jungle â kiyoomi sakusa
kiyoomi x f reader
9k
kiyoomi seeks serenity after coming home from war.
18+ content. pining, slow burn, sakusa wears dog tags mmm (i make this very apparent), smut, acquaintances to lovers. kind of a historical au? (think 1930s) idk bro it's like all made up. atsumu makes an appearance, mentions of pregnancy
Thereâs lots of commotion outside. Hollering, cheering, squeals and shouts paired with the sight of lovers reuniting, families coming together, men picking up their children and spinning them around in the air. You watch from the kitchen window as you wipe down the dishes, see some people carelessly pick the flowers from your yard to bunch up and give to wives, children, husbands, the like. Normally, youâd scold them for being so careless and probably offer a pair of garden trimmers so that they wouldn't crush the surrounding flowers, but you let it pass. Everyone is happy. The war is over.
Your mother watches as she stands next to you, handing you over the dishes to dry once sheâs finished washing them clean. She looks at you from the corner of her eye, gouging out your reaction before clearing her throat.
âDo you remember Kiyoomi?â
You freeze for a second, plate and rag in hand as you try to think.
âMm. No?â
âThe Sakusa family?â
âOh,â And then you start again, rubbing the plate dry. You donât really remember the boy, only that your mother was friends with his mother and that apparently the two of you played around as young children. You don't remember the last time you saw him. Probably couldnât even point him out in a crowd.
âHeâs coming home.â
âFrom the war?â
âYes.â
âWould you like me to gather some flowers for him? Thereâs plenty in the backyard, too. None of the crushed ones.â
She sighs before placing the plate she held back into the sink, turning to face you entirely.
She says your name softly. âHeâs coming home. Here.â
âWhy? For dinner?â
âNoâ well, yesâ but heâll be staying here. With us.â
You slowly put out the plate face down on the long countertop cloth to let it air dry. âSince when?â
âWeâve been exchanging letters.â
Ah. You had been wondering what that was about. Each time the mail came in, your mother would scurry to get it before you could, holding it to her chest protectively before gently slicing it open in the study, purposely keeping it from you. You thought she had been exchanging letters with some sort of admirer, so to speak. You thought sheâd be afraid to tell you sheâs moving on after years of your fatherâs death.
She continues, âHis parents passed a while backâ they both fell ill while he was away. He just needs somewhere to stay in the meantime so he can get back up on his feet. I'm sure there are plenty of other families that would be more than happy to host a soldier, but I suppose he would feel more comfortable here. I mentioned the garden and the chickens and he said heâd help you out with those. Donât let him, though.â
âHuh? Why not?â
Your mother lightly swats your arm and gives a quiet scold of your name, âHe isn't here to work. Heâs here to rest. Heâs been through a lot, you know. Just let him be while heâs here.â
You roll your eyes. Your mother can tell that you're not really annoyed.
âHe seems very reserved in the letters we exchanged. If heâs formal with you, insist that he donât be. We are friends of his. Make him feel comfortable, okay?â
You hum and nod. âOkay.â
Thereâs a pause.
âWhen will he be here?â
Your mother nearly answers before you've even finished asking. âTomorrow.â
Youâre an early bird. Even when you donât want to be, you must. You have to tend to the chickens in the morning, tidy up and make breakfast for your mother before she goes out to the market to sell the eggs.
The morning dew that sits atop the grass kisses at your shins as you trudge towards the coop, face lit by the oncoming sunrise. The sky shifts from deep blue to a lighter blue to purples and pinks until the sun finally reaches the top of the sky.
As you get closer to the coop, you hear the familiar and pesky repetitive clucks, appreciative that the coop is farther out into the yard and not by your window.
You slide the coop door open, stepping to the side as they rush out with curiosity.
âMorninâ kids,â You start before emptying out their dirty water, tossing it into the grass before turning on the hose to fill up the bin.
You replace the water, give them more food, collect the eggs that are deemed ready, and hang out with them for a good thirty minutes to make sure theyâre healthy and roaming around like normal. You sit on the grass, knees to your chest as you absentmindedly say hi to them when they pass by or stare at you.
Once the sun has almost fully risen, you grab the basket of eggs and make your way back into the house, slipping out of your boots before stepping inside.
The morning goes as always; Your mother wakes up, thanks you for handling the chickens, thanks you as you place her breakfast on the table, gathers all the eggs she needs to sell, and kisses your cheek before she heads out to the market.
âKiyoomi should be here later, once Iâm already home. Please make sure the spare bedroom is clean, with fresh sheets. If he happens to arrive early, be nice.â
âGod, donât act like Iâm insufferable! I wonât drive him out.â
She smiles knowingly. âI know, my dear.â
She looks like she wants to say more, but swiftly turns on her heel and takes her leave.
The rest of the day is spent cleaning up the spare bedroom to make sure itâs nice and welcoming for when your new guest arrives. You smooth out all the bed linen and wipe down the dressers, making all photo frames and little trinkets look presentable. It doesn't take long for you to set it all upâ the bedroom has always been very empty. You wonder how it'll look like when itâs more lived-in, with boots and coats and whatever else he may carry laying around.
You slip into the kitchen and wash your hands, preparing to make lunch. With the curtains on the kitchen window drawn shut, you fail to see the man that climbs up your porch steps, eyes downcast as he raps his knuckles on the door a few times.
You freeze in your spot almost violently. Itâs much too early for him to be here, and when you glance at the clock on the wall, youâre convinced that it has to be someone elseâ perhaps the neighbor?
Drying your hands on the apron tied to your dress, you draw back the kitchen curtain to get a little peep.
You almost squeal as you back away from the window, covering your face with your hands like youâve just seen something you weren't supposed toâ but you had just seen him. He was⌠big. Thatâs all you could think.
When you open the front door, the two of you stare at each other, silent.
Yes, heâs big. Broad shoulders, gifted with height, and his chest seemsâŚ. inviting in the military uniform he wears. You finally make eye contact with him, scanning over his handsome features, the two little beauty marks that rest atop his eyebrow, the pretty curve of his lipsâ
âHello,â He says with an air of formality, and you clutch at the skirt of your dress.
âHi⌠hi.â
He stares at you blankly.
âI, ahâ come in, Kiyoomi,â You start, standing to the side as he takes off his boots and leaves them by the door, following diligently as you lead him to his room. He doesnât even spare a glance to look around the house, eyes trained on your back.
âHere,â You say, opening the door to his room. âThe bathroom is down the hall, my room is right thereâ right across, and my motherâs room is the farthest one down the hallway. Thereâs a, um, study if you'd ever like to read or spend some time in there. Do as you like,â You explain gently, a warm smile on your features. âI was just making lunch. Are you hungry? Would you like some?â
âNo thank you,â He says immediately, looking down at you. âThank you for letting me stay here.â
âOf course! My mother should be here in a few hours. For now, the house is all yoursâ er, ours, butâ well, yeah, yoursâŚâ You trail off with embarrassment, looking into his eyes for help, hoping heâll finish your sentence or laugh it off with you.
He doesn't.
As soon as you back away and start walking back to the kitchen, he shuts the door softly and coupes himself up in there.
You frown to yourself, remembering your motherâs words. He seems very reserved, let him be, heâs been through a lot.
You do just that, careful to not make any noise as you prepare lunch, then sit by yourself at the table to eat. Thereâs a light clink and clatter of the dishes as you wash them, but you can only hope he doesnât mind.
Noon turns into night and youâre still alone. You havenât heard Kiyoomi leave the room or rummage around at all. Itâs like he never even arrived.
Youâre not surprised when your mother comes home and deems the house empty (besides you being there) and exclaims that the both of you must rush and start working on dinner because Kiyoomi deserves nothing but the best. You feel your skin prickle hot for some reason. She wasnât wrong, but if Kiyoomi had heard her say it, it sounded like she was one of those old ladies who desperately fawn over younger men. You didnât want him to get the wrong idea.
You laughed nervously and bumped her hip with yours, quietly telling her that he had already arrived.
She gasps dramatically, hand flying to her heart as she scolds you.
âWhy didnât you invite him out here to sit with you? Has he eaten lunch? Did you offer him lunch? Goodness, my dear, this is no way to host someone. Ask him to step out! Did you show him around the house, at least? Oh, heavensâ did you change the sheets?â
Your ears feel terrifyingly warm, knowing very well that your mother was loud enough for Kiyoomi to hear here through closed doors. Just thinking of him overhearing you get scolded made you want to scuffle away and complain in embarrassment to the chickens.
âMy apologies, miss.â
The both of you whirl around to see Kiyoomi, who looks absolutely delightful, you think.
His curls are mussed as if he had been sleeping, uniform ditched for a skimpy white undershirt tucked into some slacks, the planes of his chest peeking out and greeting you handsomely. The dog tags that are strung along the chain around his neck glint in the kitchen light, almost like theyâre saying Hi. âItâs not her fault, I assure youâ I had turned down her offer for lunch, and I just wanted some time to myself after arriving. No hard feelings at all.â
He speaks in such a collected and calm manner, and his face and eyes look empty. Heâs good at containing all his emotions.
âOh,â Your mother breathes out, a wistful smile creeping onto her face. âOh, my lovely Kiyoomi!â She rushes towards him and cups his face, smushing his cheeks in her hands, beaming up at him. The action makes his eyes widen, hands immediately flying up to push hers away, but he stops himself just in time and lets them fall back to his sides.
âHow youâve grown! My goodness, itâs been ages, my love, pleaseâ please sit down, weâll make some soup, okay? Just rest. Tell us, how have you been? Any good stories?â
She greets him like a mother would, and for a second, you think you see his features relax. Not wanting to get caught ogling at him, you turn and face the cutting board, lining up all the vegetables needed for the soup.
The two talk the entire time, your mother silently leaving the task of cooking up to you. You donât mind at all, keeping your back to the both of them to hide the look of shyness on your face. Every time Kiyoomi speaks, you feel your hands stutter.
The conversation is mostly your mother gushing over him and how much heâs grown, telling him heâs such a handsome young man, asking him how his trip over here went, and then she asks him if there is a woman in his life. You know that it would be normal for him to feel a little flabbergasted from such a question, but you donât know why you feel so embarrassed as well.
You figure itâs because if he says he does have a special someone in his life, your mother would turn around and berate you (in front of him) for not being âout thereâ enough and for not seeing someone already.
To your surprise, he weakly mentions that no, he doesnât have anyone like that in his life. He quickly excuses it by saying that he had been too busy during the war to worry about such things.
Your mother laughs good-naturedly, flailing her hand around, âOh, of course. Silly me!â
By the time your mother opens her mouth to tell him that there are plenty of riveting people around town that he may like, you announce with your back still facing them, âSoupâs ready.â
You serve your mother and Kiyoomi, keeping your head down as you approach him and place his bowl on the table. He thanks you in a quiet, rumbly voice that makes you go completely still for a split second.
Conversation dies down as the three of you eat. Your mother has pulled out as much as she can from Kiyoomi. He avoided a lot of questions about the war, about his experiences, about what he saw. You canât help but wonder.
Your mother interrupts the silence as she subtly turns to face you.
âHow are the vegetables doing?â
âGrowing,â Is all you respond as you stuff another spoonful of soup into your mouth. Sheâs grasping at straws to not let the atmosphere turn awkward.
You figure that if Kiyoomi is going to be staying here, may as well be casual, treat him like anyone else (despite the fact that he looks like he came down straight from Heaven).
You shift in your chair, the wood creaking. âTomorrow, could you buy some more flower seeds from the market? You can pick which. I need to fill in the spaces that were crushed yesterday from all the people.â
Her eyes light up, âOf course, dearie. Thank you for reminding me.â
The two of you talk about mundane things for the rest of dinner, topics you usually discuss. Kiyoomi finds it comforting. Makes him feel more at home.
The next morning, you rise before the sun kisses the sky, as always.
You pull on the short linen clothing you use for working, old stains of mud and grass forever tainting the articles. As quietly as you can, you pad around the house before reaching the back porch, tugging on your work boots before stepping into the fresh morning grass.
Unbeknownst to you, Kiyoomi is also an early riser, a habit that he has cultivated over years of training. He watches you from the backyardâs dutch door, the top half open. He rests his elbows on the bottom half and leans forward, watching and listening as you greet and coo at the chickens like theyâre your children. His eyebrows twitch up when he hears you reprimand oneâ Stop putting grass in the water, Harold!
After you dump out the water, you pick up the water bucket and take it over to the pump, working the water into it. With your back turned to Kiyoomi, you donât hear as he steps through the grass towards you.
âGood morning,â He greets politely, and you yelp.
Whirling around with the half-full bucket in hand, the water flies out and crashes right into him, soaking his torso and the entirety of his pants.
You drop the bucket.
âOh my goshâ oh, Kiyoomiâ Iâm so sorry, Iâm so so sorry, oh my goodnessâ I didnâtâ Iâm so sorryââ
You're petting his torso worriedly, as if your hands will soak up all the water that has been spilled. He knows you have good intentions and are just trying to help somehow get the water to dry, but your touch makes him stiffen.
Youâre repeating that you're sorry, and the more that you ramble on, the more he can hear the tremor in your voice as you squeak and swallow and try to push this upcoming embarrassment down. Kiyoomi lifts his hands and places them right on your arms, completely stilling you. âIt's fine.â
It comes out clipped, like it's not really fine, but you canât tell if he's annoyed. His face remains stoic.
âIâm so sorry,â You whisper.
âIt's okay. You weren't aware that I was here. I understand.â
You look over him again, the bottom half of his cotton shirt soaked and his pants clinging onto his legs like paint. Youâre so embarrassed and ashamed that you can't even find it in yourself to admire him.
âYouâllâ youâll get sick. Letâs go inside,â You plead, stepping away from his touch and gathering your skirt in your hands to run back into the house, hastily kicking off your boots before prying the bottom half of the door open.
He watches you scurry around the house to make him some tea, pouring water into the kettle and sorrowfully letting him know itâs gonna take a few minutes. You advise that he changes but donât push it on him too much, not wanting to be over controlling.
He disappears into the room and shuts the door, and you plop onto the dining table chair. Resting your head in your hands, you mentally chastise yourself for messing up like this, and on the first day that he's been here, too.
The kettle whistles. You pick yourself up to see Kiyoomi already looking at you, in a pair of clean clothes. Embarrassment crawls up your spine.
âIâm sorry.â You say again, turning to silence the kettle and pour the water into a mug before adding a few loose tea leaves.
âIâve already forgiven you.â
âI know, I know butâ Iâm really sorry.â
He only sighs. You take that as a sign heâs frustrated.
âIâm stepping back outside,â You say, âStill have to get stuff done.â
He nods stiffly. You walk with your tail between your legs to the backyard porch, putting on your boots and this time shutting both halves of the dutch door.
You confide and whine to the chickens as you clean up and spread out their food.
Despite the incident, Kiyoomi insists that he help you out in the mornings. He follows you out to the back porch and manages to slip past the threshold before you can shut the bottom half of the dutch door to trap him inside (he can always just open the door and walk by, but you tell him itâs the prospect of trapping him inside that matters the most. His eyebrow twitches at that).
He lingers as you talk to the chickens, which you do quietly now that you know that heâs there. He pretends to look away when you tell Harold good morning.
When you finish saying your greetings to the birds, you tell him to go back inside. This is your job only and he should take this time to rest or get some extra hours of sleepâ but he insists. He tells you he canât sleep for any longer, heâs spent years rising early and getting straight to work and if he were to lay in bed heâd just lay restless.
You know your mother will scold you later, but you offer him some work to do anyway. You tell him to replace the water while you give them fresh food. And he does so gladly, falling into a rhythm with you that, if a stranger looked at the scene, would convince them that he belongs here and always has.
Thereâs this sort of look of serenity on his face, like heâs content to be doing something rather than staying in the house (which is what your mother has been pressuring him to do).
The rising sun kisses his face, reminding you of his beauty. His skin practically glows and you canât help but let your eyes linger on the moles on his forehead.
In this kind of lighting, you see faded scars on his hands and arms, earned from hardwork and fighting and war and other things you cannot even imagine. They make him seem gruff (more than he already is) and in a way, scary. But the way he handles the chickens and the land and the water with such a tender touch tells you otherwise. For a brief second, you wonder if he would hold you with such care as well. You shoo the thought away.
Kiyoomi stays with you while you watch over the chickens. He stands while you sit on the grass.
âTalk to them,â You encourage.
He lifts an eyebrow. âAnd what should I say?â
âAsk them how they are.â
Kiyoomi clears his throat and looks at one of the chickens, âMy⌠My dear Harold,â He starts, âI hope you are in good health.â
You laugh, âSo formal, Sakusa.â
He finds himself humming. Humming. Humming in amusement.
When you're done with the chickens, you tell him he can go back inside and relax while you check up on all the vegetables, but he tells you he wants to help with that too.
You untie your apron and start checking on and picking the ripe vegetables, bundling them in the cloth. Kiyoomi, truthfully, seems a little lost as he handles pulling out the vegetables and leafy greens with a sort of hesitance as if heâs afraid to hurt them. You scoot over closer to him and offer some help.
âThey wonât cry in agony, Kiyoomi.â
âIââ He starts, embarrassed. âYou mistake me.â
âHow so?â
He doesnât answer, runs out of excuses. Suddenly Kiyoomi thinks the sun feels warmer when your hands brush over his own to guide him, encouraging him to pluck at the vegetables. He gets the hang of it, bundling up all the produce in your apron before the two of you make your way back inside.
When your mother sees the both of you step in, kicking off your boots and hands stained with dirt, she tsks at you.
âI specifically told you not to ask for any help.â
Embarrassment blooms in the depths of your chest. Getting scolded in front of Kiyoomi will be the death of you. You want to defend yourself but you donât want to throw him under the bus, either. You hold the bundle of vegetables and greens closer to your chest, almost protectively.
âShe did no such thing,â Kiyoomi interjects before your mother can continue. He stands tall, seems bigger, voice collected but strong enough to cause the both of you to jump. Itâs been ages since you and your mother have been in the presence of someone as powerful as Kiyoomi.
He visibly slackens, clears his throat. âShe didnât ask for my helpâ told me to go inside, actually. I took it upon myself to help her.â
âOh,â Your mother breathes out, tone suddenly sweet and forgiving. âI see.â
The silence that rests between the three of you could pierce your ears. You skitter into the kitchen to wash all that youâve collected and leave your mom and Kiyoomi alone. In a matter of seconds, sheâs already cooing at him and telling him that thereâs no need for him to be working, itâs fine if he wants to rest inside, thereâs plenty of time for him to spend his days off. Heâs silent in response.
After you make breakfast and your mother leaves for the market, you gather all the dishes and make a beeline for the sink, pouring hot water over the dishes to scrub them clean.
Kiyoomi follows up behind you, rolling up the sleeves of his cotton shirt, bunching it up right above his elbows. You watch as he leans forward to grab a washcloth, swallowing when you see his dog tags swing low as he dips down. They clink back onto his chest when he stands upright.
âThank you,â He says suddenly, eyes focused on the plate in his hands as he wipes it in a circular motion.
âWhat for? I should be the one thanking you, Kiyoomi. You defended me in front of my mother.â
He takes a second to formulate what he wants to say. âI must thank you for letting me work with you. I know your mother has good intentions, and I appreciate that she insists I rest.â
You tilt your head up at him, silently asking if he will continue.
Kiyoomi, unbeknownst to you, is facing an internal battle with himself. Years of being in war and surrounded by men who believe vulnerability is weakness often leaves him staying quiet in moments where he wishes to speak. He mulls over what he wants to say again, wondering if youâd laugh him off and tell him to not be silly. But he knows that you sense something is up, your eyes taking on a glimmer of understanding and kindness before you look down at your plate. âI wonât force it out of you, Kiyoomi.â
He looks at you affectionately, but you miss it as you stack the plate on the counter.
âWell, since youâre practically pleading me to share my thoughts, Iâll tell you.â
That makes you laugh. You laugh a gentle little laugh, and Kiyoomi has to turn back and face the dishes so that he doesnât lose his thoughts.
âYour mother, I⌠I know she means no harm. I know that she may believe that I need rest and time and some sort of recuperation period. I donât mean to be rude, but she⌠it feels as if she is doing worse than good, for me.â
You nearly freeze on the spot, worried about what heâll say next. Youâre scared that you and your mother have ruined his whole stay.
Kiyoomi breathes out your name, âI assure you that I am not a wounded dog that must be left alone to rest and sleep the pain away. I want to live a normal life, now. Iâve faced enough estrangement in the war. Please, allow me to work and live with you just as anyone else would.â
Itâs a simple, simple request. A simple request that would have anyone cheering and clapping and showing him to the damaged flowers in the front yard and putting him right to work. Itâs a simple request that makes your heart clench and twist in the caverns of your chest, knowing that he wants to live a life of normality and serenity. Knowing that he has opened up to you about being shunned away. It makes you feel trusted, and in a way, sought out.
Youâre silent for a beat too long and Kiyoomi looks like he wants to scrub away all the words he just said with the way he resumes at washing his plate. As you set another one to dry, you tell him calmly, to prevent the feeling of pity arising in the air, âOf course, Kiyoomi.â
The corners of his lips twitch up when you tell him the bushes out front need to be trimmed.
You tell your mother of Kiyoomiâs request that same night, and she scoffs and frowns and throws a little fit before she caves. She initially insists that you only give him light work, but eats up her words at the glower you throw her way.
He helps you trim the bushes, the weeds, helps you with the vegetables and the chickens and watches eagerly as you prepare food so that he can take on that task later on.
You stir the soup around in the pot, sprinkling in some herbs and seasonings to add some more flavor. He asks you how much you use, you tell him you just know in your heart when to stop. When the kitchen falls quiet, you pick on him and teasingly ask, And how should you cook? And he answers, suppressing a laugh and an eye roll, With love.
You peer down into the pot.
âOkay. Kiyoomi, I am trusting you to deem it ready. Have a taste. The fate of this dinner falls on you.â
He bites his cheek at your dramatics.
You bring the ladle up to his lips and Kiyoomi has to lean forward a little to meet you halfway. You press the spoon to his lips and he lets the liquid in, his eyes locked on yours as he takes a sip. You feel small in some invigorating, exciting way.
He pulls away to think about the taste. âA little more rosemary.â
You eye him carefully but take his word, dipping the ladle back into the pot and sprinkling in a few more leaves. After a few stirs, you scoop the liquid back into the spoon and hold it up to him again.
He leans forward without being told, almost eager to have you press it to his mouth. Again, he keeps his eyes trained on your face as he has a taste.
When you pull the ladle away, he remains close to you, face inches away from your own.
Your fingers twitch.
âYes,â He breathes out, your lashes flutter. âItâs ready. Made with love.â
You canât tell if your mind is playing tricks on you, but he seems to be inching closer and closer, your grip tightening on the end of the ladle as you start freezing up, debating whether or not to shut your eyes.
You watch as his pretty eyes close, and with your heart leaping and palms sweating around the ladle from nervousness and the heat that remains in the small space between you two, you let your eyes slip shut.
You know itâ you know it, itâs coming, his lips right against yours, you think you can already taste himâ
âIâve arrived early!â
The both of you jump backwards and the ladle collides with the floor.
âS-Sorry,â You whisper to Kiyoomi, picking up the ladle and tossing it in the sink before grabbing a different one off the kitchen rack. His shoulders sag and you think you hear him sigh, but he composes himself quickly as your mother makes her way into the kitchen.
She sees the two of you in front of the soup pot and beams, missing how stiff the both of you look and how youâre wiping your sweaty hands on your apron.
âTeaching Kiyoomi how to cook? Good! Good good, more men should partake in household chores. I cannot wait to taste how Kiyoomiâs soup comes out, should he cook for us soon.â
He nods curtly, watching as you dip the new ladle into the liquid. You look shaken up, movements jagged and nervous, and he fears heâs done something terribly wrong.
âDid you teach him the most fundamental lesson in cooking, dearie?â
At that, a smile slips onto your face.
âYes. Cook with love.â
When the three of you eat dinner together, Kiyoomi mulls over the fact that it was made with love. Your love. He wants to eat so much that he feels full of your affections. He wants so much of it that he cannot help but decline anyone else who offers food, because heâll be full of your love.
You two never bring up the almost-kiss. Kiyoomi is scared that heâs pushed a boundary and youâre scared that you misread the situationâ so the two of you remain silent and try to fall back into the familiar pattern of days, the rhythm you two share.
The tension is nearly unbearable when the two of you are less than two feet apart. It almost hurts. It hurts Kiyoomi to look at you so longingly and you never notice. It hurts you when you try to scoot a little closer and all he does is move away. You think it's because he's disgusted with you. He just wants you to feel comfortable.
Days pass and the both of you pack the incident up and back away into the furthest crevice in your minds. Everything seems alright againâ you both talk to the chickens, trim the flowers and cook dinner by each other's side.
Youâre preparing to cook and pull your apron off the hook rack thatâs nailed right by the kitchen entrance. Kiyoomi watches as you slip it on and watches when you huff in frustration as you try to reach behind yourself and tie it off. Your arms start getting sore from the awkward position they've been in, the apron straps unraveling again and again in protest. Youâre about to let the damn thing flail loose until you hear Kiyoomi clear his throat behind you.
âLet me help.â
Your cheeks burn.
He delicately takes the straps into his hands, making the base knot against your back and pulling it. âIs that good?â
Itâs a little loose.
âTighter, please.â
He pulls. Itâs almost like youâre drawn backward, nearly knocking into his chest. He starts tying up a little bow and you feel the brush of his fingers against the small of your back, shivers running up your spine and shoulders. You have to hold yourself back from twitching.
âThere,â He says, taking a step back and admiring his handiwork. He keeps his eyes trained on the bow, tries to hold himself back from drinking in your entire figure.
Itâs oddly domestic, intimate. It has you drifting off in thought, has you confirming all your wonders about his touch that had crowded your mind ever since that day when you saw him pull out the vegetables. He is gentle. You can only hope that the softness of his touch is a testament to his feelings (more specifically, his feelings about you).
You cough. You make it awkward. You thank him in a quiet, choked up voice before gathering all the pots needed for dinner before scrambling away to start on the food. Kiyoomi thinks he made you uneasy and this time, stands farther away from you when you show him how to prepare the food. Your heart aches at the same time as his. Both of you are back to square one.
The following days are painfully repetitive. Itâs a cycle of the two of you falling back into place, and then your hands brush his, or you catch him staring, or you lean in too close to him, and then the both of you are creating more distance and relapsing into silence and copious amounts of space.
On this particular night, the two of you are sitting far apart, him on the rocking chair with an open book, and you on the other side of the living room, pressed into the far corner of the couch, embroidery hoop in hand.
You could trick yourself into thinking that thereâs a sense of peace that blankets the two of you, a scene of quiet comfort and domesticity before thereâs a dull knock on the door.
You both freeze. Youâre the first one to get up to go check, and Kiyoomi is a little too late in his reaction as he tries to tell you that heâll get it, a weird sense of protectiveness overcoming him.
The door is already open and the air is knocked out of your lungs.
Before you stands a tall, handsome man, brown hair slightly disheveled, a smile growing as he looks down at you. He is very attractive. But not as charming as Kiyoomi, a voice in your head whispers.
âWell, well, well,â He starts, leaning onto the door frame. âDidnât know Omi was staying with a pretty little lady.â
âMiya,â You hear from behind you, nearly jumping as your skin burns hot knowing there are two striking men trapping you.
âAh! My old friend!â The man cheers, his eyes searching yours for approval to step inside. Without any hesitation, you grant him access, slowly backpedaling into Kiyoomiâs chest with a squeak before he moves out of the way, the two of you letting the man inside (much to Kiyoomiâs dismay).
âMiya,â Kiyoomi starts again, gaze hardened. âWhat are you doing here?â
âDonât be like that, my good friend,â The man, Miya, repeats. âHurts when you address me by last name.â
Kiyomi doesnât retort. He wonât play into the manâs tricks of beating around the bush.
Finally, he fesses up.
âBo and Shoyo and I are going to meet up at the pub in a bit, thought youâd like to come along.â
You see Kiyoomi make a face.
âI have suffered enough from your presence over the last few years. Please do not try to rope me back into your antics.â
âOmi!â The grown man whines, face falling before he remembers that youâre standing there. Slowly, his face shifts into a wicked smile, and Kiyoomiâs frown deepens.
âAh ah ah,â He starts, dipping down and leaning in closer as if heâs examining you. âI know why youâre so adamant about staying. Find yourself a pretty little wife?â
The both of you choke.
Youâre about to protest, but Kiyoomi is pushing Miya out the door, effectively letting you hide behind the broad expanse of his back, but you peek out from behind him to see whatâs happening.
âIf Iâ If I go with you this time, will you swear to not come back?â
âDonât be like that, Omi.â
âMiya.â
âJust say Atsumu! And fine! I wonât visit after this. Wonât steal your pretty lady away.â
âYou are unbearable.â
Your cheeks feel hot as Kiyoomi turns around to face you, face irritated.
âIâll be on my way. I should be back before it gets too dark out. Please stay safe.â
You give him a meek goodbye as you watch him pull his coat from the rack next to the door and slide it on, watch closely as he threads his arms through the sleeves, watch as the article fits snugly against his form, watch as he again proves that he is a sight for sore eyes.
After you shut and lock the door, you rush to the kitchen window to get a peek at the both of them descending the porch stairs, watch as Atsumu laughs and hangs close to Kiyoomi as the latter tries again and again to maintain the space between them and throws unimpressed looks his way.
When your mother comes home, you tell her Kiyoomi went out with his friends. She smiles and thanks the heavens, happy that heâs finally getting out there. She tells you she hopes he finds someone he may like while heâs out.
You only hum in response.
Hours pass and Kiyoomi is still out. You and your mother have already eaten dinner and sheâs already fast asleep. Youâre already in your nightgown and tired of waiting around.
You step outside and stand by the chicken coop. You watch them sleep and some of them scatter around and you talk to them as if youâre sending wishes to the universe. Tell them you hope Kiyoomi is okay. Tell them you hope he gets home safe.
As soon as youâre stepping back inside the house, there are drunken laughs and weak knocks at the front door. Not wanting to seem too excited, you take a few deep breaths to pass time before you hear that Miya boy holler out a muffled Pretty lady, come and get him! Which is nearly cut off by a familiar groan. Kiyoomi throws some swear words around.
You open the door and find that the two of them were using it as support as they nearly fall into you. Atsumu catches you before you can trip on your own feet and fall backward.
âHi,â He breathes out into your face, and you have to hold back from scrunching your nose. He smells of liquor but his steady arms keep you rooted in place, his physique nearly swallowing you whole.
âHello,â You start, hyper aware of how you look and if you have any blemishes on your face and how close the two of you are, but before you can think of anything else to find a flaw in, Atsumu is pulled back by Kiyoomi.
âStop terrorizing my host,â Kiyoomi hiccups out, trying his hardest to remain stern and imposing, but his friend only laughs brightly.
Atsumu slurs out your name, âYou must know,â He starts, leaning his arm on the door frame, trying to pose coolly. âOmi mentioned you an awful lot tonight. Think he might have taken aââ
âMiya.â
âYes, my most beloved Omi,â Atsumu professes, cheeks pink and dewy from all the alcohol. âIâll leave you two be.â
He clumsily spins on his heel, trips on his way down the steps, and crushes another flower bush.
Your eyes flash with pain and Kiyoomi shuts the door before you can see Atsumu trip into anything else. Heâs rather good at composing himself, straightening his face and posture as he looks at you.
âWould you like some dinner?â
âYes, please.â
You find out soon that Kiyoomi is mouthy when heâs drunk. After you reheat what was left over from dinner and slide the plate towards him, he asks that you sit down with him. His face flashes with disappointment when you sit across from him instead of right by his side.
In his drunken state, he spills all that heâs kept inside without you even needing to probe. Tells you he plans to get going soon, has his eye on a place, tells you he's ready to move on and start life from scratch. He tells you he's tired of you avoiding him like the plague, but there's no malice behind his voiceâ only pure disappointment, like heâs sulking. At that, you perk up and lean forward, guiltily trying to fish some more out of him.
âHate that you stay so far away,â He grumbles before stuffing his fork in his mouth. âAlways jumping and skittering around me like Iâm, Iâmâ frightening. Hate that you think Iâm scary.â
He hates that you keep your distance, hates that you've deemed him untouchable, hates that you see him as some warlord man who will crush you beneath the soles of his shoes if you utter something incorrectly.
âMiya,â He suddenly blurts, and for a second you think he thinks youâre the man that just left.
âMiya told me to confess to you.â
Your blood runs cold. Confess�
Kiyoomi is quiet after that, finishing up his food with sad eyes. He wants more and more and more, any drop of your love that he can get, he will take it.
You don't ask if he means confessing by telling you all that he hates or if he means confessing something else. Something else that has your stomach stirring, heart doing odd twists as your fist the skirt of your dress. It's hard to think about it when he's right in front of you and slurring his words and clumsily pushing his plate away. It's something you must think about later, in the solace of your own room.
When heâs done, you help him shrug off his coat, watch as the expanse of his back reveals himself to you. You guide him to his room, expecting him to close the door as soon as he steps in again, but this time, he turns to face you and leans on the frame. He swallows as he looks over you, eyes droopy and tired, and he looks so vulnerable in this light. Heâs loosened up, mouth parted only slightly as he lets his eyes wander where he usually doesn't when sober, lets his mind think what he usually holds back on any other day.
He breathes out your name. You look up at him curiously.
âI wish you could come with me.â
You stiffen. You gently place your hands on his chest and push him back into his room slowlyâ your touch makes him smile.
âGoodnight, Kiyoomi,â is all you say.
âGoodnight, angel.â
Just like the almost-kiss, neither of you bring up what Kiyoomi said that night. It's an elephant in the roomâ at least, to you. Youâre not sure if Kiyoomi even remembers what he said. (He does).
The two of you delve into another game of dancing around each other in circles, putting on a show that makes it seem like everything's alright and that your hearts donât ache. Neither of you are aware that when night falls and you're in your respective rooms, the both of you dwell and worry about what you've said and done.
As of late, Kiyoomi hasn't been around. He still helps you with his morning tasks, but after breakfast, he slips out of the house and tells you he will be searching around town for work with his friend Miya. You know that he doesn't owe you any explanations, but some part of you appreciates it.
(Kiyoomi knows this, too. He wants you to know he isn't seeking anyone else out there).
Day in and day out, he's around less and less. You start to think that Kiyoomi is now trying to get rid of his feelings ever since you didn't exactly reciprocate what he said that night, when he was drunk.
One heartbreaking evening, Kiyoomi announces that heâll be leaving soon over dinner. Your mother has a big smile on her face as she congratulates him and cups his face and cries on and on about how proud she is and that he deserves all the best. You nod along to everything that she says, but your vision blurs and all the twines of your fork blend together and itâs hard to see what youâre eating. It's even harder to hold back your sniffles as she starts asking him where heâll move and where heâll be working and if he's met anyone. She's always on his back about that last one. It makes your heart feel bitter and heavy.
The next morning, your mother insists that she go out to the market and get Kiyoomi some farewell gifts. He reassures her that she doesn't really have to, tries to convince her to stay as she's already putting on her coat, and then she's walking out the door.
Kiyoomi asks if you could help him tidy up before he leaves. Itâs more of a statement than a question, so you oblige.
You help him take off his sheets and load them into a basket to wash later. You wipe down the dresser and the desk, help sweep the floors, help him fold his clothing neatly so that his suitcase shuts securely.
When everything's done, you wipe your hands nervously on your apron and give him a curt nod, turning to leave the room.
âStay,â He suddenly blurts, fists clenching at his sides. âI have to tell you something before I go.â
And so you turn and face him, letting your hands fall to your sides. He steps closer to you.
âBefore I go,â He starts, eyes scanning your face for any emotion, but he gets nothing. You look numb.
âI donât expect anything from you in return, but I must tell you, or else I donât think I can live with myself. You,â He hesitates, feeling like he instead wants to turn away and save it for another day.
The curious glimmer in your eye pulls him back in.
âYou have captured my heart,â Kiyoomi says breathlessly, âThe entirety of my soul. I have no regrets in opening myself up to you, in letting you in, and I can say that you have made me a better man. I want to be vulnerable with you as I am now, time and time again. I want us to be one, but to be our own all at once.â
His eyes search yours frantically, âI love you.â
Your mouth drops open.
Hands shaky, you try smoothing out your dress and formulating a response, the right response, one that tells him you feel the same.
Kiyoomi begins to lean away, taking a step back, face calm. âAs Iâve said, I donât expect anything from you in return. You can leave, if you wish.â
You stay rooted still.
âKiyoomi,â You finally squeak, voice cracking like you're on the verge of tears. The tone of it makes him stand up a little straighter, like he's worried about what he's done, but then you're beckoning him forward with your hand.
He comes in closer, approaching you like youâre injured- gentle and calm like he mustn't startle you any further. You try to lean into him, try to pull him closer, hands wrapping around his shirt and bringing him towards yourself, voice shaky as you manage to get out, âAnd I you.â
Itâs all he needs. Itâs all he needs before heâs dipping down, lips slotting against your own as you sigh out wantonly. Days and weeks and months of pent up feelings and unspoken words all pour out in one kiss, a kiss that has you stumbling backward and grasping at his shirt, his hands roaming down your back and pulling you into him, closer and closer and closer, like he is going to fuse the two of you together.
(He wants to).
It isnât long until you find yourself pressed into his bed, both of your clothes thrown into some corner of the room, underwear torn off as he hovers above you, licking into your mouth and grinding against your cunt.
âKiyoomi,â You whimper once he pulls away.
âPlease.â
He dips down again to kiss and nip at your chest, the metal of his tags stinging your skin and giving you shivers. Kiyoomi hums into your shoulder, licks a stripe up your neck before lifting himself off the bed, planting his hands on your hips. He drags you closer to him, lifting you up as he drags his cock over your warmth.
âSuch a pretty little cunt,â he groans as he slips in, eyes falling shut when you immediately flutter around him. Kiyoomi almost falters, almost curls in on himself and leans atop of you again before he collects himself and starts dragging his cock in and out, hissing at the way you clamp down on him.
Itâs a build up, Kiyoomi starting gentle and slow until youâre bucking up your hips and whining at him to go faster, till the only thing you can get out is a weak string of please please please.
Kiyoomi cages you beneath him again as he starts drilling into you, broken cries slipping past your lips as your hands race up and down his back, leaving light scratches that make him moan so prettily right by your ear.
He brings his hands to your thighs, pushing them up and trapping them against your chest and your eyes roll back, body falling pliant to him. Heâs so close, all up in your face and humming about how wet you are for him, how fucking good you feel, how youâre made for me, doll, all for me.
His breath fans your face as he thrusts into you desperately, making the bed shake. The tags on his chain bump into your chin, clinking softly like little chimes and bringing you back time and time again as your mind spirals under the feeling of him pounding into you. Kiyoomi grunts and lifts himself up for the fastest second, taking the tags in hand and ripping the chain off his neck, metal grazing the wood floor as it slides away. His irritation with it makes you want to laugh, but the sound gets caught in your throat as his cock hits the sweetest spot in you, making your toes curl as you cry out his name.
He watches you as your hands sneak down, nimble fingers spreading apart your folds to try and get a good look at his length sliding in and out of you. Kiyoomi looks down, watches the spot where the two of you meet, watches as his dick comes out covered in slick before pushing himself back in.
âFuck, fuck, angel, youâre soâ so good, such a good girl for me.â
Your head bobbles up and down in a nod, weakly whimpering out his name, âI want to cum, please let meâ let me cum all over you, Kiyoomi!â
He shudders, hand coming up to grab at your jaw. âLook at me. Look at me when you cum.â
You sob out pathetically, legs shaking and twitching as you tighten around him, gushing for what seems like hours until you fall limp, tears invading your vision. Kiyoomi murmurs praises into your cheek before planting both hands on your hips again, using you to reach his high, and you let him, let yourself be his little doll.
You feel his warm seed trickle into you, stomach fluttering at the sensation before he collapses on top of you.
Kiyoomi nestles his face into your chest for a few minutes before rolling onto his side, cupping your cheek with his big hand. âAre you okay, sweetheart?â
You nodded, trying to scoot in closer to him, albeit weakly.
âI love you, Kiyoomi.â
He smiles. Heâs beautiful, you think. He opens his mouth to return the affection, your hand coming up to brush his curls away, but thereâs a telltale sound at the door that alarms the both of you.
In an instant, you two are up, laughing and tripping over your own feet, Kiyoomi hustling into his slacks as you awkwardly slide your dress back on, thumping into the footboard of the bed as your mother chirps out like a bird, âIâm home!â
âYour mother,â Kiyoomi says in a hushed tone, leaning close to you as he buttons up his shirt, âAlways has to go and interrupt us.â
You smile up at him cheekily, and he catches the mischievousness in your eyes.
âJust means that you must take me with you, I presume?â
You step out into the grass of the backyard, the sun already hanging in the sky since youâre a little bit late to your task. Nonetheless, you head straight towards the chicken coop and unfasten the doors, the chickens pouring out and clucking around obnoxiously, as they always have. The rest is muscle memoryâ throw out the old water, replace it, add in fresh food, sit with the chickens. The familiarity of it all soothes youâ not that you need soothing. You simply feel in touch with your roots again.
âGood morning, Harold.â You jeer at one particular chicken, who eyes you warily. You laugh. âNow donât be jealous, Iâll always come back to check on you.â
He gives an approving cluck.
You gather yourself and get back up, slipping off your boots on the back porch. As you approach the dutch door, you see someone already leaning onto the bottom half of it, a little bouquet in hand.
âHe told me to give this to you,â Your mother swoons, holding out the bundle of flowers to you. A laugh bubbles at your lips as you observe the flowers, holding the stems together, âArenât these from the front yard? Such a romantic,â You joke, rolling your eyes as you make your way inside. You tuck the flowers into one of your motherâs vases to keep them safe.
âIâll get started on breakfast,â You call out, despite it already being later in the day and, technically, lunch time would be rolling around.
âOh no no,â You mother gasps, a sound that you had become all too familiar with when Kiyoomi was around, when sheâd clutch her chest in shock.
âYou rest, my dear, Iâll start working on the food.â
âMother,â You press, âYou need to go rest. Thatâs the exact reason why we came over here!â
âNonsense!â She chimes, pushing you down to sit at the dining table as she pads over to the kitchen. You remain still for a few moments to appease her, but then the front door creaks open and youâre on your feet immediately.
âHi lover,â You say almost bashfully as Kiyoomi approaches you, wiping the sweat off his forehead as he sinks down to kiss your forehead, your chin, your lips.
âHi, my little doll,â he mutters against you before pulling away. âDid you like the flowers I got you?â
You laugh, observing the green and brown stains on his white undershirt, evidence of his hard work in the front yard. âI shouldnât be praising a thief, seeing as you took my motherâs flowers right from her yard.â
âOh?â He suddenly challenges, âI think this thief deserves a little praise, seeing as I successfully made your heart mine.â
You canât help but scoff, tongue poking at your cheek with how embarrassing he is, how corny heâs become now that heâs in love.
Your mother scurries back in with two plates in hand, telling you both to Sit, sit! like dogs, and Kiyoomi looks at you with a knowing smile on his face. Always interrupting things.
As the three of you start eating, your mother points her fork accusingly at you.
âAnd you, my sweet girl, better eat up. You need more nutrients for when a baby is on the way.â
You choke. Kiyoomi smiles into his cup as he takes a sip.
âWeâre not expecting,â You scold, stabbing your fork into your food.
âYou canât just say things like that, motherââ
âHow come? You never know! With the two of you in that new big home, youâll surely want to fill in some space. Youâre young! Thereâs no shame!â
âYouâre the one who may as well fill up the space, visiting nearly every day!â
âOh honey, Iâm just excited for youââ
The bickering is all in good fun, Kiyoomi knows. He takes your hand into his underneath the table, finger brushing against the golden band that encompasses your own.
Yes, he thinks to himself, heart swelling. Perhaps itâs time to start filling up the space.

















