the feminine urge to stay gone. be unseen, be unavailable, be unheard of. disappear.
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sheepfilms
KIROKAZE
"I'm Dorothy Gale from Kansas"

@theartofmadeline
he wasn't even looking at me and he found me
wallacepolsom

Discoholic 🪩
DEAR READER
AnasAbdin
let's talk about Bridgerton tea, my ask is open

PR's Tumblrdome

Andulka

⁂
Jules of Nature

Love Begins
Lint Roller? I Barely Know Her

No title available

Origami Around

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seen from United States

seen from Germany

seen from United States

seen from United States

seen from Germany
seen from Brazil

seen from Malaysia

seen from Iraq

seen from T1

seen from United States
seen from United States
seen from Singapore
seen from United States

seen from United States

seen from Malaysia
seen from Taiwan

seen from South Korea
seen from United States
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seen from Türkiye
@hisbrowneyes
the feminine urge to stay gone. be unseen, be unavailable, be unheard of. disappear.
A train ride in Kyoto
Naxos, Greece. 2025.
Franz Kafka and guests at the sanatorium where he stayed during December 1920 to August 1921 to treat his tuberculosis. Matlárháza/Tatranské Matliare, Matliary, High Tatra, Czechoslovakia (now Slovakia)
Concrete jungle, Al Mefer
Ya, Bae Gyeon Woo! High-five?
Vending machines
Matsuda?, Japan
ph. Danko Maksimovic - Marseille, France (2025)
Film: Kodak Ultramax 400
Swallowtail wing ~ “Life on Earth” (1979) ◆ Yellow and black fractals in living architecture
students walking in the rain at weequahic high school, bill may, 1978.
When you ask a french person something like "Hey! Long time no see! How are you?' they might answer "On fait aller" which basically means "We keep things going/moving" which is a kinda polite way to say no this is shit but let's have small talk.
But these days the kids they say "On est là" which means "We're here" like they're not even trying anymore if they woke up today they count it as victory and that's a fucking mood.
Kabardian Girl Weaving a Traditional Ardzhen (Арджен)
Ardzhen is a traditional woven mat of the Circassian people, made from flexible natural materials, primarily marsh grass. Traditionally, ardzhen mats served both practical and symbolic purposes, used as floor coverings, bedding, or decorative elements, and woven by women to demonstrate skill, patience, and readiness for marriage. In the early 21st century, the craft experienced a revival thanks to the efforts of cultural enthusiasts.