flash/strobe warning
started as a joke edit after this post but it kinda works...
Show & Tell
todays bird
Jules of Nature
he wasn't even looking at me and he found me
$LAYYYTER
Sweet Seals For You, Always

titsay
YOU ARE THE REASON
Noah Kahan
trying on a metaphor
Not today Justin
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Discoholic šŖ©

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𩵠avery cochrane š©µ

⣠Chile in a Photography ā£

if i look back, i am lost
One Nice Bug Per Day

oozey mess
d e v o n

seen from Germany
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seen from Belarus
seen from United States

seen from United States
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seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from Iraq

seen from Türkiye
seen from Netherlands

seen from Argentina
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seen from United States
seen from Bangladesh
seen from Türkiye
@hurrybacktothislife
flash/strobe warning
started as a joke edit after this post but it kinda works...
flash/strobe warning
started as a joke edit after this post but it kinda works...
ālearn so much from the failures that it creates youā likely thing for him to say
Sorry to say it but i think the fixation has died
I'm a lot more like a kid, and Jay is a lot more like an adult, and I mean that in an archetypal way. And so having these two polarities separate from one another and then return to one another is a lot like what the adult journey really is. Which is, you are a kid, and then you're socialised and told 'You need to get rid of all that stuff so you can join us in the adult worldā, and you do, and then you realise, 'Wait a minute, I left some of the magic that made me who I was in this transformation in my 20s to what adulthood wanted me to be.' (x)
āhow much of your own relationship as friends and collaborators feeds into [ntbās] narrative?ā
"That is a kind of almost sexual feeling." "Whoo!"
All-timer linkup [via]
like as far as anthropological/psychological studies of filmmaker-performers go, this bit from the end of 'the making of jackass number two' has always been sooo fascinating to me. the sort of melancholy tone of it all. the way he is clearly afraid to stop because of something he can't even articulate. the sad pathetic desperation to keep shooting keep shooting keep shooting (keep hurting himself) while all of his friends quietly worry about him. i kinda assume everyone already knows about this clip but if you don't check it out u might like it
it's so funny to think about the last piece of media i fixated on this deeply before zap stuff. here's a description of it:
it spanned from the 2000s to the 2020s (they kept saying "we're not going to make any more of this" and then making more of it), their end credits were written in white helvetica bold font, used cheap/shitty looking handheld footage, often incorporated real life people/public places, starring/made by charming and innovative but deeply stupid white guys (the ringleader had multiple concussions and an almost suicidal willingness to do the craziest most dangerous shit possible for the sake of āgood footageā), the body of work was riddled with offensive shit although it got mildly woker as it went on, it was frequently homosocial/homoerotic so had a big queer fanbase, gen z tumblrinas of all genders and sexualities lusted over the men like crazy, over time the work grew to feel increasingly sentimental because the show(s) & film(s) became real-life documents of their enduring friendships and of aging, the crew stayed basically the same behind the camera for all those decades too, it was co-produced by spike jonze, and despite the work's crudeness and juvenility and its cultural position as "low art" it was genuinely a rich text worthy of deep critical analysis
and that piece of media was calledā¦ā¦ā¦. Jackass
having thoughts about ntb and misogyny that iām finding difficult to articulate into a post
i guess what it boils down to is nirvanna the band is a no girls allowed club because it aims to be an endless childhood but even in childhood girls are adultified
and like not to make it personal because that's not really relevant but i can't help but think of my friends who are Black filmmakers who i've known & worked with for like 10 years and i've seen what an uphill battle this industry can be and how they persevere in spite of all these obstacles etc .... and yes awards shows are silly/frivolous but unfortunately they DO matter in terms of the career momentum they can provide for you. being able to say "my film won X award" does help you get future opportunities. winning that award might have actually meant something to the other nominees. but no, who cares about them, Ha Ha it's so freaking funny if we give the already-quite-successful white boys an award for their lazy racist improv XD
girl fuck tony give us the jared gardening conspiracy movie
please don't be dissuaded by matt saying you need friends to make a movie, or any collaborative artform. you aren't doomed if you don't have friends right now or any creative friends or whatever. start anyway. start and don't shut up. show up. there's so many other people in your situation waiting to work on something with a vision. find other people in need and work with them, and they'll return the favor. i'm not gonna lie and say this is just so simple, especially if you're neurodivergent/disabled/isolated. but do not compare yourself to matt johnson, guy who has always had friends to work with him on projects and has no idea what the alternative is like. he isn't who you should get advice from on this. it's the neurodivergent/disabled/isolated artists who adapted and managed their way. just start
ok saying this once: i do think it's inappropriate to be mutuals with an underage person when you are posting nsfw things on your blog Actually . i kind of thought this was obvious