三三九

It wasn't the ordinary distance. A lukewarm thing isn't being done. Be thankful for your luck which could have possession of this work. It isn't the status I can still treat to myself. Reflection. No, anyway I who implores taedium vitae would like to be the host of the swiftness which fully enjoys beauty before being twisted uglily, who makes it growing and arranges in this world. 並の道程ではなかった。生ぬるい事はしておらん。この作品を手中に出来た君達の幸運に感謝したまえ。まだまだ己を傲れる身分ではない。しかり。いや、厭世を懇願する私は、ともあれこの世に生きとし生ける醜悪に振り回される前に、美を謳歌する俊足の主でありたいのだ。 Louis Philippe

[sovietpostcards]

Picking radishes in the Kuril sovkhoz on island Iturup (USSR, 1955)

[outofeverythingthisnamewasleft]

German ornithologist Magdalena Heinroth posing with three jackdaws she hand-raised in Berlin around 1919.

[sovietpostcards]

Uglich, USSR (1957)

[mariannefaithfullism]

Marianne Faithfull on 2nd February 1978 by an unknown photographer.

[electronicsquid]

Des Moines teenager

(George Skadding. 1947)

[ripplefactor]

‘Garbo’s day off…’

[paolo-streito-1264]

Harold Chapman. The Gorbals, during the demolition of the Glasgow slums, Scotland, 1970.

[paolo-streito-1264]

Route 66 by Remi Rebillard.

[fravery]

Robert Capa Woman on the beach Biarritz, 1951

[imdefinlove]

I want more Eric and Graham in this helmet someone just pleaseeeeeee give me some more

[thekimonogallery]

From “Geisha Party” series, Kyoto, 1946 by Alfred Eisenstaedt.  Image via Pinterest

[vintage-every-day]

James Garner and his family, April 1959.

[mudwerks]

(via HIGH ELEVATION - Pulp International)

James Garner and Bruce Lee on the set of the movie Marlowe in 1969

[frommybookbook]

One of my favorite parts of The Rockford Files are the opening credits. They're such a beautiful, timely montage of glorious color film photography. I paused them the other day at just the right time and this shot really does give the whole vibe of the credits and the show and the time and it's so beautiful to me.

[weepingwidar]

Gaspard Girard d'Albissin (French, 1987) - Untitled (2021)

[de-salva]

Rushing Train (Manchuria, 1930)

Gelatin silver print

© Hakuyō Fuchikami (1889–1960, Japanese photographer) / MoMA

[documentary-surrealist]

Lake Sevan, Armenia, 1972 by Henri Cartier-Bresson