[unsubconscious]

Lara Restelli (American, b. 1971) ‘Agates in a Jar’, 2022 Oil on canvas, 76 x 101cm

[doubleedgedhead]

[fernlights]

We often forget that we are nature. Nature is not something separate from us. So when we say that we have lost our connection to nature, we’ve lost our connection to ourselves.

Andy Goldsworthy (via thenoaidi)

[my-corrupted-pixels]

Antony Gormley

[commonmusings]

Her daily routine here was marked by her reverence for simple rituals and an inner clarity that allowed her to be fully present in each moment. She would rise early and take a long walk before breakfast, accompanied by her dogs. After breakfast, she would venture back into the desert for a day of painting, often using her Model A Ford as a portable studio. Upon returning home, she would take an evening walk before dinner. The lasting impression of O'Keeffe’s legendary life and art, and the Ghost Ranch home that stood at its center, is that of a woman completely at ease with the natural world and with herself. 

[pussymargiela]

[zzzzzest]

🍑🍉

Nevine Mahmoud 

[honeyneverspoils]

From the Highly Sensitive Person

[crazy-brazilian]

[honeyneverspoils]

“What’s happened is that I’ve become systematically interested in the way of doing photographs . . . , working with photographs and trying to overcome some of the clichés that have been developed dealing with multiple images.”

Split House by Gordon Matta-Clark

[dollypopinspiration]

La Colombe d'Or à Saint-Paul-de-Vence

[honeyneverspoils]

dream hotel

[honeyneverspoils]

[europeansculpture]

Gustave Miklos (1888-1967)

[sundaynightfilms]

La piscine, 1969

[savagedefectives]

dalva, jim harrison

[cinematicjourney]

Black Narcissus (1947) | dir. Michael Powell, Emeric Pressburger

[jareckiworld]

Andy Goldsworthy — Pebbles Broken and Scraped  (pebbles, scratched white with another stone and carefully broken, 1985)