The Daisy I Saved for You
Lint Roller? I Barely Know Her

@theartofmadeline

Game Changer & Make Some Noise
macklin celebrini has autism
hello vonnie
Noah Kahan
ojovivo
YOU ARE THE REASON
The Bowery Presents
Fai_Ryy
Doug Jones
Color Me Curious

titsay
One Nice Bug Per Day

❣ Chile in a Photography ❣
almost home
Show & Tell
The Stonewall Inn

Origami Around
PUT YOUR BEARD IN MY MOUTH

seen from Philippines
seen from India

seen from United Kingdom

seen from United Kingdom
seen from Brazil
seen from Bangladesh

seen from Malaysia

seen from Germany

seen from Germany
seen from France
seen from Belarus
seen from Germany
seen from United States
seen from United States

seen from Vietnam
seen from Saudi Arabia

seen from Indonesia
seen from Argentina

seen from United States
seen from India
@imasadsadegg
The Daisy I Saved for You
夜深忽梦少年事
警探心动夜
what game is it?🤨🤨🤨
posted on wrong blog
卧槽好可爱……
This is an isterik commission where I was given complete freedom to decide the content of the pic. I love Istvan and Erik so much...they're perfect. My heartfelt thanks to the commissioner for supporting me in drawing them!
Sometimes I think about the description of them in the concept art book...[He wears richly adorned black garments that shimmer in the glow of fire with both majesty and menace.] This description is profoundly poetic. Simply reading it, I can already see the dark, gilded patterns on Istvan's clothing glinting like molten gold in the firelight. By contrast, Erik’s white armor is described as [a stark visual contrast to Istvan’s black], and this pure appearance is interpreted as [an embodiment of the choice that lies before him].
I do not know whether the implication that Erik [still has his whole life ahead of him] is meant to leave narrative space for a potential sequel. Yet from Erik’s own perspective, at least by the end of KCD2, he believes his life is already over. The flames of self-destruction are burning within him in despair. Any attempt to “redeem” him through a conventional arc of repentance or moral cleansing would only diminish what makes this character so compelling.
To claim that Erik ought to turn back is, in effect, to assume that he is walking a fundamentally wrong path. But do his past, his choices, and the totality of his emotions and convictions truly deserve to be negated? His devotion, his loyalty, and his pure, profound love for Istvan transcend the secular world and ascend into the realm of the sacred. Any attempt to shatter such sanctity stems from blindness, if not outright evil.
First meeting
好机会好机会
♫♫♫- welcome to the hotel whirling-in-rags~
Erik's taunts during the duel go hard
产概念
I spent my missing days taking exams and playing disco elysium_(´_`」 ∠)_