â°â†call me: chapter i (â you know how i feel â)
â your big mouth gets you into trouble once more, when one poorly timed comment turns you into tabloid fodder and catches the attention of the king of pop. â
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âč àŁȘ Ë ê°àŠ âĄ à»ê± âč àŁȘ Ë michael jackson x singer! reader
summary đč you can openly flirt with michael jackson in front of millions of people. actually talking to him? privately? is a completely different matter.
content đč bad! michael jackson, singer! reader, fem! reader, swearing, fluff, slow burn, hurt/comfort, angst, friends to lovers, mutual pining, oh no miscommunication, eventual smut... (maybe, no promises) (IF I GROW BALLS BY THE END OF THE LAST CHAPTER SURE) 3.6k words
author's note đč im actually really excited about starting this longer more serialized fic! the plot popped into my head during one of my exams and uhhhh needless to say i probably failed that one ngl. oh well worth it, i'm happy with the outline of the structure of this one, hopefully you guys enjoy! man i really need to get some of these on ao3
summer of 1987 â several thousand miles, and one very impulsive gesture, apart.
â€č i. the streets of new york â new york city, usa
the afternoon was flawless, serendipitously so. the heat was ideal â arid enough to avoid the uncomfortable sweatiness that came with humidity, yet gentle enough that it didn't leave your skin dry and flaking. the city hummed at exactly the right frequency to shut off your brain. your friends were being obnoxiously loud on either side of you â repeatedly bumping into your shoulders as they got progressively more impassioned with whatever they were arguing over â while the heels of your boots click clacked! Â across the broken new york pavements.
for the first time in weeks, you felt like a real person rather than just a name on a marquee.
the last few hours had been spent doing nothing of any real consequence: coffee, window shopping, treating your girls to whatever happened to catch their eye. somewhere in the middle of it all, a spirited debate had broken out over whether the diner around the corner had actually gotten worse, or if you'd all simply developed more discerning tastes as you'd gotten older. it was the kind of afternoon you would think back on when life got too loud again.
a constant smile plagued your lips as you revelled in the sun's kisses.
you were laughing at something â youâd forgotten what â when the first flashbulb sparked to life across the street like a bomb going off.
and just like that, you felt your mood sour.
right. the paparazzi.
you'd been naive to think you could make it back to the car without them. you always were. some stubborn optimistic part of you still believed, every single time, that today would be different â that you could just be a girl with a coffee cup and not a cover story waiting to happen.
they crossed toward you fast, cameras raised, questions flying before they'd even reached the curb.
"are the album rumors true?"
"are you touring next year?"
"who are you wearing?"
your friends â bless them â closed ranks instinctively around you, forming a tight barricade between your body and the ever-growing crowd. you lowered your sunglasses just enough for them to catch your eyes and the utter annoyance written across them. a small sigh slipped from your lips, followed by a muttered apology to your girls, which they waved off with a, "don't worry! i've been enjoying pissing these guys off."
you could've kissed them.
it was then that one voice managed to cut through the noise. maybe it was because they were louder than the others, or maybe it was simply the nature of the question itself, but somehow you heard it perfectly.
âhow do you feel about michael jackson?â
in that instant â you stopped walking. your friends barrelled straight into your back, nearly falling over each other into one giant meat pile. they stared at you in confusion, before bracing into a familiar realisation of dread.
the thing was, you did have thoughts about michael jackson. you had a lot of thoughts about michael jackson, actually â thoughts you'd managed to keep more or less to yourself through roughly three years of being a public figure, which had been a not-insignificant personal achievement.
youâd suddenly become aware that all three of them had turned to look at you; their expressions reflective of people who had known you long enough to understand that whatever came out of your mouth in the next five seconds was about to become their problem too.
"ah, shit," one of them said beside your ear.
"for fuck's sake," another breathed â hissing your name through their teeth â amused but nonetheless exasperated, âdon't do it. you'll regret it."
the corner of your mouth twitched upward.
you bit the edge of your manicured finger â not for show, just because it was what you did when you were trying not to smile too wide â and gazed at the nearest camera over the frame of your sunglasses.Â
"oh," you said, already stepping backwards towards the car with all the confidence of someone who definitely hadn't thought this through:
"i think you know how i feel about michael jackson."
and just like that the once-quiet street corner erupted. camera flashes blazed everywhere. simple questions turned into shouts that were hurled through the crisp summer air. behind you, your friends made a variety of noises ranging from hysterical laughter to a soft, resigned despair. you laughed too, helplessly, ducking your head as you reached the car door â and then, drunk on the spontaneity of the moment, you turned back one last time.
you found the nearest lens. pointed directly at it. then, dumb and deliberate, you lifted your hand to your cheek â pinky and thumb extended in a tiny telephone gesture â and mouthed, with perfect clarity, the two words you would soon continue to regret for the next seventy-two hours:
âcall me.â
â€č ii. the imperial hotel â tokyo, japan
michael jackson was not paying attention to his manager.
this was not, in itself, unusual. frank had been managing michael long enough to know that his attention operated according to its own internal logic, orbiting whatever had caught it most recently with a concentration most people reserved for things like surgery or defusing explosives. generally, you just had to wait it out. stay in his eyeline. keep talking. eventually, whatever had him occupied would let go, and he'd surface again â slightly apologetic, entirely present â and you could pick up where you'd left off.
though tonight, frank was beginning to suspect they were entering whole new territory.
it had started innocuously. they'd been going over the next leg of the tour â tokyo, osaka, yokohama â working through the precise logistical minutiae that kept operations of this size from collapsing into complete chaos: interview schedules, press appearances. the yokohama venue had changed its staging dimensions, which meant choreography adjustments, which meant a conversation with the team that neither of them particularly wanted to have. security wanted to reroute the airport transfer after the crowd incident in rotterdam. there were wardrobe decisions for osaka that couldn't be put off much longer.
standard. manageable. things michael was normally at least nominally engaged with.
except that somewhere in the middle of frank's briefing, michael had reached sideways and picked up that morning's newspaper from the coffee table â the hotel staff had left it by the door a few hours earlier â and had gone somewhere else.
frank had noticed but he'd assumed it was, as always, a momentary distraction. a photograph had caught his eye. he'd put it down in a minute.
but soon a minute passed; he did not put it down.
despite this, frank kept talking: tokyo. six o'clock rehearsal. two press junkets before noon. the security note about the airport.
âmhm,â michael said.
frank paused, put the planning folder down, and leaned over michael's shoulder at the newspaper â mostly to understand what he was currently losing to.
a singer.
he had heard of her. honestly, at this point, most of the industry had.
young, critically respected, she'd somehow managed to become attached to words like prodigy and generational within months of entering the public eye. she had arrived seemingly out of nowhere, released a number one single, collected enough glowing reviews to make veteran critics sound like infatuated fangirls, and then done something that was â from a publicity standpoint â completely unheard of:Â become even more elusive after the success.
rare tours. rare interviews. a mystique that you couldn't quite manufacture, that came from someone who genuinely seemed to have no interest in being known.
she was a pretty girl. michael was hardly immune to the draw of a pretty girl. he just usually remembered when there was a conversation happening around them.
frank reached over and tilted the magazine to read the headline properly.
"CALL ME" â POP'S NEWEST SENSATION SENDS MESSAGE TO MICHAEL JACKSON
that made frank straighten up.
michael, having noticed the shift in the room's energy, looked up from the newspaper for the first time in several minutes. he wore the joyous astonishment of a child who had just discovered a secret.
"look â " he started.
"i can see it," frank said.
michael went back to reading.
the article had photographs, as most of them do. frank could only imagine the sheer frenzy on that street when they were taken. the sequence was stretched across a full spread: her laughing with her hand raised; that finger-to-mouth expression the caption described as coy, which â frank decided â was underselling it; the backwards walk toward the car; and then the final shot.
her, pointed directly at the lens. that unmistakable little telephone gesture. wearing the grin of someone who had just pleased herself tremendously.
he watched michael linger on that last photograph for a long moment. he'd known, in a vague way, that michael had been following her career. it was hard to miss: the magazine clippings that appeared backstage, the way he'd pause in hallways when her songs came on the radio, the absurdly too casual mention of her name once or twice in conversation. frank had filed it away under professional admiration. michael admired a great many artists, and it rarely amounted to anything.Â
in hindsight, the signs had been embarrassingly obvious.
"the catering people still need your menu choices." frank tried again.
"uhuh."
"thereâs a signing event for thursday."
"mhm."
"i promised the press you'd wrestle a bear."
"yep, sounds good."
frank closed his eyes, a dim frustration slowly creeping into his soul. he moved to cover his face with both hands, pressing the heels of his palms against his forehead â physically trying to stop the headache before it arrived.
michael turned a page. then he started reading the thing aloud. frank couldn't help but laugh at that. "'sources close to the singer claim she has quietly admired jackson since his jackson 5 days. '"
he turned towards him immediately, smile bright. "she likes me."
"yes, michael," frank said, the last of his resistance gradually ebbing away. "it would appear so."Â
michael went back to reading. "'the songwriter has reportedly attended multiple jackson fan events over the years under aliases â '"
he jolted up in his seat.
"she went to fan club meetings..."
"michael â "
"she went to fan club meetings." he repeated, sounding genuinely and helplessly delighted by the discovery. as if it was the best thing anyone had told him in some time.
frank pursed his lips together, an attempt to hold onto the last threads of his dwindling sanity. then, because this was his job and he was a professional, he picked up his previously abandoned folder in a final act of war.
"you have choreography revisions tomorrow. the staging for â "
"'friends describe the singer as having an encyclopaedic knowledge of jackson's back catalogue, extending well beyond his commercial singles â '"
michael pointed at the page.
"she. knows. the. b-sides." every word was punctuated with an almost comical emphasis.
conversation left the room soon after, frank finally relinquished the ever-losing battle for michael's attention and let him continue reading the newspaper. it left for barely a minute, though it felt much longer, the only sounds filling the expansive suite were the steady ticking of the overly grandiose grandfather clock in the corner and frank rapping his fingers against the leather sofa. waiting for the moment michael returned to the world around him for air.
then, very softly: "she thinks i'm attractive."
the folder was set aside, never to be picked up again that evening. frank looked at michael â who was still looking at the photograph of the girl â and found something in his face that he hadn't seen there in a long while, boyishly hopeful.
he sighed. it came from somewhere deep, that sigh. tired and fond and already resigned to the amount of work this was about to create for him.
michael finally set the paper down. and turned to face him properly.
and then he did that thing. frank privately thought of it as the please routine â somehow both the most earnest and the most unfair weapon in michael jackson's repertoire.
"no," he said, out of principle.
michael blinked. "you didnât even know what i was going to ask."
"you want her number."
his eyes drifted back to the photograph for just a second before returning to frank, carrying such transparent, optimistic guilt that frank genuinely wondered â not for the first time â how a man this famous had managed to stay this uncynical.
"âŠmaybe."
frank couldn't even remember making the decision. one moment he was sitting there, determined to be sensible, and the next he was crossing the suite toward the desk, reaching for the telephone, and trying to track down the manager of a young singer who had made one very impulsive gesture on a new york street corner and was very certainly not expecting anyone to actually take her up on it.
â€č iii. columbia records â new york city, usa
here was the thing about that paparazzi moment, in your defense: it had felt very different in the moment.
in the car, immediately afterwards, it had felt funny. a bit reckless, maybe, the way some things sometimes are when the afternoon was warm and your friends were there and the question caught you off guard and your mouth had simply â moved. faster than your brain. not the first time thatâs happened, though usually the consequences were considerably more manageable than this.
you could still remember your friends playfully shoving your shoulders, telling you what a complete idiot you are. and, like the complete idiot you are, you'd simply giggled before taking another idle sip of your scalding hot caramel latte.
by that evening, when the first photograph had started circulating, it had felt approximately thirty percent less funny.
by the morning, when you'd seen the headline, it had dropped to around seventy percent less funny, helped along by the barrage of phone calls consisting mostly of "i told you so"s.
but then three days had passed, and the news cycle had moved on to something else, and you'd started breathing normally again. it had been a moment. a funny moment. it would become a story you told at dinner parties. remember that time i told michael jackson to call me in the papers? and that would be that.
you had, in this way, convinced yourself.
the columbia records conference room was the type of place that made you feel both pretentiously important and sleepy. floor-to-ceiling windows. expensive abstract paintings that you could guarantee nobody had ever actually looked at. a long table covered in the comfortable detritus of a working meeting: your demo tapes, legal pads, someone's abandoned coffee from an hour ago that nobody had bothered to remove, a fruit plate that had been picked over to the point of mostly just grapes.
the label's a&r team was in the middle of a fairly fervent conversation about the rollout strategy for your next album, which you were half-following while also doodling something shapeless in the margins of your notebook. it was either a landscape or a large dog. you hadn't decided.
sandra was on the other side of the table, flipping through papers with her phone tucked between her shoulder and her ear. she'd stepped into the call a minute ago without breaking stride, continuing to sort contracts and scribble notes as though multitasking at this level was simply her natural state.
you were starting to tune her out, tooâŠ
until a moment later, when sandra said, "...i'm sorry??" in a timbre that made you look up.
the room kept talking around you. you watched her face do something strange â the paperwork abruptly forgotten, her pen set down, her focus now fully redirected to the phone.
you mouthed noiselessly at her: what?
a shushing gesture was instantly sent your way. another pause.
she glanced across the table at you, and you knew, from twenty-two years of being alive and three years of working very closely with sandra, that whatever she was about to say had absolutely nothing to do with the album.
she pressed the receiver against her blazer, muffling the conversation. "the consequences of your own actions," she said discreetly, "are currently on the phone."Â
your eyebrows drew together. "what does that even mean?"
around the table, the conversation had begun to trail off. people were listening now without looking like they were listening, a skill everyone in this industry had finely honed.
"this is the manager," sandra said. she stopped. you shrugged at her, still puzzled.
"...of michael jackson."
you felt the world freeze at that. the pigeons outside the window hung in the air. somebody halfway through reaching for a grape seemed to stay there indefinitely. even the old man currently suspended washing the windows seemed to pause halfway down the glass.
"he would like," sandra continued, watching the realisation crash through you in real time, "your phone number."
silence.
a total, comprehensive silence.
not from the room â the room still very much existed. people were still breathing. somebody's chair made a small noise as they shifted their weight. somewhere, a page turned. but from you, specifically.
 a silence that spread from the centre of your chest outward until it reached the tips of your fingers and your mouth, which had fallen open just enough to let flies in.
"what," you said. not actually a question. more like a stall for time.
several executives at the table were no longer pretending. one of them â david, from marketing, a man you'd always liked for his complete lack of subtlety â had set his pen down, eyebrows somewhere near his hairline (which was receding), watching you with an undisguised interest.
sandra released the phone from the confines of her blazer. on the other end of the line â and you were now acutely, horribly aware of the other end of the line â you could just about make out the voice of a man who sounded, even from where you were, profoundly unenthusiastic about the task he'd been assigned.
you almost felt sorry for him. almost.
you were slightly busy having your own internal, private crisis.
what you hadn't accounted for â what the warmth of the afternoon and your friends' laughter and the sheer improbable silliness of the moment had completely obscured â was that you were not actually like this.
the person on that street corner who bit her finger and said smooth things at cameras and made ditzy little telephone gestures at international superstars was a version of you that only really existed outdoors, in sunlight, when the adrenaline was high and the stakes seemed abstract.
the version of you sitting in this conference room right now was the one who got shy at parties. who rehearsed phone calls before making them. who had, on more than one occasion, refused to introduce herself to someone she admired because the embarrassment of a bad interaction seemed considerably more permanent than regret.
and that version of you had just been volunteered, by the other version of you, for a phone call with michael jackson.
"oh my god," you whinged in total incredulity.
"what do i tell them?" sandra hissed, shielding the receiver.
"why would he actually â " you started.
"you told him to."
"that was â " you stopped, both palms flying up, facing outward beside your head in immediate self-defence. "that was a joke."
"clearly,â she raised a brow at you, âhe did not interpret it as one."
you dropped your head into your hands. the conference table was very solid and real under your elbows.
"what do i say?" sandra said again, urgent now, because the man on the other side was still waiting and his patience had clearly been thin to begin with.
a long moment.
you uncovered your face, only to find yourself clutching your cheeks, which were smoldering beneath your skin.
for a brief, deeply humiliating moment, you thought about being fifteen years old and spending all your allowance on bootleg concert tapes. about making your friends sit through lengthy arguments over why off the wall was the better album, regardless of thriller's overall commercial success. about hearing one of his songs on the radio and driving an extra three blocks just to hear the ending.Â
you thought about that girl on the street corner â the one who had somehow managed to outrun your common sense.
you took a slow breath, smoothed your expression into something resembling composure, fixed your posture, and said, with as much dignity as you could salvage from the wreckage,
"...yeah. give him the number."
sandra stared at you for exactly one second, still somewhat unimpressed with your behaviour. then she turned back to the phone.
the room gradually resumed its normal rhythm, the a&r team once again descending into their argument, though a few suspiciously ill-timed coughs were now sprinkled throughout the discussion. in the corner of the office, the old man outside the window had resumed wiping the glass, blissfully unaware of the happenings going on inside.
you gathered your useless paper doodles into a neat pile, making a vague attempt at resembling someone who was doing something important and had her life under control.
it was, by any measure, an unconvincing performance. you pressed your fingers to your mouth.
"âŠoh my god."
across the room, sandra was already reading the number out, her voice perfectly steady, giving nothing away. she was a consummate professional and you were extraordinarily lucky to have her.
the man on the other end said something clipped and final.
the call ended.
sandra set the phone down and met your eyes across the table. "the album rollout," she said, picking her pen back up, "is still our most pressing concern."
"right," you said. "absolutely."
the meeting resumed.
you did not hear a single word of it.
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