Lilac Pluviophiliac

90's Karmasutra ebony berries that quench my thirst.

[hennessybee]

Stunning. You are

Thank you

[hennessybee]

U got a dude still?

No I don’t

[blurays]

We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing what colors went together.

The Virgin Suicides 1999, dir. Sofia Coppola

[gahdamnpunk]

UNMUTE THIS 💀💀

[llamagoddessofficial]

I’m actually fucking dead. I just… I can’t stop watching this. That fucking triple take at the end gets me every time

[josemoneyz]

[gahdamnpunk]

The POWER that this has

[ruinedchildhood]

[000inreality000]

Jason’s Lyric: What real love looks like

1994

[dripseason]

When they acting up

[justjulyy]

When he said, “Yeah get horny because that’s what you do. ”… I felt so personally attacked 😂🤷🏾‍♀️😌

[yasminsqueendom]

Mood. Ima act up all the time

[melaboveall]

this really needs to be discussed. Colorism. 

[okayysophia]

[sweedishcoochiemeatballs]

BRUHHHH

[hennessybee]

Hot Pink Photoset

[exportings]

[gradientlair]

Eartha! Her expression in the second GIF…whew…

[thedreamersdaughter1]

[thetenderpassion]

[witchinghour]

The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid

“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON

[okayysophia]

[napeedgesandhighcheekbonez1]

Weak 😭😭😭😭

[donnietrell]

NIGGA this shit is phenomenal omg

[miseducatedmelanicmuse]

Solid content!

[tamara-cleo]

The scuffling sound😂