a photo you likeâor better yet, go outside (gasp!)âand try to describe the scenery, every detail you can. Be excessive, over the top. Just practice noticing the little details.
Details make characters feel real: This is fairly obvious. But what may not be is what details should be included. Many writers do the typical hair and eye color (which Iâm guilty of too). This is not a bad thing, but it is nice to try to move beyond that or at least add to it. In any case, any description you have of a character, try to use it for more than just a description. It should be incorporated into the story. Think about what details would be important. Why is it significant that his eyes are blue? Is it because they look haunting or mystical? Because they affect others or perhaps the main character? This is just a simple example, but hopefully you get the idea.
Study conversations: Similar to the description section, itâs helpful to study good dialogue in stories, noticing everything about it, like the things being said, whatâs not said, and even how itâs being said. Also listen to people converse in real lifeâŚListen to the way they talk, how they say certain phrases, their tones, facial expressions, body language. Itâs all a part of the dialogue.
Practice: To start off, just try writing the same sentence/thought/idea, but have different people say it. How does it change if someone is shy? Bold? Angry? Bossy? Now pick one character, and try changing who this person is saying it to. Everyone speaks differently depending on the person and situation. For instance, if a character is at work, are they polite and respectful? Formal? Loud and obnoxious? This will say a lot about them as character, without you having to describe it!
Not everything has to be said: Whether theyâre best friends or enemies, a lot is passed without saying a thing. Maybe two characters are close and read each otherâs minds or finish each otherâs sentences. One glance could equal not only a whole conversation, but also say a ton about the nature of the relationship between the two characters. Maybe two characters are in the relationship, and itâs clear that theyâre not happy, not because they say theyâre unhappy, but just by their actions and words (or lack thereof). For instance, if theyâre angry at each other, theyâll probably avoid one another very purposefully and use very short, direct statements. Itâs also important to note that some pieces of dialogue are just filler and can be taken out. For instance, if you have a scene with a conversation that takes place on a phone, you donât want to include the formalities like âHi.â âHey.â âHow are you?â âIâm fineâŚâ Etc. That will just bog the story down and add clutter to the writing. We all know that people donât just start right into the meaty part of a conversation. The only instance I can see these formalities being used is if itâs purposeful and says something about the charactersâ relationship. For instance, maybe they were close, but now itâs awkward as they both clearly donât know what to say.
How to Balance Description and Dialogue:
Placement of description is important: When it comes to describing scenery, there are separate paragraphs dedicated to it. Usually the details are broadly scoped, with a few smaller, significant details. As the characters move through the scene, smaller and smaller idiosyncrasies should crop up. Sprinkle them in with the dialogue and movement. When it comes to description of a person, itâs rare to find a large paragraph dedicated to just the outer appearance. Maybe a small, flash description (like the first one or two things someone would notice about the person), with more details sprinkled in as the scene/dialogue progresses. Itâs important to find a balance so that it doesnât feel like its separate chunks of description and dialogue. They should mix together a bit in a scene.
The point of view can change the balance: If itâs in first person, there will probably be a bit less description than when writing in third. Most people donât think in such detailed descriptions, so it doesnât feel quite realistic. Of course, thereâs always room for breaking rules. For instance, if the point of view character is an artist of some sort and thatâs part of their personality to be flowery and excessive in their thoughts and probably their speech as well.
EVERYTHING should push the story forward: itâs difficult to truly know what should be said, what should be described, and what should be perhaps left out altogether. My piece of advice is that whatever youâre writing, it should push the storyline forward. Basically, everything has a purpose in the story. We learn something important to the plot or characters or situation that is relevant. Of course not everything has to relate to the âmain plotâ, but it should be relevant in some capacity.
General things to keep in mind:
Conversations will say something about the relationship of the characters speaking. It just will. What that says can and should affect the plot, in some way.
The more detailed the description, the more the reader will think that place/person is significant. If you focus on it, youâre drawing attention to it.
Read your writing aloud! I canât stress this enough. If it sounds/feels awkward. It probably is. Focus on that section, and work with it. Take your time to figure it out. If you canât fix it or even identify those awkward parts, try to get some readers. Preferably not close friends or family as they can be biased or not what to hurt your feelings.
Everyone has their own style of writing. Itâs not an exact science.
Test styles out. Try a new format. Experiment with a new point of view. Take the time to find what works for you.
Hope this helped. And Iâm happy to answer any questions or clarify if needed. Happy writing.
izzy806
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