blake kathryn
official daine visual archive
tannertan36
🩵 avery cochrane 🩵
Lint Roller? I Barely Know Her
ellievsbear
Andulka
pixel skylines
$LAYYYTER
if i look back, i am lost
No title available
YOU ARE THE REASON
Origami Around
Noah Kahan
No title available
let's talk about Bridgerton tea, my ask is open
RMH
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Kaledo Art
"I'm Dorothy Gale from Kansas"
seen from Germany
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seen from Germany
seen from United States
seen from Australia
seen from Israel
seen from Israel
seen from Mexico
seen from Mexico
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
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seen from United States
@hunter-mfa
Roman Cochet
Studio Visit - January 2015
I'm fascinated by the links of light to sound. Both moving like waves and variably ungraspable to us. An unreachable aspect of reality where the human presence pushes up against boundaries, leaving us wobbly, even partially erased.
Atom and Archetype by C.G. Jung and Wolfgang Pauli
What is the Wave? Particle Duality
Tiyiselani Vomaseve - Na Xaniseka
Nokweed VS Dany Bill "Championship"
Paige Walton
Studio Visit - December 2014
"My work has always been very rooted in painting and drawing practices, but recent interests have been pulling me outside of that. Over the past few months, I've been experimenting with different collage, photo manipulation and printmaking techniques. I collect fragments from issues of Art Forum, cut them out, rearrange, scan, digitally manipulate, and transfer them to a plate with UV lithography. The work has become progressively more sculptural as I've started to print on synthetic material."
Jeff Mills - In the Bush
Lucas Samaras
Het Zweet Zweepslag 1 + 2 (1986)
Under the Sign of Saturn by Susan Sontag
Allegories of Modernism (1992) by Bernice Rose
Joe Anthony-Brown
Studio Visit - November 2014
"Mutations and morphings of people, animals, textures, and objects that would, in my past work, play out through comic-style illustration have also begun to propagate through material processes and accumulations. I see my whole art practice as a sort of organism that constantly grows, sheds, and changes. While each single piece can exist on its own, they also reach out to each other, weaving through space to create something else altogether. The materials I've been using range from delicate and ephemeral, like non-archival dyes on deli napkins or crumbling chunks of plaster, to more solid and unchanging, such as oil paintings on wood panels, and bas relief cut into the walls. It's this variety and contrast that, for me, creates an experience of encountering a complex living structure."
Allison Schulnik - "Eager"
Jorge Luis Borges
Michael DeForge
"Godel, Escher, Bach: An Eternal Golden Braid" by Douglas Hofstadter
Matthew Logsdon
Studio Visit - November 2014
"I am interested in deconstructing the American masculine archetype and exploring its relationship to nature. My personal history is the engine of my work. Recently I have been working with chiseling wood, cement, planted aquariums, cold casting, the moiré effect, power tools, drawing, silly putty, transfers, and He-Man's testicles."