Each year, my family uses a string of colored zip ties to hang a cardstock oval in our sukkah, messily splashed with yellow paint, meant to approximate an etrog, the citron which stars as a member of the four species taken in hand over the holiday of sukkot. I made this garish decorative piece as a preschooler, upon which it was promptly laminated and presented to my family as a means to adorn the tarp-covered poles within which we would spend a week eating and celebrating. Laminated, of course, because of the rain: about every other sukkot for as long as I can remember has been complicated by some amount of precipitation, making this yearly encounter near nature more of a dance between the drips. Other years, the holiday is unbearably hot, and we cover our sukkah with a layer of mosquito netting to ward off the late-summer pests. Of course there all also the years when it has already started to snow, and we eat our chicken soup wearing gloves and scarves. Apparently, nobody considered the extreme yearly variations in Midwest weather when this commemoration of Ancient Israelite harvest festivals was transplanted into my family’s Chicago backyard. I think that what I’m supposed to glean from all of this, probably, is that this holiday forces us to reckon with the unknowable forces of nature, to follow up the High Holidays with real proof that our life and our lives and livelihoods are not in our control. That, as pretty much every U.S. publication I’ve found that tries to explain this holiday, all the way back to this article 1894 New York Tribune, that sukkot is the “most picturesque and poetic of all the Jewish festivals,” in which us Jews commune with our God through the beauty of nature. But that can’t be the message. Nature isn’t that beautiful, not all the time, and not always on sukkot. Here’s what I like. I like hesitancy of it, the last-minute jimmying of another board into that gaping spot in the sukkah wall to keep out the elements, the constant discussions--will we go out, won’t we, what are the limits? Should we wait?--that happen in my living room pretty much every year, and that I’ve heard throughout Hillel ever since I’ve got here. That decision--yes, we’re going to do it, or no, not this time--seems, to me at least, part of what it's all about. Every year, we take fate into our own hands and choose to react. Each year, we fill those same hands with the four species and shout into the void, be it filled with rain, snow, or mosquitos, that we are here, even when it is not picturesque. We’ve made it to now, and we are here.













