Jim Clark (Team Lotus), 1967 Monaco GP
Three Goblin Art
Jules of Nature
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Stranger Things
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Aqua Utopia|海の底で記憶を紡ぐ

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祝日 / Permanent Vacation

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Jim Clark (Team Lotus), 1967 Monaco GP
The House of the Future. Motorola advertisements from the early 1960s, illustrated by Charles Schridde. He did a lot.
France Gall, 1963
Le Petit Soldat (1963)
Do lok tin si / Fallen Angels (1995)
dir. Wong Kar-Wai
BREATHLESS, JEAN LUC GODARD
“I want every girl in the world to pick up a guitar and start screaming” - Courtney Love
Anna Karina in Le Petit Soldat (1963) dir. Jean-Luc Godard
I am Anna Karina, let’s face it
Les parapluies de Cherbourg (1964) dir. Jacques Demy
It is a restless moment. She has kept her head lowered to give him a chance to come closer. But he could not, for lack of courage. She turns and walks away.
In the Mood for Love (2000) dir. Wong Kar-wai
Paris may ‘68 [video]
Anita Ekberg in La dolce vita (1960, dir. Federico Fellini)
Masculin Feminin (Jean Luc-Godard, 1966)
Krzystof Kieślowski was (and remains) a titan in the arthouse world. One of his masterpieces was made for television and this year finally got a Blu-ray release, DEKALOG (’88), but it was THE DOUBLE LIFE OF VERONIQUE (’91) that launched his international career and paved the way for the THREE COLORS – a trilogy of films that accomplished the rather stunning feat of premiering at three different major festivals within months of each other. At Venice, BLUE (’93) screened in September, followed five months later by a February screening at Berlin of WHITE (’94), and then three months later in May – the one that wrapped it all up – RED (’94), had its premiere at the Cannes Film Festival. This Herculean feat was made possible in part by the director’s habit of shooting one film while simultaneously editing the preceding film.
StreamLine: A Symphony Of Inner Lives