“So what if the little nipper sees him! A whack on the head with a sock full of sand and a dab of whiskey on the lips, and they dont remember a thing!”
Y'know looking back on my time in the NSR fandom it's weird how victimized people tend to make the NSR elites, which I really don't think is warranted beyond Sayu's team and Yinu who are MINORS that were employed into a fascist government system under the guise of success. Yes, NSR was a fascist government, or at the very least an authoritarian hand over a dystopian society.
Even if its general tone is light-hearted and silly, the game tackles themes of propaganda, scapegoating, wealth inequality and planned obsolescence, environmental destruction, media control, saving face for tourists, authoritative voting and more, yet most of them aren't the player's main gameplay focus; a lot of lore and context clues are in the background like the town's layout, interacting with certain objects and talking to NPCs. But those themes are a core message of the game and by only treating the members of NSR as regular old musicians you take out all the nuance.
(Plenty more under the cut. TL;DR: No Straight Roads is a relevantly socio-political game and I wish fans would utilize that side of the characters more)
Both halves of the "music war" as I'm gonna call it for lack of an official term had their faults, and I do like that there is no 100% right or wrong side; no straight road, if you will. BUT ALSO. BBJ realized the entire city was suffering in some way under NSR's leadership and had nothing to lose by challenging the status quo (they literally live in a fucking sewer, I'd be full of rage too). They didn't benefit from initial fame, wealth, or military protection like NSR did; not to mention they were also egged on and decieved by one of their closest allies. When voices don't work ala DK West's attempt, then you turn to action. Action can include smacking the shit out of government officials, as a treat (I enjoyed every second trying to get an S rank in Supernova's level <3)
On that note, the woobification is ESPECIALLY bad with DJSS, Neon J and 1010. I love the silly object heads and smexy robots as much as anyone else but they are specifically meant to be critiques of self-absorbed billionaires (sorry to tell DJSS fans this but he's supposed to be Elon-Musk-adjacent) and the k-pop industry with its military involvement, plus the use of militial force to keep rowdy citizens in line. I'm begging people to PLEASE handle them with more care.
Thankfully, it's clear that NSR reduces its chokehold by the end of the game and all the artists put in a lot of work to improve thanks to BBJ's push. Whether the game's writers made that decision to appeal to their own government's approval or was a genuine end to the story, I like that Tatiana has a moment of reflection and does a complete 180 to make the city better in the end (beyond the threat of the city being destroyed ofc). Even if it's unrealistic, it's a hopeful message and shows that anyone can be corrupted by the right circumstances.
Just PLEASE don't forget the characters' actions and choices along the way for the sake of ship fics and cute art. There's a lot of complexity and angst you can add to the characters with that authoritarian history!
went file browsing earlier, so I'm unloading all of my assorted, unposted/forgotten nsr sketches before the new year, various fan design exploration, ocs and aus 😮💨
Hey yeah so this post literally kept me alive for like 6 months. Thank you. And OP is so right. Everyone on this island became my best friends. And guess what? Now they can't wait to meet *you* and they talk about you every single day.
if i had a nickle for every time there's a character who's an intelligent yet over-confident objecthead scientist with huge boobs that had an art trend on twitter depicting them as a fat-ass cat, i'd have two nickles but its weird it happened twice
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