more drawings of my cats (2)

Product Placement
taylor price

Jar Jar Binks Fan Club
"I'm Dorothy Gale from Kansas"

Discoholic 🪩
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Origami Around
KIROKAZE
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pixel skylines
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official daine visual archive
Lint Roller? I Barely Know Her
hello vonnie
h
RMH
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TMBGareOK. The Official They Might Be Giants tumblr
Aqua Utopia|海の底で記憶を紡ぐ
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seen from Ecuador

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@hunneydewe
more drawings of my cats (2)
she has a BOYFRIEND, CHAT!!!!!!!
Two beautiful women named dijon mustard and honey mustard
Rabbit drive / #1 / #2 / #3
Judee Sill and her friend Tommy Peltier {x} ‘The Lost Genius of Judee Sill’ Radio Documentary
The Redemption of Judee Sill
Halsey Hazzard, fall 2018
for a writing class on pop culture criticism “So much sensationalist bullshit has been written about Judee Sill (by people who never knew her) focusing on her days as a hooker and a junkie.” So begins Pat Thomas’s interview with Tommy Peltier, a longtime friend and collaborator of Sill’s, in the liner notes to the recently and lovingly compiled “Songs of Rapture and Redemption: Rarities & Live.” He’s not wrong; in nearly all of the writing on Sill, her music, an inimitable blend of gospel, folk and country at once bluesy and baroque, plays second fiddle to the stranger- and sadder-than-fiction story of her all-too-brief life. Her eponymous 1971 debut and 1973’s Heart Food were met with praise from critics and her fellow songwriters alike; in 1973 Steve Holden called Judee a “most gifted artist, one who continues to promise almost more than I dare hope for.” Unfortunately — for Sill and for those who loved her, and for those of us who love her music — much of that promise never came to pass. She died in obscurity in 1979, leaving behind an unfinished third record and quietly ascending to the pantheon of young, brilliant musicians who died too soon.
Keep reading
Judee Sill posing for a series of portraits, circa 1957
I love how evil this is
chokenes
your girlfriend told me that she thinks my takes are way more nuanced than yours. yeah she thinks you can’t get past surface level interpretations and she’s leaving you for my analysis. sorry
Keita Maruyama Fall/Winter (1995)
he asked for no pickles
They’re great
john galliano ss99 rtw
by freddychristensen
everyone more pretentious than me is an insufferable poseur and everyone less pretentious than me is a clueless philistine
romantic and sexual partner.