Recently I found myself in one of those rare situations when I have the sofa all to myself and my brain is quiet enough to entertain the possibility of something longer than a Tweet.
It usually plays out the same way:
1. I decide to watch a show.
2. I feel excited about this prospect.
3. I turn on the TV and see how many choices I have and become immediately overwhelmed.
4. I scroll and scroll until my attention span reverts to its pea-sized default mode.
5. I shut the TV, open my laptop, and start shopping for reading glasses or something.
This time, though, right before my eyes glazed over, I remembered my friend Dori telling me about an Israeli show called On the Spectrum that had just started streaming on HBO Max.
I'd pretended to be enthusiastic when she mentioned it, but I hadn't really planned on watching it. I'm generally allergic to autism content, and just the title of this one alone was enough to give me hives. Then there was the premise: Three autistic adults sharing an apartment. It sounded very Friends-meets-Atypical to me, so yeah, thanks but no thanks. Also, like most programming in this category, it features people on the high-functioning end of said spectrum. There’s nothing wrong with that, per se, but in my opinion it just makes the rest of this population seem even more invisible than they already are.
Still, I wasn't ready to give up on immersing myself in something for an hour or two. Besides, I trust Dori’s taste, I’m weirdly partial to Israeli TV (One word: Shtisel), and with just ten episodes coming in at around thirty minutes each, it was not a big commitment. So I went for it, clicking my way through the Apple TV screen with confidence and purpose, like I'd actually just accomplished something.
I’m happy to report On the Spectrum did not send me into mental anaphylaxis. In fact, quite the opposite. I loved every second of this freaking series, which expertly blends all of the regular 20-something roommate stuff (friendships, fights, and not one but two highly-trafficked coffee shops) with Zohar, Ron, and Amit’s specific challenges.
Either unwilling or unable to mold themselves to fit into a world they don't always understand and vice versa, they bungle job interviews, get arrested, and have awkward and potentially dangerous sexual encounters. It also deals with questions I’m sort of obsessed with now that Benjamin is about to turn eighteen, like what is the right amount of autonomy to give a person who will always need support, and how can you maximize a person’s agency (and therefore their dignity), while also doing your best to ensure they don’t capsize? It's heavy and funny, and like all great TV, never predictable or overly sentimental.
There was one thing I found jarring, though, at least at first, and that is the total absence of parents. “Where are they?” I practically screamed during some of the moments when our friends needed them most. We do know where they are (Ron’s parents are in San Francisco, Zohar's died when she was a teenager, and Amit's dad is local and available for the occasional lunch), but we never see them. We don’t even hear their voices on the other end of the phone line.
At first I kept waiting to meet them, whether at lunch or on the phone or in a flashback, but soon I was able to accept their relegation to the wah-wah Charlie Brown grown-up zone. The characters have advocates (Yaeli, their counselor and Zohar's brother Asher) who are always stepping in to help, which helped me relax a bit. Then, about mid-way through, I understood that keeping parents off-screen was a decision, and a pretty brilliant one at that.
We tend to put ourselves at the center of our kids’ stories. Sometimes it’s because it's truly what they need, and other times it's what we think they need. It's also true that sometimes we do it because it's what we need.
It was refreshing—a relief, even—to spend a few hours by myself on the sofa, feeling sidelined, erased.











