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Kaledo Art
almost home
Three Goblin Art
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Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON

shark vs the universe

#extradirty

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Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi

Love Begins
Misplaced Lens Cap

❣ Chile in a Photography ❣
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wallacepolsom

oozey mess

seen from Saudi Arabia
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from Italy
seen from Venezuela
seen from United States

seen from Peru
seen from United States
seen from United States
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@human-portalz
Most annoying online emotion is "I have a funny personal anacdote to add to this but it doxxes like all of my personal information"
we could sit together and do nothing all day—i'd still be the happiest
Hiii hihi hi. was too busy for a while to post any art but check this out. artfight attack on @milkandbunnie :3
Pyp is such a cute character and you want to draw Pyp soooo badddd 🌀🌀🌀
i’ve been laughing for a solid 15 minutes over this dude who got banned from r/food for his potato recipe
I was the event photographer for this thing that was going on,,
Here's my favorite photo of the night
@justcakethanks I'm sorry for what I have done here
*wheezing sounds*
eva stratt my (scape)GOAT
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
that one eva stratt scene
Some sounds you probably haven’t heard in awhile!
I miss technology being clickity clackity! It was very stimming and enriching
Also much more reliable than touchscreen/membrane buttons, which is, incidentally, why the space industry still mostly insists on analog controls.
(Except a Certain Company whose CEO seems to think safety considerations serve only to hinder innovation…)
OMG the little boingg of the ViewMaster made me smile.
A dog at daycare looks exactly like another guy… dunno who tho.
instagram | bsky | tapas | ko-fi donation
Pixie Hollow!Scar from @appystruda's Pixie Hollow Life Series AU as an Artfight attack <3 love this au!
Some utility pole hashira with my Ash @giveherswords ❤️
How it feels to get daily comments about how good I write the aroace experience.
phm screenshot repaints ⋆⭒˚.⋆🪐 ⋆⭒˚.⋆
Windows 💫
I’m tryna get used to drawing scenes so this is part of that