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@idiot-with-a-computer-blog
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@idiot-with-a-computer
Hey! I’m Sunday and this is a rollcall post for what could be a Sakana Fanzine.
This is a fan run non-profit project revolving round Sakana. But! I need to know that the community is interested! So let me know by ask, reblogging, liking, and or replying to this post! The goal is 200 notes 💖
I need the support of the community seeing as this will be funded via Gofundme
More info under the cut:
Keep reading
pathetic
Spongebob holding a fetus
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sausage party discourse
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sausage party shipping wars
sausage party foodsonas
sausage party three man vehicular homicide
YO LISTEN UP HERE’S A STORY–
This right here. This is beautiful. These two beautiful characters, Frank the hot dog and Twink the twinkie, both from different worlds, different origins, and different experiences, look past their differences and connect in a way that no two food items have done before. Their love surpasses time and space itself. Twink’s passion as he closes his eyes and leans in for the kiss, releasing all his insecurities about his existence and just living in the moment, living for his one and only love, Frank. Frank’s gentle surprise as he doesn’t anticipate being embraced with Twink’s love - perhaps he has forgotten how to love after years of supressed emotions when living a life of solitude on the shelf, never knowing a wold outside his own - but Twink reminds him how, and everything is right again.
These two characters are so complex, yet beautiful. They deserve the world. They deserve each other.
When I saw this on screen for the first time, I wept. In fact, missed the rest of the movie because I couldn’t see through my tears. But to be quite honest with you, this is all i needed to see to think this movie deserves a solid 10/10. Absolutely beautiful.
If you don’t ship TwinkFrank then get out of my face
dicks out for pink diamond
Get you a Pearl who can do both
Reblog this to have Pearl pointing at your avatar! (unless you’re on mobile, then you can just reblog this ‘cause Pearl is adorable)
Waitress Pearl
Reblog if you agree.
Building a Scene: It’s over isn’t it?
For Pearl’s song “It’s Over isn’t it?” the scene is about Pearl accepting a loss. As the series has progressed, she’s learned that she isn’t always right, and that there are things about herself that she’s has to reevaluate. This all comes to a sort of climax in this scene where she accepts and admits out loud that her relationship with Rose was never as deep and complete as she wanted it to be or told herself it was. This is where she’s left at the end of the scene, feeling lost and out of place.
In the outline written by Ben Levine and Matt Burnett, this is how the scene looked:
You’ll notice a lot of things ended up changing compared to the final version. Most of that was due to time constraints. When we started storyboarding the episode, all of the rough demos of the songs were recorded so that we had an idea of the amount of time we had between each song (which ended up not being very much). The result was that we had to basically be transitioning constantly between songs, but doing it in a way that felt natural and as gentle as possible.
In addition, Rebecca remembered a part from the 1982 movie “Victor Victoria” starring Julie Andrews that she wanted to use as reference for the feeling of the scene:
Right away we latched onto this spinning 360 degree camera move. I loved the energy and focus it gave to the character and I immediately roughed out a version with Pearl.
If you’re ever stuck during a scene this is what you do: Don’t start from the beginning, find the moment you see clearest in your mind and build out from there. From these rough thumbnails I built the rest of the scene outward. I brought back motifs like her sword skills and her dance style to help evoke the past events of the series, and I tried to give as much time as I could to each shot and make her acting as expressive a possible.
Below are my rough boards set to Rebecca’s demo. At the end, i added a pause for when she throws the Rose into the air. It felt like a good spot for things to crescendo ring out. Deedee Magno Hall’s rendering of this blew us all away when we heard it.
From there clean up was pretty much straight forward. The scene didn’t change much except for tweaking her acting here and there. I’m super proud of how this scene turned out, hats off to Nick DeMayo our animation director and to the team at Sunimin in Korea where they draw the entire episode on paper:
So overwhelmed with Joe’s beautiful work for this episode and this number, thank you so so much Joe!!!
And so much love to Director Bae and Director Park and my Sun Min animation team for their amazing animation for this episode and sequence! 💕💖
Do you have any advice for someone aspiring to start their own webcomic?
1. Know how it ends before you begin
2. Make an update schedule that you can reliably stick to, even if it’s one page every two weeks.
3. Anticipate and accept that your story and art style will change drastically over the lifetime of the comic and that’s not a bad thing.
4. Don’t wait to start it until you think your art and the story are perfect, you’ll figure a lot out as you go and people won’t become seriously invested in your comic until you’re at least 50-100 pages in, so you have to get those out of the way in order to really get to the meat of your story and the character/plot development that will keep people interested and coming back to read it. (this is of course assuming you’re interested in a long-format webcomic, which is the type I’m doing and the only kind I can really speak to.)
5. Start posting to a communal art site like Tumblr or Smackjeeves, which have a built-in audience of webcomic readers.
6. If this is your first webcomic, approach the task like it’s practice for your next project, rather than the best and only thing you will ever create. This takes a lot of pressure off of you and allows you to try new things and become a better artist as you go.
7. Your next project will be better than this one, but you can’t get to it until this one is finished.