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Les Amours imaginaires, Xavier Dolan (2010)

Amant : Tu fumes beaucoup je trouve. Comparé à la dernière fois.

Marie : Je fume autant qu'avant. J'aime ça fumer. Fumer une cigarette c'est comme… c'est un oubli. Moi quand je suis au fond, tout ce qui me reste c'est allumer une cigarette, la fumer puis fermer ma gueule. Ca cache la merde. La smoke cache la merde.

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There will be blood, Paul Thomas Anderson (2007)

Daniel: I did what your brother couldn't. I broke you and I beat you. It was Paul who told me about you. He's the prophet. He's the smart one. He knew what was there and he found me to take it out of the ground.

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Echoes, Part I and II, Live at Pompeii, Pink Floyd (1972) check at 15'15

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Gloomy (Sunday) Friday

Sunday is gloomy, My hours are slumberless Dearest the shadows I live with are numberless Little white flowers Will never awaken you Not where the black coach of Sorrow has taken you Angels have no thought Of ever returning you Would they be angry If I thought of joining you? Gloomy Sunday Gloomy is Sunday, With shadows I spend it all My heart and I Have decided to end it all Soon there'll be candles And prayers that are said I know Let them not weep Let them know that I'm glad to go Death is no dream For in death I'm caressin' you With the last breath of my soul I'll be blessin' you Gloomy Sunday Dreaming, I was only dreaming I wake and I find you asleep In the deep of my heart, dear Darling I hope That my dream never haunted you My heart is tellin' you How much I wanted you Gloomy Sunday

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Gassenhauer, Carl Orff

Main theme of Malick's film Badlands: « He wanted to die with me, and I dreamed of being lost forever in his arms »

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Only love can break your heart, Saint Etienne (1990)

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Blue Velvet, David Lynch (1986)

Jeffrey: I'm seeing something that was always hidden. I'm involved in a mystery. I'm learning. And it's all secret.

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Once Upon a Time in America, Sergio Leone (1984)

Deborah: What are you doing?

Noodles: Give me a drink.

Deborah: We're closed. Nice people don't drink on Pesach. They go to the synagogue. So, what are you doing here?

Noodles: Somebody's got to keep an eye on the place. There are a lot of thieves out there. One could get into your house. Especially if you leave the door open.

Deborah: You can pray here too. Here or in the synagogue, to God it's the same difference. Come over here and sit down.

(reading the Bible) "My beloved is white and ruddy. His skin is as the most fine gold. His cheeks are as a bed of spices."

(to Noodles) Even though he hasn't washed since last December.

(reading again) "His eyes are as the eyes of doves. His body is as bright ivory. His legs are as pillars of marble."

(to Noodles) In pants so dirty they stand by themselves.

(reading again) "He is altogether lovable."

(to Noodles) But he'll always be a two-bit punk... so he'll never be my beloved. What a shame.

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Rotativa (Roda Viva), Chico Buarque

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Benny's Video, Michael Haneke (1992)

Georg: Du hast sie vorher nicht gekannt?

Benny: Nein.

Georg: Ist sie aus eurer Schule?

Benny: Glaub nicht.

Georg: Hat euch jemand zusammen gesehen? Jemand der dich kennt, oder der sie kennt.

Benny: Ich weiß nicht. Glaub nicht. 

Georg: Lass dir bitte nicht jedes Wort aus der Nase ziehen. Hat euch jemand im Haus gesehen? Im Lift, im Foyer…

Benny: Ich glaub nicht. Es war Nachmittag.

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Les Remparts du Sud

« Où allez-vous en vacances?

- Au bord de la mer. Je veux la voir avant de mourir, affirma le Bison.

- Très bien, dit le Major. J'achète une voiture et je vous emmène à Saint-Jean-de-Luz.

- Minute ! dit le Bison. Tu as du fric?

- Parfaitement, dit le Major. Je l'aurais. Ne t'inquiète pas de ça.

- Tu as un endroit pour te loger?

- Parfaitement, dit le Major. Ma grand-mère, qui est morte, y avait un appartement et mon père l'a conservé.

Le Bison n'entendant pas d'e muet à la fin comprit qu'il s'agissait de l'appartement et non de la grand-mère. »

Les Remparts du Sud, Le loup-garou, Boris Vian, folio (1972), pp. 29-30

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La Grande Bellezza, Paolo Sorrentino (2013)

Soeur Marie : Pourquoi n'avez-vous plus écrit de livre?

Jep : Je cherchais la grande beauté. Mais… je ne l'ai pas trouvée.

Soeur Marie : Vous savez pourquoi je ne mange que des racines ?

Jep : Non, pourquoi ?

Soeur Marie : Parce que les racines sont importantes.

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Einstein on the Beach (2013)

« I was in this prematurely air-conditioned supermarket, and there were all these aisles, and there were all these bathing caps that you could buy, which had these kind of Fourth-of-July plumes on them. They were red and yellow and blue. I wasn't tempted to buy one, but I was reminded of the fact that I had been avoiding the beach. »

Philip Glass, Music & Lyrics Robert Wilson, Direction, Set & Light Design Lucinda Childs, Choreography

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Le Hérisson, Mona Achache (2009)

« Je me demande ce qui est bon dans le chocolat, la substance elle-même ou la technique de la dent qui le broie ? »

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Teardrops, Womack & Womack

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He was despised, Messiah, Haendel, 1741

« He was despised and rejected of men, a man of sorrows and acquainted with grief. He gave his back to the smiters and his cheeks to them that plucked off the hair; he hid not his face from shame and spitting. » (Isaïe 50, 6)

Christopher Hogwood, Academy of Ancient Music Carolyn Watkinson, Choir of Westminster Abbey

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Paris, Texas, Wim Wenders (1984)

Hunter: What're those pictures?

Travis: That's my Dad. And your grandfather.

Hunter: What was his name?

Travis: Travis.

Hunter: Same as yours. Where is he now?

Travis: He died... a couple of years after this picture, in that car.

Hunter: Oh, he's dead. Well can you feel that he's dead?

Travis: What do you mean?

Hunter: You know when he was walking around, and talking, right?

Travis: Yeah.

Hunter: So, can you feel that he's gone?

Travis: Yeah, sometimes. I know he's dead.

Hunter: I never felt like you were dead. I could always feel you walking around, talking, someplace.

Travis: Yeah.

Hunter: I feel Mum too.

Travis: You do?

Hunter: Don't you?

Travis: Yeah.