Impressions on my mind @impressionsonmymind - Tumblr Blog

huariqueje

Far from Blue - Seula Yi

South Korean , b. 1990 -

Pigment inks print , 30 x 40 cm. Ed. 300

the-cricket-chirps

Vincent van Gogh, A Lane of Cypresses with a Couple Walking, 1888

Vincent van Gogh, Landscape with Couple Walking and Crescent Moon, 1890

artessenziale

Ana Mendieta

Ocean Bird (Washup), 1974 Flower Person, Flower Body, 1975 Untitled: Silueta Series

notchainedtotrauma

Alma Thomas, Stars and Their Displays

jareckiworld

Carlos Estévez — Kaleidoscopic City (oil and watercolor pencil on canvas, 2018)

niramish

Close up of clouds in various Indian Miniatures. To see a compilation from 2016, click here.

standingatthefence

Simone Leigh | Jug, 2019

thinkingimages

Keiji Uematsu, “Wave Motion I” (1) & (2), 1976

“To create a work in which the lack of a single element will cause the entire structure – the invisible existences of things and their relationships – to collapse like a cosmos.”

Keiji Uematsu (b. 1947, Kobe, Japan) is a conceptual artist associated with the post-war Japanese art movement, Mono-ha. Over a nearly five decades-long career, Uematsu has developed a highly cohesive body of work that has consistently sought to make visible the invisible relationships between objects and the spaces they inhabit. In 1972, he wrote: ‘What I want to do is to make visible existence, visible connections and visible relations appear more clearly. And to cause non-visible existence, non-visible connections and non-visible relations to appear. And to cause visible existence, visible connections and visible relations not to appear’. The ideas of ‘de-familiarising’ space and focusing our attention on the natural forces of gravity, tension, and material attraction, whether through photography, drawing or sculptural installation, underpin his entire practice.

https://www.simonleegallery.com/artists/keiji-uematsu/