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“I asked chatgpt” well I asked Fëanor, son of Finwë, High King of the Exiled Noldor and he thinks that sacrificing your critical thinking skills to the whims and machinations of techbros is THE WORK OF MORGOTH WRITTEN INTO THE ODE THAT ARDA SINGS and that to do so IS TO SHAME YOURSELF AND YOUR UNLIMITED POTENTIAL. BE FREE. BE FREE AND CREATE WORKS OF WONDER YET UNTOLD
Carol Kane in Valentino (1977)
You are Susceptible to the Following Conditions:
employment cannot rob my fertile mind of its vivid yaoi scenarios
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dont worry guys steve got him!!!
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Personnal suit. Polyurethane resin mask, acrylique paint, gold leaf, fake fur, artificial plants. Fleece glove (with artificial plants too)Curtain ropes and bronze bells.
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Gene Avery, Dore Orr, Tobi Marsh and MC Stormé DeLarverié of The Jewel Box Revue | circa 1960s
Moral panic about fiction is a misguided outlet for anger about the real world
What separates the people who spend their lives crusading against depictions of homosexuality in art and public life from those who spend theirs railing at independent creators for not perfectly protecting them from anything that might give them a negative emotion? For all that users posit that it’s an artist’s duty to provide trigger warnings as a matter of public safety and responsibility, allowing their audiences “avoid harm,” the very idea that art itself can cause harm either by victimizing someone engaging with it or by “normalizing” antisocial behavior pushes the conversation into reactionary territory. War and rape and interpersonal brutalization have been fixtures of human interaction since before history’s record began; the engines driving them are power, abuse, poverty, and other broad and tangible social forces. Depictions of morality in art offer only a pale reflection of these real-world horrors, and so function for many frustrated and powerless people as a safe arena in which to battle out ideas unrelated to art’s role in society.
Perhaps a movie reminds a viewer of abuse suffered in their childhood. Perhaps that viewer is then triggered, and must leave the theater in a state of severe agitation. Perhaps their day is ruined, their week thrown off, their compulsive behavior thrown into activation. The harm in this situation, the tangible damage to a human life, was done before the viewer ever bought a ticket. It was done between human beings, and no matter how terrible the effects of being brought back to this experience are, responsibility lies with the trauma’s original cause, not with art which coincidentally recalls it.
/standing ovation
This is why I get so angry. The things we warn for, the content that triggers huge groups of people, these are things we can push back against and fight. We can try to reduce abuse and poverty.
But for the people who get up in arms about Problematique Media, its easier to get mad at a piece of art than it is to work on the actual problems, and thus shifts the focus and blame off the problems and onto art that depicts it.
INCREDIBLE read.
This part especially, when it comes to explaining what drives online purity culture: “We know instinctively that we can’t oust a president or bring down an oil conglomerate, but we can sure as hell make a tiny video game studio pay for the fact that while playing their game — or listening to someone else talk about having played it — we felt something we didn’t want to feel. If you can’t make the world safe, at least you can punish the people who remind you it isn’t.”