Laura Olson
sheepfilms
let's talk about Bridgerton tea, my ask is open

JBB: An Artblog!
Cosmic Funnies
Aqua Utopia|海の底で記憶を紡ぐ
dirt enthusiast

oozey mess
$LAYYYTER

No title available
Peter Solarz
NASA
TVSTRANGERTHINGS

Janaina Medeiros

izzy's playlists!
occasionally subtle

pixel skylines

Kiana Khansmith

blake kathryn
PUT YOUR BEARD IN MY MOUTH
Show & Tell
seen from Belgium
seen from United States

seen from Netherlands

seen from Germany

seen from T1
seen from Switzerland
seen from United States
seen from United States

seen from Saudi Arabia

seen from Germany
seen from Canada

seen from Peru

seen from United States

seen from China
seen from Armenia

seen from Germany

seen from Saudi Arabia
seen from Malaysia
seen from Germany

seen from Türkiye
@hibiscusnotes
Laura Olson
Laura Shrimpton
Yi Tong
Rosie Danford-Phillips
Qing Zeng
Chloe Flint
Judith Waters
Gemma Keith
Ruby Wilson
Yusra Makhdoomi
Kloe Peart-Price
Clara Louise Hill use puff binder on transparent/lightweight fabrics with low opacity
I am obsessed with the body. It wasn’t given to me; it was something I came with by being athletic and having a fascination with dress/costume as a way to mutate. I think about the relationship between the femaleness of my body and society’s perception and expectation with me. I get how the body can be dressed up or masked. One can masquerade, and the body is a structure, an infrastructure—kind of like a shell that can move around and create different reactions, for whatever reason, to empower yourself, or, as I said, to disappear or transform.
Wangechi Mutu (via blackcontemporaryart)
Roberta Meldini Figura in riposo, 1972 concrete, 94x45 cm
Georgia Loveridge