10 Best Albums I Listened To In 2014 That Didn’t Come Out In 2014
This week I’ve been reading lots of year-end lists anointing the top albums of 2013. But everybody knows that music isn’t something you can properly digest in 12-month cycles. Sometimes you listen to an album the day it comes out. Other times, you listen to it a decade after it comes out. And even then, it might take you another decade to truly understand it. So, here are the 10 best albums I discovered or rediscovered this year that didn’t come out in 2014. (see also my list from 2013.)
I left San Diego this year for L.A., and for about a week before my big move I spent long hours driving aimlessly around the city where I grew up, reminiscing and thinking. The whole time I was listening to this album. I've always loved David Bazan. He isn't the most imaginative songwriter when it comes to melody or arrangements, but his lyrics are vivid, surprising and often brutally honest, and songs like "Rapture" really spoke to me, especially when I was younger. During my new transitional phase, I was drawn to this almost instinctively, and I think it's the intensity that brought me back.
The Blood Brothers, Burn, Piano Island, Burn!
For a hot minute this year I seriously considered writing a book about the history of the much-maligned hardcore punk/emo subgenre called screamo. I even came up with a title: What Went Wrong: How "Screamo" Developed from an Underground Movement into a Commercial Monstrosity. The book would trace screamo's roots across the United States and examine how it turned from a rich and artistic outgrowth of hardcore into a horrible major-label cash cow, eventually becoming the kind of thing that seeps into the stuff of toxic rock-star d-bags like Ronnie Radke. The book would also examine the etymology of the word "screamo" and offer a revisionist, positive reinterpretation of this rather goofy term. So, uh, why was I getting all inspired to write this book? Because the fucking Blood Brothers got back together! Nostalgia, man. It's a hell of a drug.
I moved to Los Angeles in July, and for a while it was a lonely time. I wasn't getting any work, I was broke, I knew hardly anybody. I was eating random concoctions like spaghetti and eggs with sriracha sauce every day. (Seriously, WTF was I thinking?) I almost gave up on writing, several times. I was seriously this close to throwing in the towel. When Richard D. James announced he was releasing a new album this year, I don't know, it just hit a nerve. I was just like, "Fuck this," and I spent days and days just lying in bed, going through his insanely deep catalog. I didn't care about writing or having a career or pitching stories or making money. Maybe I wanted answers, unconsciously hoping Aphex Twin might somehow rewire my brain, put me on new bearings, give me a fresh perspective on things. It was around this time that I realized that Aphex Twin's 2001 album -- roundly panned by the critics-that-be when it first came out -- was actually one of the most important and meaningful albums I've ever listened to. So, yeah. The power of music is real, people.
Choubi Choubi! Folk & Pop Sounds from Iraq
Speaking of important and meaningful albums... Seriously, just read this essay I wrote for Passion of the Weiss about Choubi Choubi! and you'll get the idea. Also, take note -- the zanbour drum is the best drum.
Many moons ago I threw down a lot of money to buy John Zorn's famous game-piece opus Cobra on Amazon. I was in college and my dorm-mates were all jazz heads, and so they were mightily intrigued that I'd spent such a pretty penny on an album by one of the NYC downtown scene's most unpredictable musical madmen. Well, I popped the CD in my computer and we all listened eagerly, and then out spewed a bunch of random, weird-ass atonal noise. My roommates just shook their heads and went back into their rooms to smoke weed and listen to Brian Blade or whatever. "You wasted your money, dude," I remember one of them telling me. I shelved the album and never listened to it ever again. But in recent months I've been thinking... maybe we're all crazy and John Zorn is actually the only sane composer in this world. So when I was back in NYC in September I ventured down to the Chinatown basement quarters of the proudly avant-garde record store Downtown Music Gallery and picked up Archery, an earlier example of Zorn's game pieces, in which he was known to rely on shuffled cards and hand gestures to dictate the direction of an improvisational ensemble piece. I still haven't completely wrapped my head around this massive, three-disc collection, and I probably never will. But this time around I'm willing to surrender to the thickets of weirdness, the freaky sound effects and odd twists, the rushes of atonal dissonance, and just see where it takes me.
Dan Curtin, The Silicon Dawn
God bless Gelato Vero Caffe for letting me listen to whatever music I wanted. This is definitely one of the loveliest finds I played over the sound system while pulling espresso shots and scooping up cups of gelato at this rad coffeehouse. Dan Curtin's techno is definitely robotic and the beats can be off-kilter like some of the best techno beats can be, but the whole album is also warm and sensuous. I know some people can't get into the deep '90s electronic dance music stuff, because it's dated or self-serious or cheesy or all of the above. But this album suited my moods just fine.
This and Doggystyle were on heavy rotation in the days I was spending up in L.A. looking for apartments. They were on heavy rotation in many other instances as well. Honestly I don't think anyone in Southern California is a true Southern Californian unless they've got a beaten-up much-listened-to CD copy of The Chronic sitting around somewhere. I'd say something about my nuts being on someone's tonsils but this is a family blog.
Three 6 Mafia, Most Known UnknownÂ
I'll never forget the day I was scooping up cups of sweet gelato to a young woman and her younger companion -- a child who couldn't have been more than 12 -- as this album was playing over the sound system. I thought I'd be able to wing it and get them in and out without having to switch the music off or turn down the volume, because what's the fun in that? But then "Don't Violate" came on. I was in the middle of topping off a cup of gianduia and pistachio, and suddenly the words "Put your foot up they ass!" rang out in a chant across the cozy shoppe. For the next minute or so I awkwardly completed my transaction while the two customers pretended to not hear the music overhead. They left without leaving a tip, obviously.
I was probably 10 years old the last time I really actually listened to this album, but I broke it out recently and, holy shit, it stands up! I know the Offspring aren't what they used to be, and that music video they released for "Cruising California (Bumpin' In My Trunk)" a couple years back was certainly the most horrible and embarrassing thing I'd seen all year. But seriously, grab a glass of wine, an easy chair, kick off your shoes, lean back and give Smash a listen. It's the perfect expression of SoCal youth rage.
From a Facebook message a friend of mine sent me on April 4, 2014, at 10:25 pm:
Hey Peter! Here's a rambling story about how I came to finding a link to one of your articles today. When I first moved to SD in '03, I ended up in the possession of an unlabeled cd for for a short time that my roomie and I just called "the tank cd". It was a series of short songs with a robot voice claiming to be the tank that got driven around in Clairmont back in the 90s. In it's robotic voice, for many, many ridiculous short songs, allegedly left on an answering machine, the Tank threatened a person named Jason. Is this ringing a bell? Anyway, the cd was only around for a few months. Subsequently, I've gone on a number of fruitless internet searches to see if anyone had a copy or knew more about its origins. Today was the day I found a link to a download of the entire thing on a message board last updated some years ago...
According to blog lore, this "Tank CD" was the handiwork of a musician central to San Diego's short-lived Mutant Punk movement. So I went ahead and downloaded this mysterious "Tank" CD, and indeed it's every bit as weird, fucked up and hilariously amazing as my friend describes -- all cheapo FruityLoops beats and psychotic robot-voice murmurings ("We're in the tank / outside your house"; "Get in the fucking tank!"; "The tank is waiting for you"; etc. etc.). Apparently the songs were made as a joke for a guy who lived in the apartments near where Shawn Nelson went on his infamous 1995 tank rampage through the streets of Clairemont. Listening to "The Tank" now, it almost seems like these robot voices are urging someone to snap all over again. Download it here. Listen if you dare...