Peak cinema is actually just whatever the hell Black Mirror puts into their lesbian narratives
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@himmur
Peak cinema is actually just whatever the hell Black Mirror puts into their lesbian narratives
did the math and if brandy and dorothy were stuck in the simulation for at least an hour in the real world, they would have spent around two and a half years together. (and all of that went away in a blink of an eye…)
Hotel Reverie starts as a satirical commentary on soulless remakes, and one of the "jokes" is that they recast the main white guy as a Black woman, in a period piece where a Black woman feels anachronistic. This could have become a conservative comment about "forced diversity" and the woke agenda. Or it could have been a progressive comment about Hollywood casting non-white actors in color blind roles while ignoring the racist undertones of the media they're adapting.
But the brilliance of the episode is that it ends up being neither. As soon as Clara/Dorothy becomes sentient, the central theme shifts around human connection and what links us to the poeple who preceeded us. It is heavily implied that the real Dorothy was a lesbian and deeply unhappy in a time period that did not allow her self expression. Her AI version finds this freedom in her relationship with Brandy.
In the end, the message of the episode feels more that poeple have always been poeple. Society changes, becomes more accepting of certain communities, but that doesn't mean those minorities did not exist in the past. And the movie being a success despite the anachronisms is a proof that it works both ways, and modern day people can still relate to old timey stories and project ourselves in them with our own modern mindset.
Vilma Jää - Huutaa
Tuntematon sotilas x Ylilauta
“Yksikkönne?”
“Kuopion potkukelkkapataljoona”
The Unknown Soldier (2017) | dir. Aku Louhimies
♪ zu asche, zu staub, dem licht geraubt, doch noch nicht jetzt ♫
Liv Lisa Fries as Charlotte Ritter in Babylon Berlin (2x02)
BABYLON BERLIN S01E07
beginning of july
Tove Jansson and her life partner, graphic artist Tuulikki Pietilä at the island of Klovharun, 1968
pehmeää valoa / soft light
löydät uuden uhrin, ruususuu / tämä toistuu uudelleen
Midsommar (2019) | dir. Ari Aster
Juhannusyö Aavasaksalla (1946)