I tried to recall small, niche details people might not have mentioned already, but you’ve probably heard all of this before. Feel free to ask any other questions about the show, though!
-the intro is just so stunning, and so Burton. It really could’ve been a scene from Corpse Bride.
-a striped arm comes out of the pit to give Beej his microphone (the ukuleles are just tossed up, but y’all know that by now I’m sure).
-Barbara says that the fire’s cold, then touches it and gets set on fire, like in the film.
-Beej sits on Adam’s lap in a raunchy, sexual manner, but as soon as he turns around to talk to Barbara he just full on plonks himself down on Adam like a five-year-old who wants a hug.
-The Whole Being Dead Thing (rep.) has a full on cheer squad and partial marching band to assist in terrorising the Maitlands.
-when Beej does “ghost-zombie-Jesus” he’s back-lit by a ‘stained glass’ window.
-every time there’s a short instrumental in a song Beej does a little dance.
-Charles and Delia are just,,, so freaking horny. Was not expecting that.
-Lydia only takes a picture of the Maitlands’ kitchen, the Maitlands, and Delia.
-the “jokes don’t land” line comes just after her failed knock-knock joke with Delia.
-Beej throws his voice while drinking water, then he breaks glass on his head.
-Beej leaving the Maitlands is so much more emotional now. He tearfully tells them “there’s no one like me. That’s the problem,” cries as he walks out, and full on sings “new phone, who dis.” Even the “fuck you guys” is raw and tearful.
-Charles doesn’t do the bit with the “diamond rings as investments” anymore, he just straight-up proposes to Delia.
-you can actually smell the strawberry from Delia’s e-cig.
-Beej’s extra leg is animatronic; the foot taps along in time with his real one.
-Lydia genuinely tries to jump off the roof; Beej actually grabs her and pulls her back.
-Charles’ dinner suit is glittery and gold (to match Delia’s dress. But it doesn’t match Lydia’s, which is a good costume choice).
-Maxie’s legal team all look like Bugsy Malone.
-Beej really does just haul himself out of the table like a little rat-baby.
-the giant Beej head is in the orchestra, but the hands are controlled by people in the coolest striped morph suits.
-Girl Scout’s backpack is overflowing with Thin Mints.
-Beej and Lydia do a cute lil head-bop, leg-kick dance on the sofa.
-when Beej summons all the Beetlejuices he and Lydia take turns doing goofy dance moves and making them copy.
-after Beej catches Lydia off the table just kind of carries her around his waist for a bit, like a belt.
-for “what a rip off” a Beej has his arms tucked into his suit and gets the prosthetic torn off.
-for “snakes” a Beej faces back to the audience, like in the film, and has a sort of headband wreathing his face with snakes that pop out.
-when Adam gets excited about the font in ‘The Handbook for the Recently Deceased’ both Barbara and Lydia hug him.
-Barbara punches a hole in a painting and Adam snaps a metal detector in half.
-when Charles and Delia re-enter the house they scare the beetles on he ceiling and they all scuttle away.
-Otho very blatantly hints at the fact that he wants to suck off a ghost.
-the first four squares of the Netherworld are lights; the rest are projections.
-to make more football players they have a single guy with two puppets attached by poles on each side.
-Otho... does not come back.
-Barbara gets grossed out before she can kiss Beej.
-Delia’s smile when Beej says she’s the orgying kind is... ludicrous.
-the skeletons help with all of the wedding prep, but Beej’s quick change just happens in the middle of the stage. He has his wig taken off with a barber’s apron.
-when Adam says “it’s show time” he slaps Beej on the ass.
-when cowboy Beej saunters over to Delia she looks like she’d bone him right there.
-when Lydia hugs Beej he looks shocked and overjoyed and tearful, but he barely hugs her back, as if he doesn’t know how to do it.
-the other Beetlejuices carry Beej off like Jesus on the cross.
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